Bovie Movie

Director Oliver Stone once again offers a powerful and provocative story based on real-life events in this drama. Sergeant John McLoughlin (Nicolas Cage) and William J. Jimeno (Michael Pena) were two officers assigned to New York City’s Port Authority who were working their beats on a quiet day in early fall when they received an emergency call. The day was September 11, 2001, and McLoughlin and Jimeno were among the policemen who attempted to evacuate the World Trade Center towers after they were struck by airliners piloted by terrorists. Both McLoughlin and Jimeno were inside the fifth building of the World Trade Center when the towers fell, and were two of the last people found alive amidst the wreckage. As McLoughlin and Jimeno struggled to hold on to their lives as rescuers sifted through the rubble, their spouses — Donna McLoughlin (Maria Bello) and Allison Jimeno (Maggie Gyllenhaal) — clung to the desperate hope that their husbands would survive and be found. As the McLoughlin and Jimeno families waited for word on the fate of the two men, they watched as a city and a nation came together with strength and compassion in the face of a tragedy. World Trade Center was based on the true story of John McLoughlin and William J. Jimeno, both of whom cooperated with producers in the making of this film. Producer Debra Hill died during production - hence the posthumous credit.

The youngest child of the family often has the most problems — so why should things be different for the Prince of Darkness and his offspring? Satan (Harvey Keitel) is considering retirement, and is pondering which of his sons should take over the family business — ambitious Adrian (Rhys Ifans), strapping Cassius (Tommy “Tiny” Lister Jr.), or Nicky (Adam Sandler), an accident-prone demon who prefers to stay in his room playing his favorite heavy metal tunes. When Satan decides to stay on for another 10,000 years, Adrian is outraged, and leaves Hell to go to New York, where he and Cassius attempt to round up enough souls to vote Satan out of power. Satan, understandably upset, sends Nicky to bring Adrian and Cassius back home, but Nicky finds life on Earth is more complicated than he expected. Things don’t get any easier when he develops a crush on Valerie (Patricia Arquette), a good-hearted mortal woman. Little Nicky also features Michael McKean as a city official trying to put Nicky behind bars, Kevin Nealon as Hell’s gatekeeper, Rodney Dangerfield as Satan’s father, Robert Smigel as the voice of Beefy — a talking dog who is Nicky’s guide on earth, Allen Covert as Todd — Nicky’s new roommate, and Peter Dante and Jonathan Loughran as a pair of metalheads who dig Satan. Jon Lovitz and Reese Witherspoon play cameo roles, and Regis Philbin and Ozzy Osbourne appear as themselves.

Tense thrills and action mix in the gritty suspense drama Don't Say a Word starring Michael Douglas and Brittany Murphy. Fox has done a very good job on this 2.35:1 anamorphic widescreen transfer. All aspects of this transfer look very good, from the evenly saturated color schemes to the deep, dark black levels. No edge enhancement, shimmer, or digital artifacting is spotted anywhere on this disc. The audio is presented in Dolby Digital 5.1 in English (as well as 2.0 in French) and DTS Surround in English. Both the DTS and Dolby 5.1 soundtracks are full and bombastic with surround sounds utilized during much of the film. All aspects of these tracks are clear and free of any excessive hiss or distortion. Also included on this disc are English subtitles. This edition of Don't Say a Word is chock-full of extra features. Starting off the disc are two commentaries: one feature-length commentary with director Gary Felder; and a second with actors Michael Douglas, Sean Bean, Famke Janssen, Oliver Platt, and Brittany Murphy. While the director's commentary is insightful and runs the length of the film, the actor's commentaries are broken up in sections so each actor can give some information about their character or thoughts on the film separately. Taken as a whole, these commentary tracks are very thorough and informative. Next up are three sections: "Preproduction," "Production," and "Post-production." In the "Preproduction" section there is a screen test for actress Brittany Murphy and two insightful storyboard-to-scene comparisons. In the "Production" section is a featurette called "You Are There" which takes a behind-the-scenes look at three separate sequences narrated by the director. Also included are some screening room dailies which show how a scene is comprised of multiple takes or shots, and a set tour with production designer Nelson Coates that features Coates walking the viewer through many of the sets used in the film. In the "Post-production" section, there is an interview with director Gary Felder discussing filmmaking and what works best as a director, "Thriller Themes" which is a short spot about the music in the film (featuring composer Mark Isham in a few brief scenes), and "Inside a Scene: Trench Sequence," a feature that looks at how the end scenes was filmed and why the use of computer graphics was necessary. Also included on this disc are some deleted scenes which don't add much to the proceedings, a short making-of featurette that includes many clips from the film, and some vital statistics on the cast and crew. Finally, there is a DVD trailer for the Michael Douglas drama Wall Street. Strangely, there is no theatrical trailer available for Don't Say a Word anywhere on this disc. This DVD is filled to the brim with special features and should leave fans speechless.

In this downbeat drama, a reformed criminal finds himself led back to a life of crime. Fresh out of prison, former safecracker Victor Kelly (Christopher Walken) wants to support his daughter Miriam (Vera Farmiga) and Aunt Dierdre (Anne Pitoniak) with his new career in auto repair. But Victor’s deep in debt, and he’s in no position to say no when he and his Irish gangster cousin Michael (Peter McDonald) hook up with two security guards (Jose Zuniga and (Donal Logue) looking for someone who can open a safe. The Opportunists was written and directed by Myles Connell in his feature debut; the supporting cast includes pop singer Cyndi Lauper as Victor’s girlfriend.

Were it not for its profanity-laden opening scenes, John Hughes’ Planes, Trains and Automobiles might have been suitable family entertainment: certainly it’s heaps less violent and mean-spirited than Hughes’ Home Alone. En route to Chicago to spend Thanksgiving with his family, easily annoyed businessman Neal Page (Steve Martin) finds his first-class plane ticket has been demoted to coach, and he must share his flight with obnoxious salesman Del Griffith (John Candy). A sudden snowstorm in Chicago forces the plane to land in Wichita. Unable to find a room in any of the four-star hotels, Neal is compelled to accept Del’s invitation to share his accommodations in a cheapo-sleazo motel. Driven to distraction by Del’s annoying personal habits, the ungrateful Neal lets forth with a stream of verbal abuse. That’s when Del delivers the anticipated (but always welcome) “I don’t judge, why should you?”-type speech so common to John Hughes flicks. The shamefaced Neal tries to make up to Del, but there’s a bumpy time ahead as the mismatched pair make their way back to Chicago, first in a balky train, then by way of a refrigerator truck. We know from the outset that the oil-and-water Neal and Del will be bosom companions by the end of Planes, Trains and Automobiles, but it’s still a fun ride. The best bit: a half-asleep Del thinking that he’s got his hand tucked between two pillows — until his bedmate, Neal, bellows “Those aren’t pillows!”

A documentary film crew follows the lives of six New Yorkers as their lives unexpectedly intersect — or at least that’s what writer, director, and actor Edward Burns would like you to believe in this comedy-drama that looks at the rocky road of relationships in the Big Apple. After sharing the stories of their earliest sexual experiences with an interviewer, six people are trailed by a cameraman through the course of an average day. Tommy (Edward Burns) is a successful television producer (and unsuccessful novelist) who becomes quickly infatuated when he meets Maria (Rosario Dawson) in a video store. Maria is a teacher at an upscale private school who has just gotten out of a bad marriage with Ben (David Krumholtz), a struggling musician with a day job as a doorman. Ben, on the other hand, finds himself attracted to Ashley (Brittany Murphy) when she waits on his table at a coffee shop. Ashley, as it happens, is involved in an affair with Griffin (Stanley Tucci), a dentist who is chronically unfaithful to his wife Annie (Heather Graham). Annie, a real estate agent, also happens to be friends with Tommy, one of her customers, bringing the circle to a close. Shot in only 16 days, Sidewalks of New York marked a return to (relatively) low-budget filmmaking for Edward Burns, who directed two less-than-successful major studio projects following his breakthrough with the independent feature The Brothers McMullen.

A group of intrepid humans attempts to save the Earth from vicious extraterrestrials in this extremely popular science-fiction adventure. Borrowing liberally from War of the Worlds, Aliens, and every sci-fi invasion film inbetween, director Roland Emmerich and producer and co-writer Dean Devlin present a visually slick, fast-paced adventure filled with expensive special effects and large-scale action sequences. The story begins with the approach of a series of massive spaceships, which many on Earth greet with open arms, looking forward to the first contact with alien life. Unfortunately, these extraterrestrials have not come in peace, and they unleash powerful weapons that destroy most of the world’s major cities. Thrown into chaos, the survivors struggle to band together and put up a last-ditch resistance in order to save the human race. As this is a Hollywood film, this effort is led by a group of scrappy Americans, including a computer genius who had foreseen the alien’s evil intent (Jeff Goldblum), a hot-shot jet pilot (Will Smith), and the President of the United States (Bill Pullman). While some critics objected to the film’s lack of originality and lapses in logic, the combination of grand visual spectacle and crowd-pleasing storytelling proved irresistable to audiences, resulting in an international smash hit.

This drama about an undercover cop who learns the hidden dangers of working his way inside the mob was based on a true story. Joe Pistone (Johnny Depp) is an FBI agent who is given an assignment to infiltrate the Mafia; calling himself Donnie Brasco, he befriends Lefty Ruggiero (Al Pacino), a low-level mob hit man whose personal life is in tatters. Lefty’s marriage is falling apart, his son is a junkie, and his health is failing, which only adds to his growing disillusionment about having spent 30 years with the Mafia (and killing 26 people) with little to show for it. But in Donnie, Lefty sees someone who can succeed where he failed; he takes the young man under his wing, and under Lefty’s tutelage Donnie quickly rises through the ranks of organized crime; however, the longer he plays the role of the gangster, the more Joe Pistone finds himself becoming Donnie Brasco in his increasingly rare off hours; it drives a wedge between himself and his wife (Anne Heche) and children, and Joe realizes that a break in character among the hoodlums he’s come to know could mean a death sentence for himself and his family. Just as importantly, Joe has come to regard Lefty as a close and trusted friend, and Joe realizes that when the day comes where he has to turn in his Mob associates, he’ll be ending Lefty’s life as surely as if he put a slug in his head himself. The supporting cast includes Michael Madsen as Sonny, Lefty’s boss, and Bruno Kirby as Nicky, one of Sonny’s henchmen. The real-life Joe Pistone today lives under an assumed name with a 500,000-dollar contract on his life still in effect.

Directed by Kerry Conran, Sky Captain and the World of Tomorrow revolves around the mysterious disappearance of some of the world’s most revered scientists. When an investigation is launched, Polly Perkins (Gwyneth Paltrow), reporter for the prestigious Chronicle, and Sky Captain (Jude Law), resident flying ace, are at the forefront of the case. Though the mission’s perks include traveling around the world, the stout-hearted duo are nonetheless risking their lives with each passing moment, as the culprit is none other than the nefarious Dr. Totenkopf, and his goal, from what they can gather, is to destroying the earth in its entirety. Luckily, Sky Captain and Polly are not alone — Franky Cook (Angelina Jolie), the commander of an all-female amphibious squadron, and Dex (Giovanni Ribisi), an unparalleled technical genius, have joined them in hopes of saving the planet before it’s too late. Laurence Olivier appears posthumously as Dr. Totenkopf, via old film-clips “recycled” (or CG-altered) to fit the dialogue and scenes at hand.