Bovie Movie

A mechanic in the British drug trade finds himself caught in the middle of some dangerous circumstances in this crime thriller. XXXX (Daniel Craig) is a nameless go-between in the British mob who buys drugs from underground wholesalers and them sells them to street dealers, keeping the system flowing and making a tidy profit in the process. XXXX is looking forward to getting out of the game, and has displayed both smarts and caution in how he’s handled his business, but before his overseer Jimmy Price (Kenneth Cranham) will let him go, he has a couple of favors that need to be done. First, Eddie Temple (Michael Gambon) is a mob boss whose daughter has gotten hooked on hard drugs and run away from home; Jimmy needs XXXX to find them girl and bring her to him before Eddie’s men can get hold of her. Second, Dragan (Dragan Micanovic) is a Ecstasy wholesaler who has had a large shipment stolen by Duke (Jamie Foreman); Jimmy wants XXXX to get the Ecstasy back to Dragan, but Duke isn’t eager to sell and Dragan is becoming impatient. Between these two matters, XXXX isn’t so sure he’ll get out of the business alive, especially after he finds himself falling for Duke’s nephew’s girlfriend, Tammy (Sienna Miller). Layer Cake marked the directorial debut for Matthew Vaughn, best known as a producer for Guy Ritchie’s lad-centric crime movies.

The cynical son of an upper-class New York family bedeviled by booze, pills and mental illness strikes out on his own in this caustic, darkly comic drama. Igby Slocomb (Kieran Culkin) and his older brother, Oliver (Ryan Phillippe), are are in the process of killing their mother, Mimi (Susan Sarandon). Flashbacks delineate Igby’s troubled childhood: Speed-freak Mimi and her depressed husband, Jason (Bill Pullman), snipe at each other endlessly until Jason attempts suicide before Igby’s very eyes and takes up residence in a mental hospital. Igby grows into a rebellious youth, gets kicked out of several boarding schools and ends up in a hellish military academy. After one failed escape attempt, he heads to New York City and hides out in the apartment of Rachel (Amanda Peet), the heroin-addled mistress of his godfather, D.H. (Jeff Goldblum). Oliver locates the young scoundrel and informs him that Mimi is suffering from cancer. Unperturbed, Igby continues his slacker existence — and his romance with Sookie (Claire Danes), a hipper-than-thou undergraduate who finds herself torn between Igby and Oliver. As Igby gets drawn further into the mind games and hypocrisy of the adult world, his already jaded outlook grows even darker. He takes to dealing smack and hanging out with a cross-dressing performance “artist” (Jared Harris). Ultimately, though, Mimi’s impending death draws him back into the family fold for unexpected revelations and realizations. Written and directed by first-time filmmaker Burr Steers, Igby Goes Down features Rory Culkin, Kieran’s brother, as the young Igby.

Following the death of her drug-addicted mother, a whimsical young girl follows her chemically dependent father to a remote prairie house to discover a wondrous world of magical fireflies and nocturnal bog men in this hallucinatory childhood fantasy from visionary filmmaker Terry Gilliam. Noah (Jeff Bridges) is a burnt-out rock star whose post-superstar voyage to obscurity is hastened by a serious drug addiction that is also shared with his wild-eyed wife (Jennifer Tilly). When the Noah’s increasingly erratic wife suffers a fatal overdose, the faded rock star opts to escape the painful reality by retreating to a ramshackle remote home with his young daughter, Jeliza-Rose (Jodelle Ferland). Left to her own devices as her father stumbles about the grasslands in a drug-induced haze, Jeliza-Rose soon ventures into her own fantasy land before making the acquaintance of mentally challenged youth Dickens (Brendan Fletcher). As the two become fast friends and Jeliza-Rose joins the swimsuit-clad Dickens in defeating the menacing shark that traverses the nearby railways, the pair are watched over by Dickens’ black-clad sister, Dell (Janet McTeer), who acts as Dickens’ guardian and whose overly enthusiastic interest in the art of taxidermy borders on obsessive.

Outrageously violent, time-twisting, and in love with language, Pulp Fiction was widely considered the most influential American movie of the 1990s. Director and co-screenwriter Quentin Tarantino synthesized such seemingly disparate traditions as the syncopated language of David Mamet; the serious violence of American gangster movies, crime movies, and films noirs mixed up with the wacky violence of cartoons, video games, and Japanese animation; and the fragmented story-telling structures of such experimental classics as Citizen Kane, Rashomon, and La jet?e. The Oscar-winning script by Tarantino and Roger Avary intertwines three stories, featuring Samuel L. Jackson and John Travolta, in the role that single-handedly reignited his career, as hit men who have philosophical interchanges on such topics as the French names for American fast food products; Bruce Willis as a boxer out of a 1940s B-movie; and such other stalwarts as Harvey Keitel, Tim Roth, Christopher Walken, Eric Stoltz, Ving Rhames, and Uma Thurman, whose dance sequence with Travolta proved an instant classic.

Mark Renton (Ewan McGregor), a young man with few prospects and fewer ambitions, lives in economically depressed Edinburgh. Like most of his friends, Renton is a heroin addict who loves the drug’s blissful nothingness; financing his habit also provides excitement and challenges that his life otherwise lacks. Renton’s two best friends are also junkies: Sick Boy (Jonny Lee Miller), a snappy dresser obsessed with James Bond, and Spud (Ewan Bremner), a guileless nerd who suggests Pee Wee Herman’s debauched cousin. Renton and his pals also hang out with Begbie (Robert Carlyle), a borderline psychotic who loathes junkies even though he drinks like a fish. After one too many brushes with the law, Renton kicks heroin and moves to London, where he finds a job, a flat, and something close to peace of mind. However, Sick Boy, Begbie, and Spud all arrive at his doorstep on the trail of a big score, leading Renton back into drugs and crime.

For some folks, the 1960s never really ended, and one woman still cheerfully stuck in the Summer of Love discovers her one-time best friend has left that decade as far behind as humanly possible in this comedy. In the late ’60s and early ’70s, Suzette (Goldie Hawn) and Vinnie (Susan Sarandon) were two of Southern California’s most celebrated groupies. Affectionately nicknamed “The Banger Sisters” by Frank Zappa, best friends Suzette and Vinnie partied hearty with practically every rock star of the era who mattered, and kept a collection of Polaroid snapshots documenting their randy exploits. In 2001, Suzette is still her free-spirited self, and after losing her job as a barmaid at an L.A. rock club, she decides to look up Vinnie, whom she hasn’t seen for 20 years. Suzette hits the road for Phoenix, AZ, to pay Vinnie a surprise visit, and en route picks up Harry (Geoffrey Rush), a novelist with writer’s block who can’t drive and hasn’t had sex for a decade. Upon her arrival, Suzette discovers Vinnie isn’t quite the same person who used to chase any man with long hair and an electric guitar. Now going by her given name of Lavinia, she’s a straight laced social worker with a lawyer for a husband, Raymond (Robin Thomas), and two teenage daughters, Hannah (Erika Christensen) and Ginger (Eva Amurri), none of whom know a thing about her wild and crazy past, and have a pretty hard time imagining Lavinia even attending a rock concert. Eva Amurri comes by her role as Susan Sarandon’s daughter naturally enough — Amurri is Sarandon’s daughter in real life.

Russian filmmaker Vadim Perelman makes his feature-film debut with the psychological drama House of Sand and Fog, based on the novel by Andre Dubus III. Ben Kingsley plays Massoud Amir Behrani, an Iranian immigrant living the United States. Even though he was a high-ranking official in Iran, he works several menial jobs in order to provide his wife, Nadi (Shohreh Aghdashloo), and his son, Esmail (Jonathan Ahdout), with an apartment in California. He buys a California bungalow, thinking he can fix it up, sell it again, and make enough money to send Esmail to college. However, the house is the legal property of former drug addict Kathy (Jennifer Connelly). After losing the house in an unfair legal dispute with the county, she is left with nowhere to go. Wanting her house back, she hires a lawyer (Frances Fisher) and befriends a police officer (Ron Eldard). Neither Kathy nor Behrani have broken the law, so they find themselves involved in a difficult moral dilemma.

The final work of legendary director Stanley Kubrick, who died within a week of completing the edit, stars Tom Cruise and Nicole Kidman, at the time Hollywood’s most bankable celebrity couple, and was shot on a open-ended schedule (finally totaling over 400 days), with closed sets in London standing in for New York City. Cruise and Kidman play William and Alice Harford, a physician and a gallery manager who are wealthy, successful, and travel in a sophisticated social circle; however, a certain amount of decadence crosses their paths on occasion, and a visit to a formal-dress party leads them into sexual temptation when William is drafted into helping a beautiful girl who has overdosed on drugs while Alice is charmed by a man bent on seduction. While neither William and Alice act on their adulterous impulses, once the issue has been brought into the open, it begins a dangerous season of erotic gamesmanship for the couple, with William in particular openly confronting his desire for new sexual experiences. What didn’t make the final cut of Eyes Wide Shut may have been as fascinating as what finally appeared on screen: Harvey Keitel was replaced almost immediately by Sydney Pollack, while Jennifer Jason Leigh was replaced by Marie Richardson after she had shot all her scenes and left town.

In this supernatural thriller, a woman believes that a visitor from another dimension is trying to guide her into a sinister mystery. Feeling lonely after her daughter leaves home for college, Claire (Michelle Pfeiffer) begins to sense that something is wrong in her house, and feels a spirit is trying to contact her. At first her husband Norman (Harrison Ford), a scientist doing research in genetics, attributes her paranormal beliefs to stress or possibly a nervous breakdown, and sends her to a psychiatrist (Joe Morton) who puts no more stock in Claire’s stories than does Norman. While Claire’s contention that someone or something sinister is afoot leads her down a number of blind alleys, in time she becomes convinced that the mysterious happenings at her home are somehow connected to the disappearance of a woman who was a student at the nearby college — and bore a striking resemblance to Claire. What Lies Beneath marked the debut of screenwriter Clark Gregg, whose script is based on a story by himself and Sarah Kernochan; the supporting cast includes Diana Scarwid as Claire’s best friend Jody, and James Remar and Miranda Otto as a contentious couple living next door.

A former drug-addict in her early thirties attempts to put her shady past to rest while paving the way for a brighter future in director Rowan Woods’ tale of love, trust, and redemption in modern-day Australia. Tracy Heart (Cate Blanchett) hasn’t lived her 32 years so much as she has simply survived them. Ravaged by the drug-addiction and determined to redeem herself in the eyes of her overworked single-mother Janelle (Noni Hazelhurst), Tracy makes a personal vow to open her own business and turn her life around before it’s too late and life has passed her by. Tracy’s plan is complicated, however, when three men from her past reappear with their own plans for the future. In addition to the troubling re-appearance of her ex-boyfriend Jonny (Dustin Nguyen), her criminal-minded brother Ray (Martin Henderson) seems hell-bent on making a name for himself in the underworld, and the emotional demands of troubled family friend and ex-football star Lionel Dawson (Hugo Weaving) have left the emotionally vulnerable Tracy shaken and confused. When Tracy’s modest dreams of a happy life catch the attention of feared criminal kingpin Bradley “The Jockey” Thompson (Sam Neill), she is forced to place her fragile trust in the hands of her skeptical mother and take one last trip into the past to confront her greatest fear.