Bovie Movie

Noted theater director Sam Mendes, who was responsible for the acclaimed 1998 revival of Cabaret and Nicole Kidman’s turn in The Blue Room, made his motion picture debut with this film about the dark side of an American family, and about the nature and price of beauty in a culture obsessed with outward appearances. Kevin Spacey plays Lester Burnham, a man in his mid-40s going through an intense midlife crisis; he’s grown cynical and is convinced that he has no reason to go on. Lester’s relationship with his wife Carolyn (Annette Bening) is not a warm one; while on the surface Carolyn strives to present the image that she’s in full control of her life, inside she feels empty and desperate. Their teenage daughter Jane (Thora Birch) is constantly depressed, lacking in self-esteem, and convinced that she’s unattractive. Her problems aren’t helped by her best friend Angela (Mena Suvari), an aspiring model who is quite beautiful and believes that that alone makes her a worthwhile person. Jane isn’t the only one who has noticed that Angela is attractive: Lester has fallen into uncontrollable lust for her, and she becomes part of his drastic plan to change his body and change his life. Meanwhile, next door, Colonel Fitts (Chris Cooper) has spent a lifetime in the Marine Corps and can understand and tolerate no other way of life, which makes life difficult for his son Ricky (Wes Bentley), an aspiring filmmaker and part-time drug dealer who is obsessed with beauty, wherever and whatever it may be. American Beauty was also the screen debut for screenwriter Alan Ball.

Painfully shy Todd Anderson has been sent to the school where his popular older brother was valedictorian. His room-mate, Neil, although exceedingly bright and popular, is very much under the thumb of his overbearing father. The two, along with their other friends, meet Professor Keating, their new English teacher, who tells them of the Dead Poets Society, and encourages them to go against the status quo. Each, in their own way, does this, and are changed for life.

A feminist farm belt version of William Shakespeare’s King Lear, this film is based on Jane Smiley’s novel about an aging farmer and his three daughters. The Lear-like farmer, Larry Cook (Jason Robards), decides to divide up his thousand-acre farm among his three daughters, but he disinherits his youngest, Caroline (Jennifer Jason Leigh), an attorney, when she expresses hesitancy. The other sisters, Ginny (Jessica Lange) and Rose (Michelle Pfeiffer), take up the offer, even though they were sexually abused by their father as children. They also take up romantically with the hippie son of a neighboring farmer, Jess Clark (Colin Firth), after their own drunken, demented father moves out to live with Clark’s father Harold (Pat Hingle). When Rose’s husband Peter (Kevin Anderson) learns of her betrayal, he gets drunk, crashes his truck, and dies. Ginny’s husband Ty (Keith Carradine) enlists Caroline’s help and sues Ginny and Rose on behalf of their father, whom he feels has been treated badly by the daughters.

Based on the true story of Australian pianist David Helfgott, this delightful movie charts the early and traumatic early years. Telling the story in flashback we see David as he grows up and into a child prodigy while his father abuses him and his siblings with the memory of his childhood in Europe and the loss of his family in the concentration camps. David finally breaks away from his father and goes away to study overseas, he later suffers a breakdown and returns to Australia and a life in an institution. Many years later he is released and through several twists of fate (in reality even more unlikely than film portrays) he starts playing a piano in a bar before finally returning to the concert hall.

The sweeping, melodramatic saga of three brothers, their powerful father, and a beautiful woman, the popular period drama Legends of the Fall presents a romanticized view of rugged masculinity against lush Montana scenery. Based on a novel by Jim Harrison, the film covers decades in the lives of Alfred (Aidan Quinn), Tristan (Brad Pitt), and Samuel (Henry Thomas) Ludlow, the sons of retired military man William Ludlow (Anthony Hopkins). Raised by the unorthodox Ludlow after the departure of their mother, the boys grow up close, sharing an appreciation of the land and a pioneering spirit. The family becomes divided, however, when young Sam enlists in World War I over his father’s objections, and his brothers follow suit to protect him. Despite these efforts, Sam dies in battle, leaving Alfred and Tristan to return home and deal with the lingering torment. Further complicating matters is the presence of Sam’s beautiful fianc?e, Susannah (Julia Ormond). After Sam’s death, she attracts the romantic attention of both the responsible Alfred and the brooding Tristan, a conflict that threatens to drive the brothers apart. Aspiring to epic status, the film utilizes period detail and attractive landscapes as a backdrop for tragic, doomed romance. While some critics complained that the film resembled a romance novel writ, veering at times into the overwrought, audiences embraced the combination of emotion and grand historical scale, making the film a box-office success.