Bovie Movie

Director Alex Proyas (Dark City, The Crow) helmed this sci-fi thriller inspired by the stories in Isaac Asimov’s nine-story anthology of the same name. In the future presented in the film, humans have become exceedingly dependent on robots in their everyday lives. Robots have become more and more advanced, but each one is preprogrammed to always obey humans and to, under no circumstances, ever harm a human. So, when a scientist turns up dead and a humanoid robot is the main suspect, the world is left to wonder if they are as safe around their electronic servants as previously thought. Will Smith stars as Del Spooner, the robot-hating Chicago cop assigned to the murder investigation. Bridget Moynahan, Bruce Greenwood, James Cromwell, and Chi McBride also star.

Writer and director John Carpenter returns to the mixture of science fiction and horror that made The Thing (1982) a success. Natasha Henstridge stars as Lt. Melanie Ballard of the Martian Police Force, a member of a law enforcement team two centuries in the future, dispatched to the remote colony of Shining Canyon. There, the most notorious criminal on Mars, James “Desolation” Williams (Ice Cube), awaits transport to a more secure jail. Besides Ballard, the other cops include the rookie Bashira (Clea Duvall), hotshot and fast talker Jericho (Jason Statham), tough veteran and squad leader Helena (Pam Grier), and reliable soldier Descanso (Liam Waite). Once Ballard and her companions arrive in Shining Canyon, however, they discover that it’s a literal ghost town. It seems that an archaeologist team led by Professor Whitlock (Joanna Cassidy) has uncovered an ancient relic at a nearby dig site, unleashing the vengeful spirits of the planet’s long-ago warrior inhabitants, which have now possessed the bodies of the human invaders and set about trying to destroy them. After her team is decimated by the Martian specters, Ballard is forced to turn for help to the one person she can’t really trust: Williams. Ghosts of Mars screenwriter Larry Sulkis broke into the film business as producer of the satirical commercials in Carpenter’s They Live (1988).

A man with the ability to see the future and change the outcome of events before they occur is forced to choose between saving himself and saving the world in this supernatural thriller starring Nicolas Cage and directed by Lee Tamahori (Die Another Day, The Edge). Cris Johnson (Cage) is a Las Vegas magician who possesses the unique ability to witness the events of the immediate future moments before they happen. As a child Cris was subjected to a series of cruel experiments by government scientists and doctors, but a change of name and a new identity allowed the tortured psychic to elude detection and start a new life away from the prying eyes of his former captors. Though his clairvoyant vision only extends a few minutes into the future, it has still allowed Cris to eke out a living as a low-rent Las Vegas magician while earning a little extra cash at the blackjack tables. Up to this point in his life Cris has never used his power for anything substantial, but when he experiences a vision of Los Angeles being incinerated in a nuclear holocaust, the small-time magician realizes that he could hold the key to saving millions of lives. But as low as he has tried to lie in recent years, Cris has never completely escaped detection by the government. Now, as terrorists prepare to unleash the ultimate horror on an unsuspecting city, FBI counter terror agent Callie Ferris (Julianne Moore) sets out to capture Cris and convince him to use his exceptional gift to prevent the nuclear nightmare from becoming a terrifying reality. Jessica Biel, Peter Falk, and Thomas Kretschmann co-star in the film, which is based on a short story by acclaimed sci-fi author Philip K. Dick.

The second sequel to the 1984 sci-fi action classic, Terminator 3: Rise of the Machines is the first film without the involvement of director James Cameron. Instead, Jonathan Mostow, the man behind Breakdown and U-571, has stepped in to fill the shoes left vacant by Cameron. In addition, the role of John Connor from the second film has been recast, with In the Bedroom’s Nick Stahl taking over for Edward Furlong. Set ten years after the events of 1991’s Terminator 2: Judgement Day, the film finds Connor living on the streets as a common laborer. Sarah Connor, his mother, has since died, and their efforts in the second film have not stopped the creation of SkyNet artificial intelligence network. As he will still become the leader of the human resistance, Connor is once again targeted by a Terminator sent from the future by SkyNet. This new Terminator, T-X (Kristanna Loken), is a female and is more powerful than any of her predecessors. To protect Connor, the human resistance sends a new T-101 (Arnold Schwarzenegger) back from the future. Also starring Claire Danes, Terminator 3: Rise of the Machines had its world premiere when it showed out of competition at the 2003 Cannes Film Festival.

An effort to circumvent global catastrophe becomes a disaster in its own right in this science fiction thriller. In the year 2050, Earth is on the verge of ecological disaster, and the Mars Terraforming Project has been created in hopes of making our neighboring planet habitable so that a colony of Earthlings might begin a new civilization there. But the project goes awry, and Commander Kate Bowman (Carrie-Anne Moss) is put in charge of a rescue mission to set the system back on its feet. Bringing along astronaut Robby Gallagher (Val Kilmer) and scientists Dr. Quinn Burchenal (Tom Sizemore) and Dr. Bud Chantillas (Terrence Stamp), Bowman and her crew set out for Mars, but disaster strikes and the landing craft crashes into the red planet. The crew is stranded without communications as Bowman struggles to find a way to get them home; to make matters worse, the robot that was designed to serve and protect them has gone haywire, and is now attempting to hunt them down as prey. Red Planet was originally to have been released as Mars, but the producers changed the title to avoid confusion with Mission to Mars, released earlier the same year.

An intense film about time travel, this sci-fi entry was directed by Terry Gilliam, a member of the comedy troupe Monty Python. The film stars Bruce Willis as James Cole, a prisoner of the state in the year 2035 who can earn parole if he agrees to travel back in time and thwart a devastating plague. The virus has wiped out most of the Earth’s population and the remainder live underground because the air is poisonous. Returning to the year 1990, six years before the start of the plague, Cole is soon imprisoned in a psychiatric facility because his warnings sound like mad ravings. There he meets a scientist named Dr. Kathryn Railly (Madeleine Stowe) and Jeffrey Goines (Brad Pitt), the mad son of an eminent virologist (Christopher Plummer). Cole is returned by the authorities to the year 2035, and finally ends up at his intended destination in 1996. He kidnaps Dr. Railly in order to enlist her help in his quest. Cole discovers graffiti by an apparent animal rights group called the Army of the Twelve Monkeys, but as he delves into the mystery, he hears voices, loses his bearings, and doubts his own sanity. He must figure out if Goines, who seems to be a raving lunatic, holds the key to the puzzle.

In this science-fiction thriller set in the very near future, DNA cloning has been perfected and has become an accepted part of everyday life — cattle and fish are cloned for sale at the market, genetically engineered fruit and vegetables are found in most family’s kitchens (nacho-flavored bananas, anyone?), and if your pet dies, you can even order a cloned replacement. But laws have been passed that strictly forbid the cloning of human beings. However, helicopter pilot Adam Gibson (Arnold Schwarzenegger), who believes people should live and die the old-fashioned way, discovers that someone has been violating these regulations. After Adam luckily avoids being on a copter that crashes, he comes home to discover someone has duplicated him. Now Adam is on a mission to find out who cloned him and why, as he struggles to take back his life from a scientifically created impostor, his boss Michael Drucker (Tony Goldwyn), and a pair of thugs (Sarah Wynter and Rod Rowland) who have been cloned into near-indestructibility. The 6th Day also stars Robert Duvall as cloning expert Griffin Weir, Michael Rooker as Drucker’s right-hand man Robert Marshall, and Michael Rapaport as Adam’s partner, Hank Morgan.

What if virtual reality wasn’t just for fun, but was being used to imprison you? That’s the dilemma that faces mild-mannered computer jockey Thomas Anderson (Keanu Reeves) in The Matrix. It’s the year 1999, and Anderson (hacker alias: Neo) works in a cubicle, manning a computer and doing a little hacking on the side. It’s through this latter activity that Thomas makes the acquaintance of Morpheus (Laurence Fishburne), who has some interesting news for Mr. Anderson — none of what’s going on around him is real. The year is actually closer to 2199, and it seems Thomas, like most people, is a victim of The Matrix, a massive artificial intelligence system that has tapped into people’s minds and created the illusion of a real world, while using their brains and bodies for energy, tossing them away like spent batteries when they’re through. Morpheus, however, is convinced Neo is “The One” who can crack open The Matrix and bring his people to both physical and psychological freedom. The Matrix is the second feature film from the sibling writer/director team of Andy Wachowski and Larry Wachowski, who made an impressive debut with the stylish erotic crime thriller Bound.

A smuggler is killed by a man he thought was his friend and comes back to tell the story in this sci-fi tinged action drama. John Anderson Wade (Rutger Hauer) is a black marketeer who gets on the wrong side of Merrick (Mark Dacascos), his partner in crime. A disagreement with Merrick turns deadly, and Wade ends up murdered. However, scientists from the Russian government perform experiments on Wade’s body that bring him back from the dead; Wade teams up with female kickboxer Marina (Yvonne Scio). and they set out to find Merrick and exact revenge for his brief career as a dead person. Redline has also been released under the titles Deathline and Armageddon.

New Zealand screenwriter Andrew Niccol (The Truman Show) made his feature directorial debut with this science fiction drama, set in a future when one’s life is determined by genetic engineering rather than education or experience. The wealthy can choose the genetic makeup of their descendants. People are designed to fit into whatever role is decided before birth. But what happens when someone desires another way of life? Citizens in this impersonal future-world are fashioned as perfect specimens, so those in the natural-born minority are viewed as inferior to the pre-planned perfect specimens (aka “Valids”) who dominate. One of the natural-borns (aka “In-Valids”), Vincent Freeman (Ethan Hawke), has several defects (poor vision, emotional problems, and short 30-year life expectancy), but he also develops a different outlook on his pre-ordained fate. He yearns to break free from society’s constraints, and he dreams of a journey into space as a Gattaca Corp. navigator. To accomplish his goal, he enlists the aid of DNA broker German (Tony Shalhoub) and makes contact with Jerome Morrow (Jude Law), who was paralyzed in an accident and is willing to sell his superior genetic materials. Vincent assumes Jerome’s identity and is scheduled for a flying mission. However, a week before his flight, a Gattaca mission director is murdered, and all members of the program are the suspects. Meanwhile, he develops a romantic interest in a beautiful Valid, Irene (Uma Thurman), prevented from going into space because of her heart defect. Tracked by a relentless investigator who is methodically jigsawing all the pieces together, Jerome finds his aspirations dissolving into stardust.