Bovie Movie

Director Gus Van Sant returned to the low-key style of his early independent efforts with this semi-improvised exploration of how violence makes its way into a typical American high school. Eric (Eric Deulen) and Alex (Alex Frost) are two close friends who are students in a well-to-do suburb of Portland, OR. Eric and Alex are at once ordinary and misfits; while they seem to be confined to the edges of the clique-oriented social strata of high school, little about their behavior draws attention to itself. Or at least not during a typical school day; on their own time, the two boys are fascinated by Nazi iconography, enjoy violent video games, tentatively explore homoerotic desires, and coolly begin to make plans for an armed ambush of the school, drawing up working diagrams of the lunch room during study hall and buying rifles over the Internet. Drawing an expected degree of controversy, Elephant had its world premiere when it was screened in competition at the 2003 Cannes Film Festival, where it won both Best Director for Van Sant and the Golden Palm award.

It’s said that most American men think about sex once every two or three minutes, but this statistic would seriously underestimate the horniness of Jim (Jason Biggs), a high school senior in suburban Michigan. Jim is thoroughly obsessed with sex, a fact of which his parents become aware when they discover him performing the sin of Onan with a gym sock while watching scrambled pay-per-view porn. Jim’s buddies Kevin (Thomas Ian Nicholas), Finch (Eddie Kaye Thomas), and Oz (Chris Klein) are no less anxious to relieve themselves of their virginity, so they all make a pledge: they will go to bed with a woman in the three weeks before senior prom or die trying. Kevin appears to have the advantage, since he already has a girlfriend, Vicky (Tara Reid), but before he ventures into the Final Frontier, Kevin is urged to consult “The Bible,” a hand-written how-to manual possessing erotic wisdom passed down through the ages. Oz is a good-looking jock who is actually a nice guy — which is part of the problem, since he has his heart set on a nice girl, Heather (Mena Suvari), who does not seem the type to leap into bed within 21 days. Finch has no immediate prospects, though Jessica (Natasha Lyonne) is in a position to know if those rumors about him are true. And Jim is a truly hopeless case — after his attempted seduction of beautiful Czech exchange student Nadia (Shannon Elizabeth) turns out to be a disaster, he ends up going to the prom with Michelle (Alyson Hannigan), an annoyingly chatty band geek who does, however, have a fascinating story about a flute. American Pie was the directorial debut of Paul Weitz, who, along with his brother Chris Weitz (who served as producer), previously wrote several screenplays, including Antz and Madeline (where they presumably worked all their wholesome ideas out of their system).

A teen learns that all the gadgets in the world can’t help him overcome his awkwardness around the opposite sex in this big-budget family entertainment. In Agent Cody Banks, Malcolm in the Middle star Frankie Muniz plays a young man plucked from suburban obscurity to be trained as a CIA super-agent. His mission? Get friendly with his classmate Natalie (played by another teen TV star, Lizzie McGuire’s Hilary Duff) so that he can uncover her father’s diabolical scheme to create indestructible robots. To compound his problems, Cody also has to deal with the same stresses as any adolescent: nagging parents, insufferable classwork, and a fragile sense of self-esteem. Agent Cody Banks was produced by MGM, not coincidentally the studio responsible for another popular spy franchise, the venerable James Bond series.

The Creeper is back, and he’s brought his appetite with him in director Victor Salva’s sequel to his popular 2001 sleeper. Stranded on the dreaded East 9 Highway while returning home from winning the championship game, a group of basketball players, cheerleaders, and coaches quickly realize that there’s more to fear than a broken down bus when The Creeper descends mercilessly upon them. As his 23-day feeding frenzy draws to a close, The Creeper needs the sort of nourishment only a vital group of young athletes can provide, and to survive the night, the terrified teens will have to fight to their dying breaths.

The made-for-cable musical satire Reefer Madness is based on the award-winning play of the same name, which in turn was inspired by the notorious — and deliciously awful — 1936 anti-marijuana film originally titled Tell Your Children. A smarmy lecturer (Alan Cumming in the first of his three roles in the film) arrives in a typical small town of the late ’30s to warn the populace of the dangers of the “evil weed,” bringing along a lurid propaganda film to dramatize his message. In broad, unsubtle, and hilarious strokes, the movie-within-a-movie shows how even a squeaky-clean pair of highschoolers named Mary Lane (Kristen Bell) and Jimmy Harper (Christian Campbell) can become hopeless dope addicts by succumbing to the lure of marijuana. Reefer Madness is not only a savage skewering of the original black-and-white movie (some of the musical’s campiest lines are taken directly from the earlier script!), but also a devastating attack on what playwrights Kevin Murphy and Dan Studney consider to be the real reason that the 1936 movie was made: to frighten the public out of their wits in order to keep them under the thumb of an oppressive government. Thus, the musical manages to take a number of not-so-veiled swipes at xenophobia, racism, McCarthyism, the Bush Administration’s Homeland Security policy, and even the recent FCC clampdown on “offensive” TV fare (one of the film’s highlights is a garish nightclub number featuring Jesus Christ). The ebulliently staged songs include “The Stuff,” “Down at the Ol’ Five and Dime,” “Lonely Pew,” “Listen to Jesus Jimmy,” “Mary Jane/Mary Lane,” “The Brownie Song,” “Tell ‘Em the Truth,” and the title number. Officially titled Reefer Madness: The Movie Musical, this film first aired April 16, 2005, on the Showtime cable service.

In this thriller, a baby-sitter is terrorized by an anonymous telephone caller who turns out to be a particularly persistent serial killer. When a stranger calls to ask, “Have you checked the children lately?” teenaged sitter Jill Johnson (Carol Kane) is understandably spooked. After a series of increasingly creepy calls culminates in a request for “your blood…all over me,” Jill learns from the police operator that the man is calling from inside the house. One narrow escape and two dead children later, the police capture British maniac Curt Duncan (Tony Beckley). Several years later, the killer escapes from a mental institution and plagues Tracy (Colleen Dewhurst), a hard-drinking New Yorker. Foiled by John Clifford (Charles Durning), the same cop who investigated the original case, Duncan sets his sights back on his original victim, Jill Johnson, who, now married and out to dinner with her husband, has left her own young children at home — with a baby-sitter. When a Stranger Calls helped inspire Drew Barrymore’s famous opening scene in Wes Craven’s Scream. Kane, Durning, and director Fred Walton would return for 1993’s TV-movie sequel, When a Stranger Calls Back. Beckley died a year after the original film’s release.

Donnie (Jake Gyllenhaal) is a bright and charming high-school student who also has a dark and willfully eccentric side; he does little to mask his contempt for many of his peers and enjoys challenging the authority of the adults around him. Donnie is also visited on occasion by Frank, a monstrous six-foot rabbit that only Donnie can see who often urges him to perform dangerous and destructive pranks. Late one night, Frank leads Donnie out of his home to inform him that the world will come to an end in less than a month; moments later, the engine of a jet aircraft comes crashing through the ceiling of Donnie’s room, making him think there might be something to Frank’s prophesies after all. The rest of Donnie’s world is only marginally less bizarre, as he finds himself dealing with his confused parents (Mary McDonnell and Holmes Osborne), his college-age sister (Maggie Gyllenhaal), his perplexed analyst (Katherine Ross), a rebellious English teacher (Drew Barrymore), a sleazy self-help expert (Patrick Swayze), and the new girl at school who is attracted by Donnie’s quirks (Jena Malone). Donnie Darko was the first feature film from writer and director Richard Kelly; Drew Barrymore, who plays teacher Karen Pomeroy, also lent her support to the project as executive producer. A director’s cut played in select theaters on a limited basis in the summer of 2004, featuring original music cues and trimmed scenes originally in Kelly’s first cut of the film.

An unpopular high-school girl dies at the hands of her classmates when a cruel prank spins out of control, only to return from the land of the dead to seek revenge as a sexy seductress in this frightful feature from Final Destination screenwriter Jeffrey Reddick. Tamara was a quiet girl, and the cruelty of her classmates was relentless. As their disdain for their mousy classmate reaches a fever pitch, Tamara’s sadistic classmates carry out a vicious practical joke that inadvertently results in the young outcast meeting her doom. Tamara isn’t the kind to stay down forever though, and when the once-homely girl returns from beyond the grave with a killer new look and a body to die for, that’s exactly what her tormentors are about to do.

Miramax Films darlings Robert Rodriguez and screenwriter Kevin Williamson teamed up for a high-school alien-horror film that they described as The Breakfast Club meets Invasion of the Body Snatchers. Dilapidated Herrington High is the location for a story about a school faculty taken over by outer-space creatures, forcing the students to take charge and kick some alien butt. School faculty members (Robert Patrick, Bebe Neuwirth, Salma Hayek, and Jon Stewart) are infested with rapidly reproducing space worms that take over their minds and bodies. But never fear, because at this school, between hazing the student body and having sex in the locker room, a Scooby-Doo-ish group of high school students is ready to fight back. The up-and-coming acting talent includes R&B singer Usher Raymond, Elijah Wood, Clea DuVall, Josh Hartnett, Shawn Hatosy, Laura Harris, and Jordanna Brewster. The story is nearly irrelevant, as the real stars are the action and lots of special effects.

Three teenagers two-timed by a local lothario decide to turn the tables on him in this romantic comedy. John Tucker (Jesse Metcalfe) is the big man on campus at his high school — he’s the captain and star player of the basketball team, he’s got money, he’s good-looking and charming, and he can have any girl he wants. However, the latter attribute is about to get him in serious trouble when three different girls at his school — Heather (Ashanti), Beth (Sophia Bush) and Carrie (Arielle Kebbel) — discover they’ve all been dating John at the same time. Determined to bring down the campus ladykiller, the girls devise a plan — they pick a cute but socially clumsy girl who is new at school, Kate (Brittany Snow), and give her a crash course in stealing John’s heart. Once Kate has John wrapped around her little finger, she’s supposed to drop him like a bad habit and give him a taste of what heartbreak is really like. However, it seems that the early stages of the plan work a little too well, and John and Kate end up falling for each other for real. John Tucker Must Die also stars Jenny McCarthy, Penn Badgley, and Dan Payne.