Bovie Movie

An outlaw finds his life becoming all the more dangerous when he turns against a gang of criminals in this action drama. Frank Martin (Jason Statham) is a former Special Forces officer who lives on the French Mediterranean and has a lucrative second career as a underworld courier for hire. Martin will deliver anything anywhere, but he has three iron-clad rules - once the plan is in motion it cannot be changed, neither he nor his customers are to ever use their real names, and under no circumstances will he open the package. Martin is hired to make a delivery to a wealthy but unscrupulous American known as Wall Street (Matt Schulze), but after taking possession of the package he realizes that whatever is inside happens to be alive. Breaking his own rule, Martin opens the bag to discover a beautiful Asian woman, Lai (Shu Qi), who is bound and gagged. Lai briefly escapes, but Martin captures her, and delivers her to Wall Street as promised. However, after being given a parcel to deliver by Wall Street, Martin finds out what Wall Street is up to - in partnership with Lai’s father Mr. Kwai (Ric Young), Wall Street is part of a scheme to smuggle Asian illegal aliens into France. Martin’s conscience gets the better of him, and he sets out to rescue Lai and put Wall Street and Mr. Kwai out of business; however, as if this wasn’t enough of a challenge, Martin discovers a French detective, Tarconi (Francois Berleand) has gotten wind of his illegal business. The Transporter was the first English-language feature for Hong Kong-based director Corey Yuen, who along with directing a number of HK action flicks designed fight choreography for several American films.

A brilliant young man is tapped to join the elite branch of American intelligence, only to discover how complex and dangerous the job can really be in this suspense-drama. James Clayton (Colin Farrell) recently completed his studies at MIT, where he graduated at the top of his class and is pondering his next move while he works as a bartender at an upscale nightspot. One evening, Clayton is approached by Walter Burke (Al Pacino), a recruiter for the Central Intelligence Agency, who describes himself as “a scary judge of talent” and believes Clayton is just the sort of man the CIA is looking for. Clayton, who has little interest in an ordinary nine-to-five career and suspects his father (whom Burke claims to have known) worked for the Agency, accepts the offer and is soon sent to the CIA’s secret training camp. It soon becomes obvious that Burke’s intuition has not failed him; Clayton is smart, fast on his feet, a crack shot, and possesses a very agile mind. In training, Clayton notices a few things, most notably one of his fellow students, Layla (Bridget Moynahan), a beautiful woman whose skills equal his own. Clayton becomes quite infatuated with Layla, and after a fashion the attraction appears to be mutual, but Clayton has to keep in mind Burke’s dictum that “nothing is as it seems,” especially when Clayton is given a special assignment — find the mole within the Agency’s training program who is actually feeding information to America’s enemies.

Joel and Ethan Coen take on the classic battle-of-the-sexes screwball comedy with Intolerable Cruelty. George Clooney plays Miles Massey, a high-powered Los Angeles divorce lawyer nearing a midlife crisis . While representing wealthy client Rex Rexroth (Edward Herrmann), Miles meets his match in Rex’s gold-digging wife, Marilyn Rexroth (Catherine Zeta-Jones). He’s impressed by her similarly heartless ways of using marriage to fuel an expensive lifestyle, but he still defeats her in court. With Marilyn looking to get her revenge and Miles finding himself attracted to her, the two engage in a ruthless romantic pursuit to out-swindle each other. Billy Bob Thornton shows up in a small role as Texas oil tycoon Howard Doyle.

Laid up with a broken leg, photojournalist L.B. Jeffries (James Stewart) is confined to his tiny, sweltering courtyard apartment. To pass the time between visits from his nurse (Thelma Ritter) and his fashion model girlfriend Lisa (Grace Kelly), the binocular-wielding Jeffries stares through the rear window of his apartment at the goings-on in the other apartments around his courtyard. As he watches his neighbors, he assigns them such roles and character names as “Miss Torso” (Georgine Darcy), a professional dancer with a healthy social life or “Miss Lonelyhearts” (Judith Evelyn), a middle-aged woman who entertains nonexistent gentlemen callers. Of particular interest is seemingly mild-mannered travelling salesman Lars Thorwald (Raymond Burr), who is saddled with a nagging, invalid wife. One afternoon, Thorwald pulls down his window shade, and his wife’s incessant bray comes to a sudden halt. Out of boredom, Jeffries casually concocts a scenario in which Thorwald has murdered his wife and disposed of the body in gruesome fashion. Trouble is, Jeffries’ musings just might happen to be the truth. One of Alfred Hitchcock’s very best efforts, Rear Window is a crackling suspense film that also ranks with Michael Powell’s Peeping Tom (1960) as one of the movies’ most trenchant dissections of voyeurism. As in most Hitchcock films, the protagonist is a seemingly ordinary man who gets himself in trouble for his secret desires.

Wait Until Dark is an innovative, highly entertaining and suspenseful thriller about a blind housewife, Susy Hendrix (Audrey Hepburn). Independent and resourceful, Susy is learning to cope with her blindness, which resulted from a recent accident. She is aided by her difficult, slightly unreliable young neighbor Gloria (Julie Herrod) with whom she has an exasperated but lovingly maternal relationship. Susy’s life is changed as she is terrorized by a group of criminals who believe she has hidden a baby doll used by them to smuggle heroin into the country. Unknown to Susy, her photographer husband Sam (Efrem Zimbalist Jr.) took the doll as a favor for a woman he met on an international plane flight and unwittingly brought the doll to the couple’s New York apartment when the woman became afraid of the customs officials. Alone in her apartment and cut-off from the outside world, Susy must fight for her life against a gang of ruthless criminals, led by the violent, psychotic Roat (Alan Arkin). The tension builds as Roat, aided by his gang, impersonates police officers and friends of her husband in order to win Susy’s confidence, gaining access to her apartment to look for the doll. The climax of the film, a violent physical confrontation between Susie and Roat in her dark kitchen, is one of the most memorable and frightening scenes in screen history. All performances are outstanding, particularly those of Audrey Hepburn who plays a vulnerable, but self-reliant woman, and Alan Arkin, in perhaps his best role, as the ruthless, manipulative Roat.

A moment of temptation leads to a high body count and untold regrets for a high-school swimming star in this thriller starring Bring It On’s Jesse Bradford and Traffic’s Erika Christensen. Despite a shady past involving drugs and the juvenile justice system, Ben Cronin (Bradford) seems to have it all: a loving mother, a devoted girlfriend (Shiri Appleby), and a shot at a college scholarship in California. But the same week that athletic scouts will be deciding his future, Ben finds himself embroiled in a flirtation with Madison Bell (Christensen), a bewitching transfer student who seduces him into supposedly strings-free sex during an impromptu swim lesson after hours in the school pool. When Ben takes Madison at her word and goes about his business as if nothing had happened, she insinuates herself into his life with sinister glee. Showing up at Ben’s house, befriending his girlfriend, and sending him naked pictures — none of her strategies wins his heart. So Madison turns to other, more devious forms of courtship. Soon, Ben finds himself kicked off the swim team for supposed steroid use, suspected of murdering a rival (Clayne Crawford), and rejected by his girlfriend for his sexual indiscretions. Eventually, though, he receives help in uncovering the genesis of Madison’s uncanny fixation from an unexpected source. Originally titled “Swimfan85″ (after Madison’s Internet screen name), the retitled Swimfan hit the top spot at the back-to-school box office when it was released September 6, 2002. Dan Hedaya co-stars as Ben’s stern but loving mentor, Coach Simkins. Actor-turned-director John Polson previously helmed Siam Sunset.

Director Martin Brest, of Going in Style and Beverly Hills Cop fame, was in charge of Midnight Run. Robert De Niro stars as Jack Walsh, a hard-bitten bounty hunter offered $100,000 to bring in embezzler Jonathan Mardukas (Charles Grodin). Handcuffed to the wimpy Mardukas, Walsh assumes that the extradition trip from New York to Los Angeles will be an uneventful one. But the prisoner hasn’t told Walsh the whole story: the embezzler owes $15 million to a mobster (Dennis Farina), and he’s been targeted for assassination. It’s a toss-up as to what is the most entertaining aspect of Midnight Run: the slam-bang action and chase sequences or the verbal byplay between DeNiro and Grodin.

Director David Lynch crafted this hallucinogenic mystery-thriller that probes beneath the cheerful surface of suburban America to discover sadomasochistic violence, corruption, drug abuse, crime and perversion. Kyle Maclachlan stars as Jeffrey Beaumont, a square-jawed young man who returns to his picture-perfect small town when his father suffers a stroke. Walking through a field near his home, Jeff discovers a severed human ear, which he immediately brings to the police. Their disinterest sparks Jeff’s curiosity, and he is soon drawn into a dangerous drama that’s being played out by a lounge singer, Dorothy Vallens (Isabella Rossellini) and the ether-addicted Frank Booth (Dennis Hopper). The sociopathic Booth has kidnapped Dorothy’s young son and is using the child as a bargaining chip to repeatedly beat, humiliate and rape Dorothy. Though he’s drawn to the virginal, wholesome Sandy Williams (Laura Dern), Jeff is also aroused by Dorothy and in trying to aid her, he discovers his dark side. As the film nears its conclusion, our hero learns that many more indivduals are tacitly involved with Frank, including a suave, lip-synching singer, Ben (Dean Stockwell), who is minding the kidnapped boy. Director Lynch explored many similar themes of the “disease” lying just under the surface of the small town, all-American fa?ade in his later television series Twin Peaks (1990-91).

The time is the 1950s: seedy Brooklyn private eye Harry Angel (Mickey Rourke) is hired by shady Louis Cyphre (Robert De Niro) to locate a pop singer who reneged on a debt. Harry ventures into Harlem, the first step of a Heart of Darkness-inspired odyssey. Each time Harry makes contact with someone who might know the singer’s whereabouts, he or she is killed in a horrible, ritualistic fashion; a Satanic cult seems to be at the bottom of all the carnage. Harry solves the mystery, all right. He just didn’t know that he had the answer all along — even before Louis entered his office. Also available in the “unrated” video version, Angel Heart is best known as the film that nearly got an X-rating due to a no-holds-barred sex scene involving Mickey Rourke and Lisa Bonet.

Funnyman Robin Williams steps out of character in this tense, low-key thriller that marked the feature-film directorial debut of music video veteran Mark Romanek. Semour “Sy” Parrish (Williams) runs the photo processing department at a large discount store; Sy is dedicated to his job, and takes great pride in his work. Sy’s favorite customers are Nina and Will Yorkin (Connie Nielsen and Michael Vartan), an attractive and cheerful young couple with a nine-year-old boy, Jake (Dylan Smith). Sy dotes on the Yorkins and their son whenever they drop off film to be processed — something they’ve been doing quite often ever since Jake was born — and Nina and Will are indulgent of Sy’s attentions, regarding his as a harmless eccentric. What the Yorkins don’t know is Sy is a desperately lonely man with no real life of his own, and he’s been obsessively making copies of their photos, for years, imagining himself to be “Uncle Sy,” a member of the family. Sy’s tenuous hold on reality begins to collapse when he develops a roll of film brought in by a new customer that suggests Will has been unfaithful to Nina; the notion that his ideal family may be falling apart is troubling enough for Sy, and when he loses his job, Sy reaches the breaking point. One Hour Photo was screened in competition at the 2002 Sundance Film Festival.