Bovie Movie

Pierce Brosnan gives one last mission as James Bond. Starting off in North Korea, Bond is betrayed and captured. 14 months later, Bond is set free, but traded for Zao (Yune) who was captured by MI6. When back in his world, Bond sets off to track down Zao. Bond gets caught up in yet another scheme which sends him to millionaire Gustav Graves (Stephens). Another MI6 agent known as Miranda Frost (Pike) is also posing as a friend of Graves. Bond is invited to a presentation held by Graves about a satellite found in space which can project a huge laser beam. Bond must stop this madman with a fellow American agent, known as Jinx (Berry). Whilst Bond tries to stop Graves and Zao, will he finally reveal who betrayed him?

George Lucas draws the Star Wars film series to a close with this dark sci-fi adventure which sets the stage for the events of the first film and brings the saga full circle. After a fierce battle in which Obi-Wan (Ewan McGregor) and Anakin (Hayden Christensen) join Republic forces to help free Chancellor Palpatine (Ian McDiarmid) from the evil Count Dooku (Christopher Lee) and his minions, Anakin is drawn into Palpatine’s confidence. Palpatine has designs on expanding his rule, and with this in mind he plants seeds of doubt in Anakin’s mind about the strength and wisdom of the Jedis. Anakin is already in a quandary about how to reveal to others the news of his secret marriage to Padmé Amidala (Natalie Portman) now that she is pregnant, and visions which foretell her death in childbirth weigh heavy on his mind. As Anakin finds himself used by both the Jedis and the Republic for their own purposes — particularly after Mace Windu (Samuel L. Jackson) expresses his distrust of the young Jedi — he turns more and more to the Force for help, but begins to succumb to the temptations of its dark side. Many of the Star Wars series regulars returned for Star Wars: Episode III — Revenge of the Sith, including Frank Oz as the voice of Yoda, Anthony Daniels as C-3PO, Kenny Baker as R2-D2, and Peter Mayhew as Chewbacca.

Robert and Katherine Thorn seem to have it all. He is the US Ambassador to Italy and they want for nothing in their lives, except one thing: they do not have children. When Katharine has a stillborn child, Robert is approached by a priest at the hospital who suggest that he take a healthy newborn whose mother has just died in childbirth. Without telling his wife he agrees to to so but after relocating to London, strange events - and the ominous warnings of a priest - lead him to believe that the child he took from that Italian hospital is evil incarnate.

A remake of the Spanish film Open Your Eyes (1997), this thriller from director Cameron Crowe bears one of several discarded titles for his previous, Oscar-winning film Almost Famous (2000). Tom Cruise stars as David Ames, a womanizing playboy who finds romantic redemption when he falls in love with his best friend’s girlfriend Sofia (Penelope Cruz, reprising her role from the original film). Before that relationship can begin, however, David is coaxed into a car driven by an ex-lover, Julie (Cameron Diaz), who turns out to be suicidal. Driving her car off a bridge, Julie kills herself and horribly disfigures David. Reconstructive surgery and the loving support of Sofia seem to reverse David’s luck, but eerie incidents are soon making him question the reality of his existence and his control over his life, even while he is suspected of complicity in Julie’s death. Vanilla Sky (2001) bears the expected Crowe trademark of an obsession with recent pop culture and particularly rock music, a more important element of the remake than the original film. That project’s writer/director, Alejandro Amenabar, crafted his own supernatural hit the same year with The Others (2001), starring Nicole Kidman, the soon-to-be-ex-wife of Cruise.

Ridley Scott directed this epic-scale historical drama inspired by the events of the Crusades of the 12th century. Balian (Orlando Bloom) is a humble French blacksmith who is searching for a reason to go on after the death of his wife and children. Balian is approached by Godfrey of Ibelin (Liam Neeson), a fabled knight who has briefly returned home after serving in the East. Godfrey informs Balian that he is his true father, and urges the blacksmith to join him as he and his forces journey to Jerusalem to help defend the holy city. Balian accepts, and he and Godfrey arrive during the lull between the Second and Third Crusades, in which the city is enjoying a fragile peace. Both Christian and Muslim forces are temporarily in retreat, thanks to the wisdom of the Christian monarch King Baldwin IV (Edward Norton), his second-in-command Tiberias (Jeremy Irons), and Muslim potentate Saladin (Ghassan Massoud). Violent agitators on both sides are foolishly eager to end the peace in a bid for greater power, and Saladin bows to pressures from Muslim factions; Godfrey is one of a handful of brave knights who has thrown his allegiance behind Baldwin IV and his community of diversity, and Balian joins him as they use their skills as warriors in a bid to build a lasting peace. Kingdom of Heaven also stars Eva Green as the princess Sibylla, David Thewlis as Hospitaler the priest, and Brendan Gleeson as Reynald.

Mike and his girlfriend Sheryl travel from Virginia to Lake Kimbrabow State Park in West Virginia to spend the weekend hiking and camping in the woods. They ask for directions to the local guard that advises them to follow the Donner Trail or the Willow Creek Bridge; however, Mike meets the local Ida Forester in the crossroad that tells them that Timber Falls has magnificent landscapes and a wonderful waterfall and the couple decide to go to the place. They stumble with the troublemakers Brody, Darryl and Lonnie and Sheryl convinces Mike to get rid off the bullets of his revolver. They camp and in the morning Sheryl is abducted while bathing in a nearby lake. The desperate Mike seeks her, and finds a deranged fanatic religious family that needs them to procreate an offspring.

David Cronenberg directed this screen adaptation of a graphic novel by John Wagner and Vince Locke which explores how an act of heroism unexpectedly changes a man’s life. Tom Stall (Viggo Mortensen) lives a quiet life in a small Indiana town, running the local diner with his wife, Edie (Maria Bello), and raising their two children. But the quiet is shattered one day when a pair of criminals on the run from the police walk into his diner just before closing time. After they attack one of the customers and seem ready to kill several of the people inside, Tom jumps to the fore, grabbing a gun from one of the criminals and killing the invaders. Tom is immediately hailed as a hero by his employees and the community at large, but Tom seems less than comfortable with his new notoriety. One day, a man with severe facial scars, Carl Fogarty (Ed Harris), sits down at the counter and begins addressing Tom as Joey, and begins asking him questions about the old days in Philadelphia. While Tom seems puzzled, Carl’s actions suggest that the quiet man pouring coffee at the diner may have a dark and violent past he isn’t eager to share with others — as well as some old scores that haven’t been settled.

David Lynch wrote and directed this look at two women who find themselves walking a fine line between truth and deception in the beautiful but dangerous netherworld of Hollywood. A beautiful woman (Laura Elena Harring) riding in a limousine along Los Angeles’ Mulholland Drive is targeted by a would-be shooter, but before he can pull the trigger, she is injured when her limo is hit by another car. The woman stumbles from the wreck with a head wound, and in time makes her way into an apartment with no idea of where or who she is. As it turns out, the apartment is home to an elderly woman who is out of town, and is allowing her niece Betty (Naomi Watts) to stay there; Betty is a small-town girl from Canada who wants to be an actress, and her aunt was able to arrange an audition with a film director for her. Betty befriends the injured woman, who begins calling herself “Rita” after seeing a poster of Rita Hayworth. While Betty’s audition impresses a casting agent, and she catches the eye of hotshot director Adam Kesher (Justin Theroux), Kesher’s producers and moneymen insist with no small vehemence that he instead cast a woman named Camilla Rhodes. As Rita attempts to put the pieces of her life back together, she pulls the name Diane Selwyn from her memory; Rita thinks it could be her real name, but when she and Betty find a listing for Diane Selwyn and visit her apartment, they discover the latest victim of a mysterious killer who is eluding police detective Harry McKnight (Robert Forster). Rita’s emotional identity soon takes a left turn, and it turns out that neither woman is quite who she once appeared to be. David Lynch originally conceived Mulholland Drive as the pilot film for a television series; after the ABC television network rejected the pilot and declined to air it, the French production film StudioCanal took over the project, and Lynch reshot and re-edited the material into a theatrical feature. The resulting version of Mulholland Drive premiered at the 2001 Cannes Film Festival, where David Lynch shared Best Director honors with Joel Coen.

Mel Gibson’s well-publicized production The Passion of the Christ concerns the last 12 hours in the life of Jesus of Nazareth. The dialogue is spoken in the ancient Aramaic language, along with Latin and Hebrew. In the Garden of Gethsemane near the Mount of Olives, Jesus (James Caviezel) is betrayed by Judas Iscariot (Luca Lionello). Jesus is condemned to death for blasphemy and brought before Pontius Pilate (Hristo Naumov Shopov), the Roman governor of Judea, for sentencing. The roaring crowd demand his death, so Pilate orders his crucifixion. Jesus is severely beaten and made to carry his cross up to Golgotha, the hill outside Jerusalem, where he is nailed to the cross. Romanian theatrical actress Maia Morgenstern plays Mary, Mother of God, and Italian superstar Monica Bellucci plays Mary Magdalene. Amid much controversy involving Gibson and various religious organizations, The Passion of the Christ received an international theatrical release in February of 2004. In March 2005, Gibson released an unrated version of the film, dubbed The Passion Recut, that eliminated five to six minutes of the more graphic scenes of flogging and crucifixion.