Bovie Movie

This big-budget science fiction adventure centers on a final battle between good and evil for control of the world. In the year 3000, Earth is ruled by the Psyclos, a vicious alien race of which Terl (John Travolta) is a member, that has laid waste to the planet, killed the majority of the population, and stripped Earth of its valuable resources. Pockets of resistance remain among the surviving humans; Jonnie “Goodboy” Tyler (Barry Pepper) is one such rebel, living in hiding in the mountains near Boulder, CO. Eventually, Johnny begins organizing like-minded humans for a final stand against the Psyclos. The film is based on the novel by L. Ron Hubbard, the science fiction author also known as the founder of the Church of Scientology; it covers only the first half of the book, saving the remainder for a possible sequel. Battlefield Earth also stars Forest Whitaker, Kim Coates, and Kelly Preston.

A grieving mother, Telly Paretta, is struggling to cope with the loss of her 9-year-old son. She is stunned when her psychiatrist and her husband tell her that she has created eight years of memories of a son she never had. But when she meets the father of one of her son’s friend who is having the same experience, Telly embarks on a mission to prove her son’s existence and her sanity.

In a gloomy mansion in the west of Scotland the seven members of the Good Comrades Club are dining. One of them receives a curious death threat, an envelope containing seven orange pips. He dies the next night in a car crash. At his funeral another member receives an envelope with six pips, and ten days later his body is recovered from the sea. Sherlock Holmes is called in.

War and Peace is a commendable attempt to boil down Tolstoy’s long, difficult novel into 208 minutes’ screen time. In recreating the the social and personal upheavals attending Napoleon’s 1812 invasion of Russia, $6 million was shelled out by coproducers Carlo Ponti, Dino de Laurentiis and Paramount Pictures. Some of the panoramic battle sequences are so expertly handled by second-unit director Mario Soldati that they appear to be Technicolor-and-Vistavision newsreel footage of the actual events. Still, the film falters dramatically, principally because of a lumpy script and King Vidor’s surprisingly lustreless direction. In addition, the casting is wildly consistent: for example, while Audrey Hepburn is flawless as Natasha, Henry Fonda is far too “Yankeefied” as the introspective Pierre. Proving too long and unwieldy for most audiences, War and Peace died at the box office; far more successful was the epic, scrupulously faithful 1968 version, filmed in the Soviet Union.