Bovie Movie

The British prime minister and the Royal Family find themselves quietly at odds in the wake of a national tragedy in this drama from director Stephen Frears. On August 31, 1997, Diana, Princess of Wales died in an auto accident in Paris; despite the controversial breakup of her marriage to Prince Charles, she was still one of the most famous and best-loved women in the world, and the public outpouring of emotion over her passing was immediate and intense. However, given the messy circumstances of Diana’s breakup with Charles, official spokespeople for the Royal Family were uncertain about how to publicly address her passing. It didn’t take long for the media to pick up on the hesitation of Buckingham Palace to pay homage to Diana, and many saw this as a sign of the cool emotional distance so often attributed to the royals, which in this case was widely seen as an insult against Diana and the many people who loved her. Prime Minister Tony Blair (played by Michael Sheen) saw a potential public-relations disaster in the making, and took it upon himself to persuade Queen Elizabeth II (played by Helen Mirren) to make a statement in tribute to the fallen Diana — an action that went against the taciturn queen’s usual nature. The Queen was released the same year that Helen Mirren played Queen Elizabeth I in an acclaimed miniseries for British television; The Queen also gave Michael Sheen his second opportunity to play Tony Blair after portraying the prime minister in the television film The Deal.

Video director Michel Gondry and scriptwriter Charles Kaufman — who shot to fame after penning Being John Malkovich — collaborate on this bizarre fable about human behavior in and out of society. The film opens by quickly introducing the three leads — Lila (Patricia Arquette) who is locked away in prison; Puff (Rhys Ifans) who is testifying before Congress; and Nathan Bronfman (Tim Robbins) who is sitting in a glowing white afterlife waiting room with a bullet hole in his head. Rewinding to the beginning of the story, the film shows Lila as a girl about to enter womanhood. Unfortunately, puberty goes horribly awry and she starts to grow thick hair all over her body. After performing as Queen Kong in a circus freak show, she chucks it all and goes to live in the forest, where she becomes the best-selling author of a misanthropic hard-line ecological tome. At age 30, her itch for male companionship becomes overwhelming and she ventures back into the city. She is helped by electrolysis guru Louise (Rosie Perez), who not only makes Lila presentable to society, but introduces her to Nathan, a 35-year-old virgin who, as a scientist, has devoted his life to teaching table etiquette to lab mice. While showing Nathan the joys of the wild outdoors, Lila and her new beau discover an extremely hirsute feral man whom they dub Puff. Placing him a cage in his lab, Nathan sets out to teach Puff the ways of polite society while dreaming of fame and fortune. The first task is to curb Puff’s enormous sexual appetite — any time he catches sight of a female, Puff either tries to hump her or masturbates vigorously. Nathan yokes him with an electric collar that shocks him any time he acts unseemly. Unfortunately, the humans on the other side of the cage can’t quite control their libidos either: Nathan succumbs to the incessant double entendres of his saucy French assistant Gabrielle (Miranda Otto) while Lila finds an animalistic lust for Nathan’s science experiment. This film was screened at the 2001 Cannes Film Festival.