Bovie Movie

Animal rights activists free a group of infected chimpanzees to horrifying results in this speculative sci-fi horror effort from Trainspotting director Danny Boyle. Waking from a coma in a deserted London hospital 28 days later, bicycle courier Jim (Cillian Murphy) takes to the deserted city streets in a state of mystified confusion. Joining forces with another group of survivors following a terrifying encounter in a seemingly abandoned church, Jim soon learns the truth behind the deserted streets and the menacing creatures that lurk in the shadows. It’s soon revealed that the chimpanzees had been harboring a deadly virus that sends its victims into a furious, murderous rage, and in the days following the initial exposure, the entire population was nearly wiped out due to the resulting homicidal rampage. Is there still a glimmer of hope for humanity — or has the deadly “rage” virus found its way to foreign shores and infected the entire planet?

Three brothers who would argue that crime does pay have a hard time getting their fair share of the proceeds in this witty action thriller from Australia. Dale Twentyman (Guy Pearce) and his brothers, Mal (Damien Richardson) and Shane (Joel Edgerton), are serving time together in prison for robbery. Dale is the brains and the cool head of the group, Mal is the eager-to-please nice guy, and Shane is something of a loose cannon. Dale and his siblings are eager to get out of jail, and their lawyer, Frank Malone (Robert Taylor), has pulled a deal that could pare some time off their sentences, though the arrangement is strictly off the books. Mick Kelly (Vince Colosimo) and Jack O’Riordan (Paul Sonkkila) are a pair of crooked police detectives who have arranged with Malone to give the Twentyman brothers day passes from jail in order to pull bank robberies, with the siblings’ share held in escrow until they’re released. Dale thinks something a bit off in this operation, and his suspicions are confirmed when Malone tells the brothers after they’re granted their early release that they won’t get their money until they pull one last job — an ambitious robbery at a Melbourne race track on the day of the nation’s biggest horse race. Dale is convinced he smells a rat — especially since he has good reason to suspect that Malone is having an affair with his wife, Carol (Rachel Griffiths). The Hard Word marked the directorial debut for writer/director Scott Roberts.

Dedicated to Tomoyuki Tanaka (1910-1997), who produced the 1954 original and sequels, the Devlin/Emmerich interpretation displays a redesign of Godzilla, now a large lizard mutated after fallout from French nuclear tests. A blinding flash of white light fills the Eastern sky. Thousands of miles away, the Pacific Ocean churns, engulfing a freighter. On another part of the globe, giant footsteps plow a path through miles of Panamanian forests, Tahitian villages, and Jamaican beaches. In the Ukraine, biologist Dr. Niko Tatopoulos (Matthew Broderick), with the U.S. Nuclear Regulatory Commission, is examining the impact of radiation on Chernobyl earthworms. Colonel Hicks (Kevin Dunn) and a military team escort Niko to check out giant claw marks on the beached freighter; they’re joined by paleontologists Elsie Chapman (Vicki Lewis) and Mendel Craven (Malcolm Danare). Blood and giant-size footprints indicate “some sort of enormous reptile.” French secret agent Philippe Roache talks to the freighter’s only survivor, who keeps repeating, “Gojira…Gojira.” Tatopoulos et al arrive in Manhattan’s Fulton Fish Market where Godzilla surfaces, moving on to the NYC financial district where Mayor Ebert (Michael Lerner) is speaking. Ambitious Audrey Timmonds (Maria Pitillo), who works for TV news anchor Charles Caiman (Harry Shearer), is Niko’s former girlfriend, and she uses this to her professional advantage. As the wave of destruction continues, Niko and Roache track the creature through the evacuated city and discover Godzilla’s eggs about to hatch in Madison Square Garden. They are followed by Audrey and TV cameraman Victor “Animal” Palotti (Hank Azaria), and soon the hatching Godzilla offspring prowl the Garden corridors, leading to a final showdown.

Robert Altman directed this bittersweet ensemble piece about an eccentric and entangled group of family and friends living in the Deep South. Jewel Mae “Cookie” Orcutt (Patricia Neal) is the widowed matriarch of a small-town Mississippi family, which includes her nieces Camille (Glenn Close), a pretentious would-be artist staging an amateur production of Salome at a local church, and Cora Julianne Moore), her less than enthusiastic leading lady. Willis (Charles S. Dutton), the caretaker of Cookie’s rambling mansion, tries to persuade her sweet but aimless grand-niece, Emma (Liv Tyler), to move in with her, but she’s more interested in her on-again, off-again romance with local cop Jason (Chris O’Donnell). Typical of Altman’s work, Cookie’s Fortune weaves together a number of different plot lines with relaxed grace, and features an impressive cast, including Ned Beatty, Lyle Lovett, and Courtney B. Vance.

Based on J.G. Ballard’s autobiographical novel, Empire of the Sun stars Christian Bale as a spoiled young British boy, living with his wealthy family in pre-World War II Shanghai. During the Japanese invasion, Bale is separated from his parents. With the help of soldier-of-fortune John Malkovich, Bale learns to survive without a retinue of servants at his beck and call. By the time Malkovich and Bale are tossed into a Japanese prison camp, the boy has picked up enough street-smarts and developed enough intestinal fortitude to regard his imprisonment as an exciting adventure. The story ends during the 1945 liberation: on the verge of manhood, the 13-year-old Bale will never again be the pampered, privileged brat whom we met in the early scenes.

A group of feisty forest critters awaken following the winter freeze to discover that not only has a new neighborhood cropped up during the cold months, but living in close proximity to humans may have its benefits in this computer-animated comedy-adventure for all ages featuring the voices of Bruce Willis, Garry Shandling, Steve Carell, Wanda Sykes, Avril Lavigne, Eugene Levy, and William Shatner. Despite Verne the Turtle’s (Garry Shandling) initial hesitance to breach the formidable foliage that has appeared on his doorstep since last fall, the arrival of fearless raccoon RJ (Willis) and revelation that their new human neighbors throw out enough food in one day to feed a whole forest lead the gang to consider taking the plunge and exploring the snack-filled suburbs. As Verne and RJ learn to work together in taking on their strange new surroundings, Stella the Skunk (Sykes), Hammy the Squirrel (Carrel), Heather the Opossum (Lavigne), and Heather’s father, Ozzie (Shatner), join in on the fun by scavenging for Girl Scout cookies and attempting to scuttle past the pesky new suburbanites undetected.

They’ve kept television viewers laughing for nearly 20 years, and now the most popular animated family on the small screen makes the leap into theaters as Homer, Marge, Lisa, Bart, ad Maggie embark on their first-ever feature-length adventure. Directed by David Silverman and written by a whole host of Simpsons veterans including Matt Groening and James L. Brooks, The Simpsons Movie also features special guest appearances by Albert Brooks among others.

If you met Adolph Hitler when he was just a struggling cartoonist, wouldn’t you have done the world a big favor by murdering him? That philosophical question provides the linchpin of this black comedy. Jude (Cameron Diaz), Pete (Ron Eldard), Paulie (Annabeth Gish), Marc (Jonathan Penner), and Luke (Courtney B. Vance) are five graduate students who are confirmed members of the political left, participate in small-scale activism, and share a house together. One night, Pete is stuck in the middle of nowhere, and Zack (Bill Paxton), a truck driver, gives him a lift home. The housemates are just about to sit down to dinner, so to show his gratitude, Pete asks Zack to join them. However, it soon becomes obvious that Zack doesn’t share the group’s political views, and when he states that he thinks Hitler had the right idea, the argument turns into a fight, with Zack brandishing a knife. The trucker is accidentally killed in the scuffle, and rather than report the death to the police, his body is buried in the backyard vegetable garden. However, the event prompts much discussion among the housemates — if Zack was a hateful bigot, isn’t the world better off without him? And wouldn’t killing other ignorant hatemongers improve society all the more? Before long, the group is having a weekly dinner party in which they invite a special guest — including an anti-environmental activist (Jason Alexander), a right-wing religious leader (Charles Durning), a sexist who doesn’t believe there’s such a thing as rape (Mark Harmon), and a teenager campaigning against sex education in schools (Erin Bryn) — and serve them some wine, which happens to be laced with arsenic. While the group’s attempt at community improvement does wonders for their tomato plants, the recent disappearances eventually attract the attention of the local sheriff (Nora Dunn). The Last Supper was the first feature for director Stacy Title, who won an Academy Award for her short subject Down on the Waterfront; screenwriter Dan Rosen appears in a supporting role as a police deputy.

This is probably Peter Greenaway’s most famous (or infamous) film, which first shocked audiences at the 1989 Cannes Film Festival and then on both sides of the Atlantic. A gang leader (Michael Gambon), accompanied by his wife (Helen Mirren) and his associates, entertains himself every night in a fancy French restaurant that he has recently bought. Having tired of her sadistic, boorish husband, the wife finds herself a lover (Alan Howard) and makes love to him in the restaurant’s coziest places with the silent permission of the cook (Richard Bohringer). Though less cerebral than Greenaway’s other films, featuring deadly passions reminiscent of Jacobean revenge tragedies of the early 17th century, the picture still offers the director’s usual ironic and paradoxical comments on the relations between eating and sex, love and death. The film is at once funny and horrific, and those who are not used to Greenaway’s peculiar style might be even disgusted or shocked; however, one might mention Sacha Vierny’s brilliant camerawork, Jean-Paul Gaultier’s gaudily stylized costumes, and Michael Nyman’s somber, pulsating music, which will haunt the viewer long after the film’s end.

In 1962, Calvin Webber (Christopher Walken) was a brilliant but somewhat paranoid scientist living with his Donna Reed-esque wife, Helen (Sissy Spacek), in Los Angeles. In the midst of the Cuban Missile Crisis, a plane crashed into the Webber’s yard. Mistaking the blast for “the big one,” the Webbers moved into their elaborate bomb shelter to wait out the half-life of radioactive fallout. In the shelter, now a sort of time capsule, Calvin and Helen conceived and raised their son Adam (played as an adult by Brendan Fraser). For 35 years, Adam was raised on Jackie Gleason, Perry Como, and stories about life on the surface. Calvin taught his son about science, baseball, and communists while Mom taught Adam about dancing, good manners, and charming young ladies. Just in time, too, as Adam is sent to the surface to gather supplies and find a wife, preferably a nice, non-mutant girl from Pasadena with which to repopulate the world. Once this “fish out of water” story is set up, the fish, Adam, is set adrift in a sea of supermarkets and adult bookstores, but is soon caught by Eve Rustikov (Alicia Silverstone). Completely lost above ground, Adam enlists Eve’s help to navigate his new world and find the supplies on his list. The literally sheltered Adam falls for this bitter, cynical, street-smart woman who grew up in a bleak Los Angeles with little use for love. Living with her gay roommate, Troy (Dave Foley), Eve has had her hopes chipped away by a long line of dead-end jobs and loser boyfriends. When the throwback Adam enters her life with his sunny disposition, seersucker jacket, and joy at seeing the sky, she can’t help but fall in love.