Bovie Movie

Tom Jones director Tony Richardson might seem a curious choice to direct the contemporary western The Border, but he does his best to emulate Sam Peckinpah. Jack Nicholson stars as an El Paso border guard, saddled with avaricious wife Valerie Perrine. Hoping to stifle her nagging about money matters, Nicholson begins accepting payoffs to allow Mexican aliens to cross the border without interference. This leads to a relationship with a young Mexican mother Elpidia Carillo. Harvey Keitel and Warren Oates lend strong support to this atmospheric tale.

Old Smokey develops a bad temper in this volcanic disaster spectacle. Harry Dalton (Pierce Brosnan) is a volcano expert whose interest became more than academic after he lost the woman he loved in a volcanic emergency. When he is sent to investigate unusual seismic activity in the quiet Pacific Northwest community of Dante’s Peak, he discovers people boiled to death in the local hot spring and plant and animal life dying or displaying unusual illnesses near the city’s supposedly dormant volcano. Harry becomes convinced that a major volcanic catastrophe is in the cards. Rachel Wando (Linda Hamilton), the town’s mayor, is a single mother who also runs the local cafe, and now that Dante’s Peak has been named one of the most desirable small towns in America, tourists have been flocking to the diner and other local businesses. While concerned with the safety of her community, Rachel takes a cynical view of Harry’s warnings about the volcano; she has no desire to alarm either the town’s residents or the wealthy visitors lining the city’s pockets. Nevertheless, Harry tries to convince Rachel of the potential danger, as they begin to develop feelings for each other that are not strictly professional. The summer of 1997 was a big season for killer volcanoes at the movies, as Dante’s Peak and Volcano opened within a few months of each other.

Prolific television director Gary Nelson made the Walt Disney live-action comedy Freaky Friday, based on the novel by Mary Rodgers. Barbara Harris stars as suburban housewife Ellen Andrews, the wife of Bill (John Astin) and the mother of Annabel (Jodie Foster) and Ben (Sparky Marcus). Ellen just can’t understand what’s going on with teenaged Annabel, who hangs around the house making snappy remarks, eating ice cream for breakfast, and calling her brother Apeface. They each make a separate wish to be in the other’s place, and they get their wish on Friday 13th. Ellen has to go through the day as a kid, playing on the field hockey team and dealing with typing class. Annabel has to deal with grown-up problems like getting appliances fixed and preparing a banquet. The whole silly story ends with a wacky car-chase/water skiing/hang-gliding conclusion in keeping with other Disney movies of the day. Freaky Friday was remade twice with the same title, and spawned a whole subgenre of body-switching movies in the 1980s.

Loosely adapted from the classic 1932 horror film starring Boris Karloff, The Mummy is set in Egypt, where over 3,000 years ago the high priest Imhotep (played by Arnold Vosloo) was given the all-important assignment of preparing the recently dead for their journey into the afterlife. However, Imhotep made one terrible mistake - he became smitten with Anck-Su-Namun, the mistress of the Pharaoh himself. Driven mad by jealousy and love, Imhotep murdered the Pharaoh, and his punishment was to be buried alive and suffer the torment of an eternal life in his wretched tomb. In 1925, a band of adventurers seeking fame and fortune - led by Rick O’Connel (Brendan Fraser), an American expatriate who has joined the foreign legion, and Evelyn Carnarvon (Rachel Weisz), an amateur archeologist - find a previously unknown burial site in Egypt. The team starts to dig, hoping to find lost riches, but instead they disturb the tomb of Imhotep, and soon the cursed priest rises from his grave to wreck vengeance on humanity. The Mummy was written and directed by Stephen Sommers, whose previous cinematic journeys into the past include The Jungle Book and The Adventures Of Huck Finn.

An unlikely band of scientists and soldiers join forces to save the world from certain destruction in this action-drama. As the world is struck with a variety of inexplicable phenomena — attacks by enormous swarms of birds in London, the explosion of the Colosseum in Rome, a potentially deadly malfunction which forces the Space Shuttle into a Los Angeles riverbed, and the simultaneous deaths of 32 people with pacemakers in Boston — a team of top scientific minds from around the globe is assembled to determine what has thrown the world into such a frenzy. Dr. John Keyes (Aaron Eckhart) makes the startling discovery that the Earth’s electromagnetic forces have begun to collapse, thanks to a sudden lack of movement of the molten ore at the center of the Earth. If the planet is to be saved, the core of the Earth needs a jump start, and Keyes assembles a team to burrow to the center of the planet and bomb the insides back into action. Joining Keyes on this dangerous, last-chance mission are the brilliant but arrogant Conrad Zimsky (Stanley Tucci), French arms expert Dr. Serge Levesque (Tch?ky Karyo, maverick researcher “Brazz” Brazzleton (Delroy Lindo), geeky computer genius Rat (DJ Qualls), and two no-nonsense military types, Commander Richard Iverson (Bruce Greenwood) and Major Rebecca Childs (Hilary Swank). However, as the crew digs deeper into the Earth, the more they discover what they haven’t been told about their mission and what’s really been causing the worldwide chaos. The Core was originally scheduled for release in the fall of 2002, but the movie didn’t reach theaters until the spring of 2003 as special-effects experts perfected the film’s more spectacular scenes.

Secret Agent 007 must stop a megalomaniacal technology mogul from destroying Silicon Valley in this unexceptional entry in the James Bond series. Computer baron Max Zorin (Christopher Walken) is planning to trigger a major California earthquake in order to wipe out his competitors. Bond is assigned to stop him, but first he must do battle with Zorin’s statuesque partner in crime, May Day (Grace Jones). The expected high-wire confrontations ensue, as Bond battles the villains at international landmarks like the Eiffel Tower and takes the occasional break to romance an attractive geologist. Unfortunately, nothing fresh is brought to the familiar formula, and even the well-staged action sequences prove less than exciting. Indeed, this otherwise by-the-numbers production is most notable for the fact that it marked the final appearance of Roger Moore as the dashing Bond.

Louis de Bernières’ best-selling novel of love during wartime is brought to the screen in this story that blends comedy, action, and romance. In 1940, war rages throughout Europe, but the fighting has yet to arrive on the Greek island of Cephallonia, where life continues to follow its own slow, deliberate path until word arrives that Italian troops have invaded neighboring Albania. A wave of anti-Axis patriotism sweeps the island, and Mandras (Christian Bale), a local fisherman, is one of a handful of men who volunteer for the army, leaving behind his aging mother (Irene Papas) and the woman he loves, Pelagia (Penélope Cruz), the daughter of the island’s physician, Dr. Iannis (John Hurt). The timing of Mandras and his compatriots proves less than fortuitous, as Italian troops invade Greece in their absence, but the remaining leaders of the island issue an ultimatum — the people of Cephallonia will surrender, but only to a ranking German officer. Since none of the available German officers can speak a word of Greek, an Italian soldier fluent in the language, Capt. Antonio Corelli (Nicholas Cage), is sent in to serve as translator. Corelli stays on with the Greek occupation forces, and he soon finds himself falling in love with beautiful Pelagia, who believes that Mandras was killed in the fighting in Albania. But as romance slowly blooms between the Italian soldier and the Greek girl, Mandras and a handful of surviving soldiers have joined a guerilla resistance faction, and they join up with Allied forces in a bid to retake Greece; soon, Pelagia must choose between the two men she loves, as the Greeks battle both the Italian occupation troops and German soldiers who have been sent in to replace them. Captain Corelli’s Mandolin was directed by John Madden; the project originally began shooting with Roger Michell, but Michell was forced to resign from the film after he suffered a heart attack.

Adapted from a novel by John Fante, Robert Towne’s Ask the Dust stars Colin Farrell as Arturo Bandini, a young writer who comes to Los Angeles during the Great Depression in order to write a novel. As the film opens, he is down to his last nickel and decides to spend it on coffee in a diner. He is served by Camilla (Salma Hayek), a Mexican beauty he is instantly attracted to even though he treats her horribly during their first interaction. Soon the pair is involved in a relationship that finds them sparring with each other at first, but slowly learning to trust each other. Bandini meets the acquaintance of a desperate woman who sees him as the most desirable man in the world. Eventually Arturo and Camilla get away from the city and their love deepens as he attempts to finish his novel. Donald Sutherland co-stars as a seedy but helpful and loyal neighbor.

A group of close female friends on a yearly adventure vacation find themselves trapped and hunted in a series of caves by an unknown force that lurks in the shadows in The Descent, the second horror feature from Dog Soldiers writer/director Neil Marshall. After suffering a devastating car crash one year before, Sarah (Shauna Macdonald) is lured to the States with her friend Beth (Alex Reid) to a special spelunking trip by the fearless Juno (Natalie Mendoza), who abruptly fled from the U.K. after Sarah’s accident. Along with two old friends and a new acquaintance of Juno’s, the group embark on a cave expedition that takes a turn for the worse after a rock fall leaves them stranded in an uncharted cave with no map and only a handful of supplies to last them the rest of the trip. As tensions arise in the group, they are faced with another danger — one whose love of the dark is as strong as its lust for blood. Opening to rave reviews in the U.K. in July of 2005, the creature-feature went on to show at the Venice Film Festival and garnered the top prize for Euro feature at Sweden’s Fantastic Film Festival. The Descent was picked up for future U.S. distribution by Lion’s Gate, whose work was cut out for them considering the tame opening of the similarly-themed stateside production of The Cave in late-August of the same year.

This sequel to the 2001 hit video-game adaptation Lara Croft: Tomb Raider finds Jan de Bont stepping in for director Simon West, helming his first feature since 1999’s The Haunting. From a script by first-time scribe Dean Georgaris, Lara Croft: Tomb Raider: The Cradle of Life finds Angelina Jolie once again portraying the titular curvaceous adventurer. But where the first film saw Croft in a race against the Illuminati to acquire an elusive relic that offers control over life and death, this entry in the series follows the heroine as she ventures to an underwater temple in search of the mythological Pandora’s Box. Unfortunately, once she secures the legendary artifact, it is promptly stolen by the villainous leader of a Chinese crime syndicate. It is then up to Lara to get the box back before an evil mastermind gets hold of it and uses it to construct a weapon of catastrophic capabilities. Gerard Butler, Djimon Hounsou, and Noah Taylor head up the supporting cast.