Bovie Movie

From writer/director David Koepp (Stir of Echoes) comes this filmed adaptation of Stephen King’s novella Secret Window, Secret Garden, one of four stories in the collection Four Past Midnight. Johnny Depp stars as Mort Rainey, a recently divorced author who decides to take some time off at his cottage. Unfortunately for Rainey, John Shooter (John Turturro), an unbalanced wannabe writer, tracks him down, claiming that Rainey plagiarized his work. Also starring Maria Bello, Charles S. Dutton, and Timothy Hutton, Secret Window is the second story from Four Past Midnight to be adapted as a film, the first being 1995’s made-for-television The Langoliers.

Kevin Costner stars in and directs the Western Open Range. Robert Duvall stars as Boss Spearman, a rugged old-timer who free-grazes cattle. He and Charley Waite (Costner) have been partners for ten years. As the film opens in the 1880s, the pair and their employees — the beefy, rugged, likable Mose (Abraham Benrubi) and the impetuous Mexican teenager Buttons (Diego Luna) — are driving cattle across the West. Mose is attacked and thrown in jail during a visit to a town. The local cattle rancher Baxter (Michael Gambon) wants the free grazers off his land and warns Charley and Boss when they retrieve Mose that they have until the next day to be out of the area. Boss decides to fight back, especially after Baxter’s men do harm to the foursome. Charley confesses his past as a killer during the Civil War and strikes up a tentative romance with Sue Barlow — the sister of the town doctor. The film’s centerpiece is an extended gunfight between the duo (with some assistance from sympathetic townsfolk) and Baxter’s hired gunmen.

The true story of a man who, on February 22, 1974, was thwarted from an ambitious plan for political assassination provides the basis for this striking psychological drama. Sam Bicke (Sean Penn) is a salesman for an office-supply company whose life is slowly beginning to unravel. Bicke’s job is going nowhere, his wife, Marie (Naomi Watts), has left him, and his boss (Jack Thompson) keeps pushing self-help books on him that make a mockery of his state of mind. One of Bicke’s few friends is Bonny Simmons (Don Cheadle), an auto mechanic, and together they come up with an idea for a tire shop on wheels; while neither has the money to finance the project, Bicke has learned of a program for small-business loans instituted by President Richard Nixon, which he’s certain will come through for him. But Bicke is denied his loan, which dovetails with his increasing suspicion of the president’s Vietnam policies and a sudden interest in the “by any means necessary” political activism of the Black Panther Party. Desperate to seem important in some way, Bicke becomes increasingly obsessed with the duplicity of Richard Nixon, until he chooses to take it upon himself to stop the president once and for all. The Assassination of Richard Nixon was the first feature film from director Niels Mueller.

Ang Lee directs the live-action feature film The Hulk, based on the Marvel comic book created by Stan Lee and illustrated by Jack Kirby. Emotionally stunted Dr. Bruce Banner (Eric Bana) is part of a research team at the University of California at Berkeley. Corporate hustler Glenn Talbot (Josh Lucas) takes notice of the lab and makes plans to take it over. Then Bruce accidentally gets hit by an experimental ray and grows into a huge beast, destroying the lab in the process. A creepy janitor who claims to be his real father, Dr. David Banner (Nick Nolte), starts to secretly use the experimental ray on himself. He creates some mutant dogs and sends them after Bruce’s lab mate and ex-girlfriend Betty Ross (Jennifer Connelly). After Bruce saves her life in the form of the Hulk, she lets her distant father, General Ross (Sam Elliott), take him to an abandoned army base in the desert. However, Glenn Talbot takes over the operation and wants to patent the creature’s superpowers for his own profit, so he holds Bruce unconscious in an isolation tank. When provoked, Bruce turns into the Hulk and makes a break for San Francisco, leading to a desert chase sequence involving military aircraft, tanks, and bombs. Only the sight of Betty can make him turn back to his human form. When he is eventually captured, Dr. David Banner shows up for a final confrontation with his son and his old adversary, General Ross.

In A Fish Called Wanda, Jamie Lee Curtis plays an ambitious con artist who uses every ounce of her sexual wiles to obtain a fortune in jewels stolen by her gangster lover Tom Georgeson. First, she romances Georgeson’s dimwitted but deadly henchman Kevin Kline (who won an Academy Award for his performance). Then, to clear the path for her getaway with Kline, Jamie woos Georgeson’s starched-shirt attorney, John Cleese — and it’s Cleese whom she genuinely falls in love with. Michael Palin, Cleese’s former Monty Python cohort, plays a stuttering mob flunkey who continually messes up his one big assignment: killing a little old lady (it isn’t that he has any qualms about knocking off the old dear; it’s just that her pet dogs keep getting in the way). A Fish Called Wanda was scripted by star John Cleese.

Can a new marriage survive meddling friends, disapproving families, and some of the worst accommodations in Europe? That’s the question posed in this broad comedy. Tom Leezak (Ashton Kutcher) is a regular guy who likes sports and beer and tries to make ends meet working as a nighttime radio traffic reporter. Sarah McNerney (Brittany Murphy) is a beautiful young woman from a wealthy and privileged family who is trying to make a name for herself as a writer. Tom and Sarah have seemingly nothing in common, but that doesn’t stop them from falling in love. Sarah’s family doesn’t much care for Tom’s boorish ways, and Tom’s buddies think Sarah is too highbrow for him, but, if anything, this makes the couple all the more determined to be together, and they decide to get married and head off to Italy for a month-long honeymoon despite the pleas of those closest to them. However, even after the knot is tied, Sarah’s former beau, Peter Prentiss (Christian Kane), is dead set upon breaking up the happy couple, though as it turns out, a seemingly endless stream of bad luck and post-marital jitters may do the job for him. Just Married was written by Sam Harper, who claims to have loosely based the script on his own experiences on an ill-starred European honeymoon with his wife; fortunately, the couple’s marriage survived the experience.

Laid up with a broken leg, photojournalist L.B. Jeffries (James Stewart) is confined to his tiny, sweltering courtyard apartment. To pass the time between visits from his nurse (Thelma Ritter) and his fashion model girlfriend Lisa (Grace Kelly), the binocular-wielding Jeffries stares through the rear window of his apartment at the goings-on in the other apartments around his courtyard. As he watches his neighbors, he assigns them such roles and character names as “Miss Torso” (Georgine Darcy), a professional dancer with a healthy social life or “Miss Lonelyhearts” (Judith Evelyn), a middle-aged woman who entertains nonexistent gentlemen callers. Of particular interest is seemingly mild-mannered travelling salesman Lars Thorwald (Raymond Burr), who is saddled with a nagging, invalid wife. One afternoon, Thorwald pulls down his window shade, and his wife’s incessant bray comes to a sudden halt. Out of boredom, Jeffries casually concocts a scenario in which Thorwald has murdered his wife and disposed of the body in gruesome fashion. Trouble is, Jeffries’ musings just might happen to be the truth. One of Alfred Hitchcock’s very best efforts, Rear Window is a crackling suspense film that also ranks with Michael Powell’s Peeping Tom (1960) as one of the movies’ most trenchant dissections of voyeurism. As in most Hitchcock films, the protagonist is a seemingly ordinary man who gets himself in trouble for his secret desires.

Following the smash hit The Sixth Sense (1999) and the under-performing follow-up Unbreakable (2000), directing phenom M. Night Shyamalan returns to the summer box office landscape that served as the backdrop for his cinematic breakthrough. In Signs, another paranormal outing for the writer-director, Shyamalan explores the eerie implications of a 500-foot crop circle that mysteriously appears on the Bucks County, PA farm of reverend Graham Hess (Mel Gibson). As Hess and his family (Joaquin Phoenix, Rory Culkin, Abigail Breslin) try to take stock of what the sign means, and how its message incorporates into their faith, they start to get the feeling they are not alone in the fields behind their house. Shyamalan re-teams with producers Frank Marshall, Sam Mercer and Kathleen Kennedy, and produces the project in association with his Blinding Edge Pictures banner and Touchstone Pictures.

In this sci-fi thriller, a man and a woman must fend off a killer whom they cannot see. Scientist Sebastian Caine (Kevin Bacon) is working with a secret military research team headed by Dr. Kramer (William Devane), assigned to create new intelligence technology. With the help of his colleagues Linda McKay (Elisabeth Shue) and Matt Kensington (Josh Brolin), Sebastian has been developing a serum that makes people invisible. The formula is new and unstable, but after a risky but successful test on an ape, an impatient Sebastian, under pressure from Kramer, decides to try it on himself. It works, but no one counted on the side effects; unable to reverse the serum’s effects, an invisible Sebastian goes insane, and begins pursuing Linda (his former girlfriend) and Matt (Linda’s current beau) in a fog of homicidal rage. Directed by Paul Verhoeven, Hollow Man also features Kim Dickens, Mary Randle, Joey Slotnick, and Greg Grunberg.

Endlessly imitated, The Terminator made the reputation of cowriter/director James Cameron — who would go on to make 1997’s titanic Titanic — and solidified the stardom of Arnold Schwarzenegger. The movie begins in a post-apocalyptic 2029, when Los Angeles has been largely reduced to rubble and is under the thumb of all-powerful ruling machines. Kyle Reese (Michael Biehn), a member of the human resistance movement, is teleported back to 1984. His purpose: to rescue Sarah Connor (Linda Hamilton), the mother of the man who will lead the 21st-century rebels against the tyrannical machines, from being assassinated before she can give birth. Likewise thrust back to 1984 is The Terminator (Schwarzenegger), a grim, well-armed, virtually indestructable cyborg who has been programmed to eliminate Sarah Connor. After killing two “Sarah Connors” who turn out to be the wrong women, he finally aims his gunsights at the genuine article. This is the film in which Schwarzenegger declared “I’ll be baaaack” — and back he was, in “kinder and gentler” form, in the even more successful Terminator 2: Judgment Day (1991).