Bovie Movie

A group of Special Ops Reservists on a mission in the harsh and hostile terrain of Afghanistan find themselves lost in a Middle Eastern “Bermuda Triangle” of ancient evil.

In 1930, singer Pandora Reynolds, gorgeous, enigmatic, and fascinated by danger and destruction, has the men of a small Spanish town in despair. Just when race driver Stephen Cameron thinks he’s won her, a mysterious yacht appears in the bay whose eerie captain may be the legendary Flying Dutchman. Stephen has an apparently more dangerous rival in the form of an arrogant bullfighter; but Pandora’s friendship with the Dutchman may lead them both to a rendezvous with Fate…

After a terrorist bombing kills an American envoy in a foreign country. An investigation leads to an Egyptian who has been living in the United States for years and who is married to an American. He is apprehended when he’s on his way home. The U.S. sends him to the country where the incident occurs for interrogation which includes torture. An American CIA operative observes the interrogation and is at odds whether to keep it going or to stop it. In the meantime, the man’s wife raises hell to find him despite being pregnant but the person behind this refuses to help or give her any information.

Beth Cappadora (Michelle Pfeiffer), a photographer, is married to Pat (Treat Williams), a restaurateur, and they would seem to have a perfect life in Madison, Wisconsin. In 1988, they have three small children that Beth takes along to her high school reunion in Chicago. While checking in at a crowded hotel lobby, her middle child, three-year-old Ben, disappears. Despite a frantic search and much media coverage, the boy is not found, and Beth soon falls apart. Nine years later, the family has only barely recovered when they move to Chicago so Pat can open a restaurant with his father. A few months later, a neighborhood boy named Sam Karras (Ryan Merriman) knocks on the door, asking to mow the lawn. Beth notices the boy’s appearance exactly matches a time-elapsed photo of Ben constructed by the police; she takes pictures of the boy and contacts both her husband and police detective Candy Bliss (Whoopi Goldberg). School fingerprints of Ben and Sam match, and the boy is taken to foster care while Candy and Beth confront the father, George (John Kapelos). It seems Ben was abducted by an unbalanced woman who was Beth’s high school classmate; the boy was eventually adopted by George when he married “Sam’s” new mother, and she later committed suicide, leaving no one to blame. Having grown up happily with George, Sam has no memories of his real parents. Now Beth and Pat must find a way to bond with Sam, and heal older brother Vincent (Jonathan Jackson), who was supposed to be watching Ben at the time he disappeared, and has been suffering from guilt ever since.

A teenage girl agrees to meet a thirtysomething fashion photographer in person after becoming acquainted with him in an online chat room, and the resulting encounter finds the line between predator and prey slipping slowly out of focus in director David Slade’s provocative and topical thriller. Hayley (Ellen Page) is a 14-year-old teen whose emotional maturity seems to betray her tender age. Jeff (Patrick Wilson) is a potential child predator whose intentions toward his young chat buddy seem less than honorable. After meeting in a coffeehouse and getting to know each other briefly in person, Jeff invites Haley back to his place, and it’s not long before Jeff’s underage guest is pouring drinks and posing provocatively for an impromptu photo shoot. As the evening’s questionable activities take a decidedly sordid slant and the raptorial Jeff appears poised to strike, a sudden turn of events finds that his apparent victim has had a plan of her own from the very beginning.

Marking the directorial debut of Sergio Arau, son of Like Water for Chocolate director Alfonso Arau, A Day Without a Mexican ponders the potentially catastrophic results that would occur if California-based Mexicans, who make up over a third of the state’s population, were to suddenly disappear. The mockumentary postulates that the lack of Latino gardeners, nannies, cooks, policeman, maids, teachers, farm workers, construction crews, entertainers, athletes, and the world’s largest growing consumer market would create a social, political, and economic disaster, leaving the concept of the “California Dream” in shambles. A Day Without a Mexican proved controversial even before its release: promotional billboards reading “On May 14th, there will be no Mexicans in California” caused a stir with immigrant rights groups, who believed the sign was a statement against the Latino community. The film stars Yareli Arizmendi, John Getz, Maureen Flannigan, and Muse Watson.