Bovie Movie

Val (’Kevin Bacon’ (qv)) and Earl (’Fred Ward (I)’ (qv)) plan to put behind their days as handymen in a small dust bowl town called Perfection. Before they can get to civilization though, they encounter numerous victims of monsters that burrow through the ground. Soon the whole town is camped out on their roofs as Val and Earl lead them to safety.

French/Israeli filmmaker Eyal Sivan has fashioned an unusual documentary about the Holocaust from video footage (originally shot for American television) of the 1961 trial of Nazi war criminal Adolf Eichmann. Using sophisticated editing techniques and digital image manipulation to give the visuals a distinctive look, Un Specialiste/The Specialist focuses less on Eichmann as the monstrous architect of one of the 20th century’s most heinous crimes, and more on a subtly terrifying notion: Eichmann was a seemingly ordinary and mild-mannered fellow who was also capable of planning the mass evacuation of Jews and other “undesirables” to extermination camps, denying any legal responsibility with the words: “That was unfortunate, but it wasn’t my fault.” Along with extensive footage of Eichmann’s testimony, Sivan also devotes significant screen time to testimony of survivors of the death camps. Un Specialiste/The Specialist was screened at the 1999 Berlin Film Festival’s as part of a special program entitled “Documents Against Forgetting.”

Orphaned high school student Rick Riker is bitten by a radioactive dragonfly, develops super powers (except for the ability to fly), and becomes a hero.

In this sequel to the Evil Dead films, a discount-store employee (”Name’s Ash. Housewares.”) is time-warped to a medieval castle beset by monstrous forces. Initially mistaken for an enemy, he is soon revealed as the prophecised savior who can quest for the Necronomicon, a book which can dispel the evil. Unfortunately, he screws up the magic words while collecting the tome, and releases an army of skeletons, led by his own Deadite counterpart. What follows is a thrilling, yet tongue-in-cheek battle between Ash’s 20th Century tactics and the minions of darkness.

Secret Agent 007 must stop a megalomaniacal technology mogul from destroying Silicon Valley in this unexceptional entry in the James Bond series. Computer baron Max Zorin (Christopher Walken) is planning to trigger a major California earthquake in order to wipe out his competitors. Bond is assigned to stop him, but first he must do battle with Zorin’s statuesque partner in crime, May Day (Grace Jones). The expected high-wire confrontations ensue, as Bond battles the villains at international landmarks like the Eiffel Tower and takes the occasional break to romance an attractive geologist. Unfortunately, nothing fresh is brought to the familiar formula, and even the well-staged action sequences prove less than exciting. Indeed, this otherwise by-the-numbers production is most notable for the fact that it marked the final appearance of Roger Moore as the dashing Bond.

Inspired by a familiar Chinese folk tale, this $90 million animated Disney drama follows the adventures of a young woman in ancient China. Character animator Tony Bancroft and 17-year Disney veteran Barry Cook (Captain EO, Tron, Trail Mix-Up) formed the directing team with production design by Hans Bacher (Balto), and work on the film began 2 January 1995 under the working title The Legend of Mulan. While the merciless Shan-Yu (Miguel Ferrer) leads invading Huns over the Great Wall, young Mulan (Ming-Na Wen, with singing by Lea Salonga) sees a matchmaker about her matrimonial future. Mulan’s views on accepted marriage traditions prompt the ballad, “Reflection,” as she hopes for a recognition of her true self. To repel the Huns, a man from each family is required to join the Imperial Army. When Mulan’s elderly father Fa Zhou (Soon-Tek Oh) volunteers, she objects. He warns, “I know my place. It is time you learned yours.” Mulan, however, cuts her hair, dresses as a man, and is ready for military camp, prompting the concern of her First Ancestor (George Takei), who converts an inanimate incense burner into the 18-inch high comedic dragon Mushu (Eddie Murphy). With Mushu hidden in her clothing, she joins a group of raw recruits under the command of Captain Shang (B.D. Wong, singing by Donny Osmond). During an ambush by the Huns in a mountain pass, Mulan steps in to turn defeat into a victory. Mulan was the first Disney feature from the company’s 200,000-square-foot Orlando facility (now known as Walt Disney Feature Animation Florida).