Bovie Movie

An extremely wealthy and crafty old man (Douglas) toys with his greedy nieces and nephews as they circle about, waiting for their ill-deserved inheritance. The plot thickens as the old man takes a young mistress (d’Abo), and they fear that she will get the estate. In response, they locate the much-loved nephew (Fox) who walked away from the whole greed thing and became a professional bowler. Deception upon deception complicates matters as young Daniel is slowly drawn back under the spell of Greed.

While living an an average family house in a pleasant neighborhood, the youngest daughter of the Freeling family, Carol Anne (Heather O’Rourke), seems to be connecting with the supernatural through a dead channel on the televison. It is not for long when the mysterious beings enter the house’s walls. At first seeming like harmless ghosts, they play tricks and amuse the family, but they take a nasty turn- they horrify the family to death with angry trees and murderous dolls, and finally abduct Carol Anne into her bedroom closet, which seems like the entrance to the other side.

The third of John Woo’s American-made feature films, Face/Off stars John Travolta as Sean Archer, an FBI agent obsessed with capturing Castor Troy (Nicolas Cage), a criminal genius who years before killed Archer’s son while trying to assassinate the agent. Archer’s single-minded pursuit of Troy has caused serious harm to his marriage, but Archer thinks the light may have appeared at the end of the tunnel when a seriously wounded Troy is captured in a bloody shootout. However, it turns out that Troy has planted a time bomb, with a biological payload that could destroy the entire city of Los Angeles — and Troy isn’t about to say where it is. The only other person who knows the bomb’s location is Troy’s brother, Pollux (Alessandro Nivola), who is no more helpful than Castor. FBI scientists hatch a plan: they have developed an experimental surgery which would allow them to graft Troy’s face temporarily on Archer’s head and allow him to question Pollux as if he were his brother. But after Archer has taken Troy’s face, Troy regains consciousness and forces the doctors to give him Archer’s face. Now the criminal mastermind has the FBI at his disposal, and the lawman is underground with few places to turn. Along with Woo’s usual elaborately choreographed action scenes, Face/Off features a number of notable supporting performances, including Joan Allen as Archer’s wife, Colm Feore and C.C.H. Pounder as FBI scientists, and Gina Gershon as Troy’s loyal but long-suffering girlfriend.

Noted theater director Sam Mendes, who was responsible for the acclaimed 1998 revival of Cabaret and Nicole Kidman’s turn in The Blue Room, made his motion picture debut with this film about the dark side of an American family, and about the nature and price of beauty in a culture obsessed with outward appearances. Kevin Spacey plays Lester Burnham, a man in his mid-40s going through an intense midlife crisis; he’s grown cynical and is convinced that he has no reason to go on. Lester’s relationship with his wife Carolyn (Annette Bening) is not a warm one; while on the surface Carolyn strives to present the image that she’s in full control of her life, inside she feels empty and desperate. Their teenage daughter Jane (Thora Birch) is constantly depressed, lacking in self-esteem, and convinced that she’s unattractive. Her problems aren’t helped by her best friend Angela (Mena Suvari), an aspiring model who is quite beautiful and believes that that alone makes her a worthwhile person. Jane isn’t the only one who has noticed that Angela is attractive: Lester has fallen into uncontrollable lust for her, and she becomes part of his drastic plan to change his body and change his life. Meanwhile, next door, Colonel Fitts (Chris Cooper) has spent a lifetime in the Marine Corps and can understand and tolerate no other way of life, which makes life difficult for his son Ricky (Wes Bentley), an aspiring filmmaker and part-time drug dealer who is obsessed with beauty, wherever and whatever it may be. American Beauty was also the screen debut for screenwriter Alan Ball.

A woman meets her future in-laws and discovers they don’t much care for her in this comedy from writer and director Thomas Bezucha. Everett Stone (Dermot Mulroney) is a successful young businessman who is dating Meredith Morton (Sarah Jessica Parker), and has asked her to spend Christmas with his family, with plans to ask his mother Sybil (Diane Keaton) for the titular family wedding band and propose to Meredith on Christmas. Meredith is more than a bit nervous about meeting Everett’s folks, and things only get worse when they arrive — Meredith is by her nature straight-laced and a bit uptight around strangers, while Sybil and family patriarch Kelly (Craig T. Nelson) are free-thinkers who, except for Everett, have raised a family of cheerfully rebellious children, most notably younger daughter Amy (Rachel McAdams), older brother Ben (Luke Wilson), and adopted sibling Thad (Tyrone Giordano, who is both deaf and gay.
Meredith and the Stone family do not get along well at first, especially Sybil, who is appalled at the prospect of Everett giving Meredith the family’s heirloom wedding ring; in dire need of moral support, Meredith asks her younger sister, Julie (Claire Danes), to join her for Christmas with the Stones. However, the plan runs into a snag when Everett’s head is turned by pretty Julie, and Meredith finds herself on the receiving end of attention from slobby Ben.

The family of Raymond, his wife Val and her brother Billy live in working-class London district. Also in their family is Val and Billy’s mother Janet and grandmother Kath. Billy is a drug addict and Raymond kicks him out of the house, making him live on his own. Raymond is generally a rough and even violent person, and that leads to problems in the life of the family.

The cynical son of an upper-class New York family bedeviled by booze, pills and mental illness strikes out on his own in this caustic, darkly comic drama. Igby Slocomb (Kieran Culkin) and his older brother, Oliver (Ryan Phillippe), are are in the process of killing their mother, Mimi (Susan Sarandon). Flashbacks delineate Igby’s troubled childhood: Speed-freak Mimi and her depressed husband, Jason (Bill Pullman), snipe at each other endlessly until Jason attempts suicide before Igby’s very eyes and takes up residence in a mental hospital. Igby grows into a rebellious youth, gets kicked out of several boarding schools and ends up in a hellish military academy. After one failed escape attempt, he heads to New York City and hides out in the apartment of Rachel (Amanda Peet), the heroin-addled mistress of his godfather, D.H. (Jeff Goldblum). Oliver locates the young scoundrel and informs him that Mimi is suffering from cancer. Unperturbed, Igby continues his slacker existence — and his romance with Sookie (Claire Danes), a hipper-than-thou undergraduate who finds herself torn between Igby and Oliver. As Igby gets drawn further into the mind games and hypocrisy of the adult world, his already jaded outlook grows even darker. He takes to dealing smack and hanging out with a cross-dressing performance “artist” (Jared Harris). Ultimately, though, Mimi’s impending death draws him back into the family fold for unexpected revelations and realizations. Written and directed by first-time filmmaker Burr Steers, Igby Goes Down features Rory Culkin, Kieran’s brother, as the young Igby.

A few innocent women experience a nightmare before Christmas in this bloody thriller. Billy Lenz, a severely maladjusted child, finally snaps under years of brutal treatment by his family, killing and eating them in an explosion of violence on Christmas Eve. For years, the Lenz house stands vacant, but in time it’s purchased and renovated as the new home for a college sorority. A few days before Christmas, a handful of sorority sisters — Dana (Lacey Chabert), Melissa (Michelle Trachtenberg), Kelli (Katie Cassidy), and Heather (Mary Elizabeth Winstead) — are enjoying a quiet evening with their house mother, Barbara MacHenry (Andrea Martin), exchanging gifts and swapping stories before heading home for holiday break. While Barbara remembers the story of Billy’s crimes, the atmosphere is peaceful until the young women receive the first in a series of disturbing telephone calls. Before long, they learn that Billy has escaped after years in a mental institution, and has come back to the house where he grew up to once again spill blood for the Christmas season. Black Christmas is a remake of the 1974 horror film of the same name by director Bob Clark, who later made a less-threatening film about the Yuletide season, A Christmas Story; Andrea Martin, who plays the house mother, also appeared in the 1974 film as one of the sorority girls.

From the producers of The Lion, the Witch, and the Wardrobe and mind of author Katherine Paterson comes a rousing fantasy adventure about family, friendship, and the wondrous power of imagination. A perpetual outsider both at home and at school, Jess Aarons (Josh Hutcherson) just never seems to fit in no matter how hard he tries. When his goal to become the fastest runner in middle school is unexpectedly thwarted by newly arrived classmate Leslie Burke (AnnaSophia Robb), who enters in an “all boys” race and leaves her competitors in the dust, Jess soon strikes up a friendship with the imaginative outsider. Their bond is soon cemented thanks to Leslie’s love for storytelling and Jess’ skill as an artist, and the two lonely kids create a secret kingdom called Terabithia that is only accessible by swinging over a stream on a nearby rope. Though Jess and Leslie may be considered outcasts by their classmates, their adventures in Terabithia find the pair doing battle against the dreaded Dark Master and his malevolent creatures while plotting revenge against the schoolyard bullies. Now, thanks to his adventures in Terabithia and his friendship with Leslie, Jess finally finds the confidence needed to stand tall and be himself.

The drama follows an 11-year-old girl’s struggle to come to terms with her mother’s abandonment.