Bovie Movie

Based on an actual incident, Steven Spielberg’s first theatrical feature follows the adventures of a Texas outlaw couple striving to keep their family together by any means necessary. Determined not to lose her child to the authorities, Lou Jean Poplin (Goldie Hawn) gets her obedient convict husband Clovis (William Atherton) to break out of jail and help her kidnap their baby from its foster parents. With hostage Officer Slide (Michael Sacks) in tow, the fugitives head across the plains to Sugarland, Texas, pursued by a flotilla of cop cars. Even though Slide becomes the couple’s friend, the Law is bent on capturing its criminal quarry. Even though it was greeted with strong reviews, and Hal Barwood, Matthew Robbins, and Spielberg won the screenplay prize at the Cannes Film Festival, The Sugarland Express flopped. The young audience that had embraced the challenging tonal shifts of Bonnie and Clyde and Easy Rider in the late 1960s was no longer so reliably drawn to narrative uncertainties in 1974. The massive success of Spielberg’s next picture, the popcorn thriller Jaws (1975), would confirm his suspicion that downbeat films were no longer the way to popular approval.

John has lost all his money. He sits outside a diner in the desert when Sydney happens along, buys him coffee, then takes him to Reno and shows him how to get a free room without losing much money. Under Sydney’s fatherly tutelage, John becomes a successful small-time professional gambler, and all is well, until he falls for Clementine, a cocktail waitress and sometimes hooker.

Ian Curtis is a quiet and rather sad lad who works for an employment agency and sings in a band called Warsaw. He meets a girl named Debbie whom he promptly marries and his band, of which the name in the meantime has been changed to Joy Division, gets more and more successful. Even though Debbie and he become parents, their relationship is going downhill rapidly and Ian starts an affair with Belgium Annik whom he met after one of the gigs and he’s almost never at home. Ian also suffers from epilepsy and has no-good medication for it. He doesn’t know how to handle the feelings he has for Debbie and Annik and the pressure the popularity of Joy Division and the energy performing costs him.

Russian filmmaker Vadim Perelman makes his feature-film debut with the psychological drama House of Sand and Fog, based on the novel by Andre Dubus III. Ben Kingsley plays Massoud Amir Behrani, an Iranian immigrant living the United States. Even though he was a high-ranking official in Iran, he works several menial jobs in order to provide his wife, Nadi (Shohreh Aghdashloo), and his son, Esmail (Jonathan Ahdout), with an apartment in California. He buys a California bungalow, thinking he can fix it up, sell it again, and make enough money to send Esmail to college. However, the house is the legal property of former drug addict Kathy (Jennifer Connelly). After losing the house in an unfair legal dispute with the county, she is left with nowhere to go. Wanting her house back, she hires a lawyer (Frances Fisher) and befriends a police officer (Ron Eldard). Neither Kathy nor Behrani have broken the law, so they find themselves involved in a difficult moral dilemma.

Six criminals, who are strangers to each other, are hired by a crime boss Joe Cabot to carry out a diamond robbery. Right at the outset, they are given false names with an intention that they won’t get too close and concentrate on the job instead. They are completely sure that the robbery is going to be a success. But when the police show up right at the time and the site of the robbery, panic spreads amongst the group members and one of them is killed in the subsequent shootout along with a few policemen and civilians. When the remaining people assemble at the premeditated rendezvous point (a warehouse), they begin to suspect that one of them is an undercover cop.

Tobe Hooper’s influential cult classic continues the subgenre of horror films based on the life and “career” of Wisconsin serial killer Ed Gein, which began with Alfred Hitchcock’s own influential cult classic Psycho. When Sally Hardesty (Marilyn Burns) hears that the Texas cemetery where her grandfather is buried has been vandalized, she gathers her wheelchair-bound brother Franklin (Paul A. Partain) and several other friends together to see if grandpa’s remains are still in one piece. While in the area, Sally and her friends decide to visit grandfather’s old farmhouse. Unfortunately, a family of homicidal slaughterhouse workers who take their job home with them have taken over the house next door. Included amongst the brood is Leatherface (Gunnar Hansen), a chainsaw-wielding human horror show who wears a face mask made out of human skin. Sally’s friends are rapidly exterminated one-by-one by the next-door neighbors, leaving only Sally left to fight off Leatherface and his clan.

Rap star and actor Ice Cube produces, co-writes, and stars in this comic crime thriller that reunites him with his Next Friday (1999) co-star Mike Epps in the 48 Hrs. (1982) mold. Cube plays Bucum Jackson, a Miami bounty hunter for Martinez Bail Bonds who’s tired of his dangerous, unprofitable profession and wants to start his own private investigation firm. Lacking stake money, Bucum is forced to hunt down a small-time grafter named Reggie Wright (Epps), a fast-talking confidence man who’s crossed his path before. Except that this time, Wright tries to avoid his pursuer by hiding in a van being driven by a pair of murderous diamond thieves who’ve just made off with 20 million dollars worth of stones. They’re in the employ of lethal crime lord and yacht broker Williamson (Tommy Flanagan), someone that neither Reggie nor Bucum is anxious to cross, but it seems that Reggie left his wallet in the van, a wallet containing a winning lottery ticket worth 60 million dollars. The hunt is on for big money as the mismatched duo tries to outfox a wily syndicate for both the ticket and the precious gems. The directorial debut of music video director Kevin Bray, All About the Benjamins (2002) co-stars Eva Mendes, Carmen Chaplin, Valarie Rae Miller, Jeff Chase, Roger Guenveur Smith, Anthony Michael Hall, and Lil’ Bow Wow.

Directed by Kerry Conran, Sky Captain and the World of Tomorrow revolves around the mysterious disappearance of some of the world’s most revered scientists. When an investigation is launched, Polly Perkins (Gwyneth Paltrow), reporter for the prestigious Chronicle, and Sky Captain (Jude Law), resident flying ace, are at the forefront of the case. Though the mission’s perks include traveling around the world, the stout-hearted duo are nonetheless risking their lives with each passing moment, as the culprit is none other than the nefarious Dr. Totenkopf, and his goal, from what they can gather, is to destroying the earth in its entirety. Luckily, Sky Captain and Polly are not alone — Franky Cook (Angelina Jolie), the commander of an all-female amphibious squadron, and Dex (Giovanni Ribisi), an unparalleled technical genius, have joined them in hopes of saving the planet before it’s too late. Laurence Olivier appears posthumously as Dr. Totenkopf, via old film-clips “recycled” (or CG-altered) to fit the dialogue and scenes at hand.