Bovie Movie

The Last Emperor is the true story of Aisin-Gioro Pu Yi, the last ruler of the Chinese Ching Dynasty. Told in flashback, the film covers the years 1908 to 1967. We first see the three-year-old Pu Yi being installed in the Forbidden City by ruthless, dying dowager Empress Tzu-Hsui (Lisa Lu). Though he’d prefer to lark about like other boys, the infant emperor is cossetted and cajoled into accepting the responsibilities and privileges of his office. In 1912, the young emperor (Tijer Tsou) forced to abdicate when China is declared a republic, is a prisoner in his own palace, “protected” from the outside world. Fascinated by the worldliness of his Scottish tutor (Peter O’Toole), Pu Yi plots an escape from his cocoon by means of marriage. He selects Manchu descendant Wan Jung (Joan Chen), who likewise is anxious to experience the 20th century rather than be locked into the past by tradition. Played as an adult by John Lone, Pu Yi puts into effect several social reforms, and also clears the palace of the corrupt eunuchs who’ve been shielding him from life. In 1924, an invading warlord expels the denizens of the Forbidden City, allowing Pu Yi to “westernize” himself by embracing popular music and the latest dances as a guest of the Japanese Concession in Tientsin. Six years later, his power all but gone, Pu Yi escapes to Manchuria, where he unwittingly becomes a political pawn for the now-militant Japanese government. Humiliating his faithful wife, Pu Yi falls into bad romantic company, carrying on affairs with a variety of parasitic females. During World War II, the Japanese force Pu Yi to sign a series of documents which endorse their despotic military activities. At war’s end, the emperor is taken prisoner by the Russians; while incarcerated, he is forced to fend for himself without servants at his beck and call for the first time. He is finally released in 1959 and displayed publicly as proof of the efficacy of Communist re-education. We last see him in 1967, the year of his death; now employed by the State as a gardener, Pu Yi makes one last visit to the Forbidden City…as a tourist. Bernardo Bertolucci’s first film after a six-year self-imposed exile, The Last Emperor was released in two separate versions: the 160-minute theatrical release, and a 4-hour TV miniseries. Lensed on location, the film won nine Academy Awards, including Best Picture and Best Director.

Based on J.G. Ballard’s autobiographical novel, Empire of the Sun stars Christian Bale as a spoiled young British boy, living with his wealthy family in pre-World War II Shanghai. During the Japanese invasion, Bale is separated from his parents. With the help of soldier-of-fortune John Malkovich, Bale learns to survive without a retinue of servants at his beck and call. By the time Malkovich and Bale are tossed into a Japanese prison camp, the boy has picked up enough street-smarts and developed enough intestinal fortitude to regard his imprisonment as an exciting adventure. The story ends during the 1945 liberation: on the verge of manhood, the 13-year-old Bale will never again be the pampered, privileged brat whom we met in the early scenes.

Edward Zwick returned to the director’s chair for the first time since 1998’s The Siege with this sweeping period drama set in 19th-century Japan. After centuries of relying on hired samurai for national defense, the Japanese monarchy has decided to do away with the warriors in favor of a more contemporary military. Tom Cruise stars as Nathan Algren, a veteran of the U.S. Civil War who is hired by the Emperor Meiji to train an army capable of wiping out the samurai. But when Algren is captured by the samurai and taught about their history and way of life, he finds himself conflicted over who he should be fighting alongside. Billy Connelly, Tony Goldwyn, and Ken Watanabe co-star.

Clint Eastwood’s adaptation of the non-fiction book Flags of Our Fathers concerns the lives of the men in the famous picture of soldiers raising the American flag over Iwo Jima during that historic WWII battle. Battle scenes are intercut with footage of three of the soldiers - played by Ryan Phillipe, Jesse Bradford, and Adam Beach — who survived the battle going on a goodwill tour of the United States in order to sell war bonds. Many evening they are forced to reenact their famous pose, something each of them finds more and more difficult to do as they suffer from survivor’s guilt. Eastwood frames the story by having one of the men’s grown son (Tom McCarthy) interview his father’s old comrades in order to find out more about what happened to his father. Eastwood followed this film with Letters from Iwo Jima, a second film about the battle of Iwo Jima, but told from the Japanese perspective. Flags of Our Fathers was produced by Eastwood and Steven Spielberg.