Bovie Movie

In this psychological thriller, a needy young woman finds fulfillment by trying to literally become her successful roommate. Attractive Manhattanite Allison Jones (Bridget Fonda) has it all: a handsome beau, a rent-controlled apartment, and a promising career as a fashion designer. When boyfriend Sam (Steven Weber) proves unfaithful, Allison strikes out on her own but must use the classifieds to seek out a roommate in order to keep her spacious digs. In steps Hedra Carlson (Jennifer Jason Leigh), who’s timid and frumpy but puppy-dog sweet. The self-centered Allison finds Hedra’s eager friendship flattering, but soon she grows annoyed as Hedra begins emulating everything about her. After Allison gets back with Sam and asks Hedra to please vacate the premises, the pert beauty really gets to see her weird new roomie’s bad side — Hedra, it seems, is downright homicidal. Directed by Barbet Schroeder, who wowed Hollywood with Barfly and Reversal of Fortune. Single White Female was the second screenplay from future Opposite of Sex director Don Roos.

It’s said that most American men think about sex once every two or three minutes, but this statistic would seriously underestimate the horniness of Jim (Jason Biggs), a high school senior in suburban Michigan. Jim is thoroughly obsessed with sex, a fact of which his parents become aware when they discover him performing the sin of Onan with a gym sock while watching scrambled pay-per-view porn. Jim’s buddies Kevin (Thomas Ian Nicholas), Finch (Eddie Kaye Thomas), and Oz (Chris Klein) are no less anxious to relieve themselves of their virginity, so they all make a pledge: they will go to bed with a woman in the three weeks before senior prom or die trying. Kevin appears to have the advantage, since he already has a girlfriend, Vicky (Tara Reid), but before he ventures into the Final Frontier, Kevin is urged to consult “The Bible,” a hand-written how-to manual possessing erotic wisdom passed down through the ages. Oz is a good-looking jock who is actually a nice guy — which is part of the problem, since he has his heart set on a nice girl, Heather (Mena Suvari), who does not seem the type to leap into bed within 21 days. Finch has no immediate prospects, though Jessica (Natasha Lyonne) is in a position to know if those rumors about him are true. And Jim is a truly hopeless case — after his attempted seduction of beautiful Czech exchange student Nadia (Shannon Elizabeth) turns out to be a disaster, he ends up going to the prom with Michelle (Alyson Hannigan), an annoyingly chatty band geek who does, however, have a fascinating story about a flute. American Pie was the directorial debut of Paul Weitz, who, along with his brother Chris Weitz (who served as producer), previously wrote several screenplays, including Antz and Madeline (where they presumably worked all their wholesome ideas out of their system).

Written and directed by Alec Berg, David Mandel, and Jeff Schaffer, Eurotrip is a teen comedy from the Montecito Picture Company (makers of similar movies Old School and Road Trip). Mainstream teenager Scott (Scott Mechlowicz) forms an online friendship with German student Mieke in order to get a passing grade in his high school German class. When he finds out Mieke is a buxom blonde girl (Jessica B?hrs), he travels to meet her with his pals Cooper (Jacob Pitts), Jenny (Michelle Trachtenberg), and Jamie (Travis Wester). The group of randy teens head to Berlin by way of London, Paris, and Amsterdam.

Based on the novel by Hubert Selby Jr., this gritty drama concerns four people trapped by their addictions. Harry (Jared Leto), and his best friend Tyrone (Marlon Wayans) are impoverished heroin addicts living in Coney Island, NY, while Harry’s girlfriend Marion (Jennifer Connelly) is a fellow addict trying to distance herself from her wealthy father. Harry dreams of scoring a pound of smack, from which he could make enough money to open a clothing boutique with Marion, but so far he and his friends can barely scrape by supporting their own habits. Meanwhile, Harry’s mother Sara (Ellen Burstyn), who spends her days watching television, is told she has the opportunity to appear on her favorite game show; wanting to lose enough weight to fit into her favorite red dress, she visits a sleazy doctor who gives her a prescription for amphetamines. Soon Sara has a drug habit of her own that is spiraling out of control. Requiem for a Dream was directed by Darren Aronofsky, who also co-wrote the screenplay with Selby; it was Aronofsky’s second feature, following his acclaimed independent film Pi

Director Dominic Sena follows up his stylish action film Gone in 60 Seconds (2000) with this high-tech thriller. John Travolta stars as Gabriel Shear, a charismatic spy who plots to steal a multi-billion-dollar fortune in illegal government funds. In order to make his scheme work, however, Gabriel needs some help from a computer hacker, which is where Stanley Jobson (Hugh Jackman) comes in. Stanley has been paroled from prison after serving a lengthy sentence for penetrating the FBI’s cyber-surveillance operations. Issued a restraining order that keeps him away from computers and living penniless in a trailer park, Stanley wants only to be reunited with his daughter Holly, who’s in the custody of his ex-wife, now remarried to a pornographer. Gabriel and his partner Ginger (Halle Berry) offer Stanley the chance to get his child back in exchange for his help, but the hacker soon realizes he’s a pawn in a larger operation than the high-tech bank heist he thought he was perpetrating. In the meantime, a dedicated federal agent (Don Cheadle), the same man who once arrested Stanley, is trying to expose Gabriel’s operation. Swordfish also stars Sam Shepard and Zach Grenier.

This lavish big-budget epic was the pinnacle of a uniquely Italian subgenre, the historical hardcore gore/porn extravaganza. The star-studded cast, perhaps lured by the high-profile involvement of producer Bob Guccione and screenwriter Gore Vidal, includes such luminaries as John Gielgud, Peter O’Toole, and Helen Mirren. Director Tinto Brass, whose similar treatment of Nazi Germany in Salon Kitty won him the job, did his best with the mammoth enterprise, but numerous production problems and re-edits took their toll on the finished product. When Caligula works best, it works because of Malcolm McDowell, whose crazed portrayal of the title Emperor is the embodiment of villainous corruption. McDowell raises his performance level to match the gaudy spectacle around him, which led to charges of overacting, but there are moments when he is absolutely riveting. Some of the cast doesn’t fare as well, as O’Toole makes a particularly unsubtle Tiberius. The sex is graphic and steamy, particularly a feverish lesbian interlude between Penthouse Pets Lori Wagner and Marjorie Thorsen (using the pseudonym “Anneka di Lorenzo”), and the various carnival freaks used as atmosphere imbue the film with a grotesque, Fellini-like opulence. There are many memorable scenes and a magnificent score by Paul Clemente, but the heady brew of historical epic, hardcore sex, and gory violence proved overwhelming to many viewers. Still, Gore Vidal’s script is surprisingly accurate, and manages to be entertainingly vulgar while bringing a rather loathsome slice of human history to vivid life, warts and all. The more explicit scenes were directed by Bob Guccione and Giancarlo Lui, causing both Vidal and Brass to remove their names from the credits.

After parodying the blaxploitation films of the 1970s in I’m Gonna Git You Sucka, Keenen Ivory Wayans takes aim at slasher films of the 1980s and 1990s in this raunchy satire, which was produced under the clumsy but inarguably appropriate title Scream If You Know What I Did Last Halloween. As you might expect, a group of teenagers — not-terribly-bright Buffy (Shannon Elizabeth), her best friend Brenda (Regina Hall), stoner Shorty (Marlon Wayans), fey football player Ray (Shawn Wayans), loudmouthed Greg (Lochlyn Munro), sexually overexcited Bobby (Jon Abrahams), and his prim girlfriend Cindy (Anna Faris) — are on the run from a maniacal killer who is looking for revenge after the kids accidentally kill a man following an auto accident. They also find themselves having to contend with intrusive reporter Gail Hailstorm (Cheri Oteri) and eccentric high school principal Squiggly (David L. Lander). Incidentally, the title Scary Movie is something of an inside joke: it was the working title for Scream, the movie that kick-started the mid-’90s slasher film revival.

The mysterious and unexpected death of an iconic Hollywood star may be just the tip of an iceberg of scandal in this show biz drama based on a true story. George Reeves (played by Ben Affleck) was a journeyman actor who had played a small role in Gone With The Wind and appeared on screen with the likes of James Cagney, Rita Hayworth and Marlene Dietrich, but his career was not exactly booming when he was cast as comic book hero Superman in a 1951 B-movie, Superman and the Mole Men. A year later, the producers of the movie launched a syndicated Superman television series with Reeves returning as the Man of Steel. The show became a major hit, and Reeves was a star at last. However, on June 16, 1959, to the shock of many, Reeves was found dead of a gunshot wound. Police soon declared Reeves’ death a suicide and closed the case, but his mother (Lois Smith) refused to believe her son took his own life, and hired Louis Simo (Adrian Brody), a private detective, to find out the truth about her son’s passing. Simo found many Hollywood insiders did not care to cooperate as he researched the Reeves case, but his digging uncovered plenty of evidence suggesting the actor did not take his own life, and he also revealed one of Reeves’s deepest secrets — while he was engaged to marry a pretty young starlet, Leonore Lemmon (Robin Tunney), Reeves was also carrying on an affair with the beautiful Toni Mannix (Diane Lane), the wife of Eddie Mannix (Bob Hoskins), a powerful and ill-tempered executive at MGM. While the producers of Hollywoodland based their story on factual accounts of the investigation into the death of George Reeves, they were denied permission to use the Superman logo and the familiar introduction to the Adventures of Superman television show by the respective copyright holders.

Filmmaker Larry Clark reunites with Kids screenwriter Harmony Korine, with some additional directorial assistance from cinematographer Ed Lachman, for this look at a group of troubled teens and their guardians living in Southern California. Ken Park takes its name from the skate park where an ancillary character takes his own life in the film’s opening moments, and then proceeds to chronicle the somewhat-interrelated lives of his classmates. The audience is introduced to Tate (James Ransome), a young man living in relative misery with his board-game-playing grandparents. Also tormented by his living situation is Claude (Stephen Jasso), a quiet, shy teen constantly henpecked by his brutish father (Wade Andrew Williams). Meanwhile, the vapid Shawn (James Bullard) occasionally trades verbal spars with his mother, in between leaving the house for sex sessions with his girlfriend’s mom. Finally there is Peaches (Tiffany Limos), living alone with her devoutly religious father as she covertly experiments with her boyfriend (Mike Apaletegui). Though Ken Park played at such festivals as Toronto and Telluride in the fall of 2002, it would languish on the shelf for months and months afterward, as its explicit content made finding a U.S. distributor near-impossible.

The inner-workings of a corrupt Las Vegas casino are exposed in Martin Scorsese’s story of crime and punishment. The film chronicles the lives and times of three characters: “Ace” Rothstein (Robert De Niro), a bookmaking wizard; Nicky Santoro (Joe Pesci), a Mafia underboss and longtime best friend to Ace; and Ginger McKenna (Sharon Stone, in a role she was born to play), a leggy ex-prostitute with a fondness for jewelry and a penchant for playing the field. Ace plays by the rules (albeit Vegas rules, which, as he reminds the audience in voiceover, would make him a criminal in any other state), while Nicky and Ginger lie, cheat, and steal their respective ways to the top. The film’s first hour and a half details their rise to power, while the second half follows their downfall as the FBI, corrupt government officials, and angry mob bosses pick apart their Camelot piece by piece.