Bovie Movie

Director Oliver Stone once again offers a powerful and provocative story based on real-life events in this drama. Sergeant John McLoughlin (Nicolas Cage) and William J. Jimeno (Michael Pena) were two officers assigned to New York City’s Port Authority who were working their beats on a quiet day in early fall when they received an emergency call. The day was September 11, 2001, and McLoughlin and Jimeno were among the policemen who attempted to evacuate the World Trade Center towers after they were struck by airliners piloted by terrorists. Both McLoughlin and Jimeno were inside the fifth building of the World Trade Center when the towers fell, and were two of the last people found alive amidst the wreckage. As McLoughlin and Jimeno struggled to hold on to their lives as rescuers sifted through the rubble, their spouses — Donna McLoughlin (Maria Bello) and Allison Jimeno (Maggie Gyllenhaal) — clung to the desperate hope that their husbands would survive and be found. As the McLoughlin and Jimeno families waited for word on the fate of the two men, they watched as a city and a nation came together with strength and compassion in the face of a tragedy. World Trade Center was based on the true story of John McLoughlin and William J. Jimeno, both of whom cooperated with producers in the making of this film. Producer Debra Hill died during production - hence the posthumous credit.

A botched science experiment unleashes a destructive otherworldly force with the power to devour the planet in this science fiction disaster thriller starring Judd Nelson and Kristy Swanson. Science has finally gone too far, and as a giant black hole opens up over St. Louis, the terrified denizens struggle to escape the all-consuming void by any means necessary. As General Ryker (David Selby) prepares to lob a heaping helping of nuclear warheads at the rapidly expanding hole, scientist Eric Bryce (Nelson) and his assistant Shannon (Swanson) soon discover that the hole has also provided passage for an interstellar stalker of the most unsavory variety. Now, with a murderous alien on the loose and the fate of the world looking grimmer by the minute, Eric and Shannon must destroy the savage visitor and reverse the effects of the black hole before the increasingly unstable General Ryker carries out his explosive final solution.

Manny (Ray Romano), Sid (John Leguizamo), and Diego (Denis Leary) may have made it through the big freeze, but when the ice begins to melt, the heroic trio must warn the other inhabitants of their peaceful valley of the coming flood in directors Chris Wedge and Carlos Saldanha’s sequel to the computer-animated 2002 hit Ice Age. As the ice age winds to an end, the animals of the Earth have taken warmly to the melting paradise that surrounds them. Despite the false comfort of a lush valley teeming with vegetation, however, great danger looms just over the horizon. When Manny, Sid, and Diego realize that the miles of liquefying ice overlooking their valley will soon turn from a gentle trickle to a violent force of nature capable of destroying anything and everything unfortunate enough to be in its path, they quickly set out to spread the word and get their endangered friends out of harm’s way.

Steven Spielberg followed Jaws (1975), his first major box-office success, with this epic science fiction adventure about a disparate group of people who attempt to contact alien intelligence. Roy Neary (Richard Dreyfuss) is an electrical lineman who, while sent out on emergency repairs, witnesses an unidentified flying object, and even has a “sunburn” from its bright lights to prove it. Neary’s wife and children are at first skeptical, then concerned, and eventually fearful, as Roy refuses to accept a “logical” explanation for what he saw and is prepared to give up his job, his home, and his family to pursue the “truth” about UFOs. Neary’s obsession eventually puts him in contact with others who’ve had close encounters with alien spacecraft, including Jillian (Melinda Dillon), a single mother whose son disappeared during her UFO experience, and Claude Lacombe (celebrated French filmmaker Fran?ois Truffaut), a French researcher who believes that we can use a musical language to communicate with alien visitors. Lacombe’s theory is put to the test when a band of government researchers and underground UFO enthusiasts (including Neary) join for an exchange with alien visitors near Devil’s Tower, Wyoming. In 1980, a “Special Edition” was released. While its primary selling point was the addition of scenes inside the alien spaceship, Spielberg claimed that he also cleaned up some choppy editing in the second act.

Old Smokey develops a bad temper in this volcanic disaster spectacle. Harry Dalton (Pierce Brosnan) is a volcano expert whose interest became more than academic after he lost the woman he loved in a volcanic emergency. When he is sent to investigate unusual seismic activity in the quiet Pacific Northwest community of Dante’s Peak, he discovers people boiled to death in the local hot spring and plant and animal life dying or displaying unusual illnesses near the city’s supposedly dormant volcano. Harry becomes convinced that a major volcanic catastrophe is in the cards. Rachel Wando (Linda Hamilton), the town’s mayor, is a single mother who also runs the local cafe, and now that Dante’s Peak has been named one of the most desirable small towns in America, tourists have been flocking to the diner and other local businesses. While concerned with the safety of her community, Rachel takes a cynical view of Harry’s warnings about the volcano; she has no desire to alarm either the town’s residents or the wealthy visitors lining the city’s pockets. Nevertheless, Harry tries to convince Rachel of the potential danger, as they begin to develop feelings for each other that are not strictly professional. The summer of 1997 was a big season for killer volcanoes at the movies, as Dante’s Peak and Volcano opened within a few months of each other.

A handful of zoo animals leave behind their well-protected environment for the streets of the big city in this computer-animated comedy. Sampson (voice of Kiefer Sutherland) is the king of a make-believe jungle far from the African plains — he’s a lion on display at a zoo in New York City’s Central Park, and he lords it over the other animals, including Nigel (voice of Eddie Izzard), a testy koala bear; Larry, a dumb but well-meaning snake; ; Bridget (voice of Janeane Garofalo), a bright but cynical giraffe; and Benny (voice of Jim Belushi), a very New York-ish squirrel who is good friends with Sampson and is trying to romance Bridget without much success. The pride and joy of Sampson’s life is his son, Ryan (voice of Greg Cipes), and he’s devastated when one day Ryan is crated up and shipped back to Africa. Sampson is desperate to find his boy, and with the help of his pals he escapes the zoo and sets out on a daring mission to rescue Ryan, battling the unfamiliar terrain and Kazar, a wildebeest with a will to power and a passion for choreography (voice of William Shatner) along the way. The Wild was the first directorial credit for animator and special-effects artist Steve “Spaz” Williams.

What was once a brave frontier town has become a haven for enlightened oddballs in this unusual drama from director Michael Polish, written in collaboration with his twin brother, Mark Polish. Northfork is a small town in Montana which, in 1955, is soon to disappear in the name of progress; a massive hydroelectric dam is to be put in nearby, which will flood the entire village. A group of six men sent by the power company — led by Walter O’Brien (James Woods) and his son Willis (Mark Polish) — arrive in Northfork to evacuate the few remaining residents. If the men are successful, they’ll each be given parcels of land on the banks of the new lake which will be where Northfork once stood. Most of the townspeople have already left, but a few remain, among them Father Harlan (Nick Nolte), a man of the cloth who is caring for Irwin (Duel Farnes), a strange, scarred boy apparently on his deathbed, and a handful of enchanted eccentrics who have taken over a local bar, including Flower Hercules (Daryl Hannah), Cup of Tea (Robin Sachs), Happy (Anthony Edwards), and Cod (Ben Foster). As Walter and Willis try to persuade the stubborn stragglers to move on, Walter must search for a new final resting place for his late wife, whose coffin is the last to be relocated after Northfork’s cemetery is dug up. Northfork received its world premier at the 2003 Sundance Film Festival.

War and Peace is a commendable attempt to boil down Tolstoy’s long, difficult novel into 208 minutes’ screen time. In recreating the the social and personal upheavals attending Napoleon’s 1812 invasion of Russia, $6 million was shelled out by coproducers Carlo Ponti, Dino de Laurentiis and Paramount Pictures. Some of the panoramic battle sequences are so expertly handled by second-unit director Mario Soldati that they appear to be Technicolor-and-Vistavision newsreel footage of the actual events. Still, the film falters dramatically, principally because of a lumpy script and King Vidor’s surprisingly lustreless direction. In addition, the casting is wildly consistent: for example, while Audrey Hepburn is flawless as Natasha, Henry Fonda is far too “Yankeefied” as the introspective Pierre. Proving too long and unwieldy for most audiences, War and Peace died at the box office; far more successful was the epic, scrupulously faithful 1968 version, filmed in the Soviet Union.

A career soldier is forced to choose between following orders and saving lives in this action thriller. Lt. A.K. Waters (Bruce Willis) is a veteran Navy SEAL whose commander (Tom Skerritt) has given his team a special assignment. A Central African nation is expected to explode into war at any moment, and Waters and his cohorts are to escort any American citizens in the area to safety, most notably Dr. Lena Kendricks (Monica Bellucci), a doctor from the United States who has set up a clinic in the jungle. Waters and his men find Kendricks, but she refuses to leave with them unless she can bring along 70 refugees who have been left to her care. Kendricks makes it clear that if they are left behind, the refugees will face certain death, but Waters’s C.O. insists he bring back Kendricks — but not her patients. Forced by his conscience to disobey orders, Waters and his team race against time to escort the refugees to a border town where they will find safe haven before invading troops can ambush them. Tears of the Sun (which was produced under the title Man of War) also features Cole Hauser and Fionnula Flanagan.