Bovie Movie

Leading man Matt Dillon makes his directorial debut with the crime thriller City of Ghosts. Jimmy (Dillon) is a New York con man fleeing the U.S. for Bangkok in order to avoid an insurance scam investigation. He goes to Cambodia to meet up with his former business partner, Marvin (James Caan), to collect his half of the money. Along the way, he makes friends with local man, Sok (Sereyvuth Kem), and romances Sophie (Natascha McElhone). Also starring G?rard Depardieu and Stellan Skarsg?rd.

Based on Helen Fielding’s hugely popular novel, this romantic comedy follows Bridget (Renee Zellweger), a post-feminist, thirty-something British woman who has a penchant for alcoholic binges, smoking, and an inability to control her weight. While trying to keep these things in check and also deal with her job in publishing, she visits her parents for a Christmas party. They try to set her up with Mark (Colin Firth), the visiting son of one of their neighbors. Snubbed by Mark, she instead falls for her boss Daniel Hugh Grant), a dashing lothario who begins to send her suggestive e-mails that soon lead to a dinner date proposition. Daniel reveals that he and Mark attended college together, during which time Mark had an affair with his fianc?e. When Bridget finds Daniel cavorting with an American colleague, she decides to change her life with a new job as a TV presenter. At a dinner party, she bumps into Mark again, who expresses his affection for her; when Daniel claims he wants Bridget back, the two fight over who deserves her affections the most. Popular British performers Gemma Jones, Jim Broadbent, and Shirley Henderson appear in the supporting cast.

An aspiring musician becomes one of the most famous bartenders in New York in this high-spirited comedy-drama. Small-town girl Violet Sanford (Piper Perabo) dreams of making a name for herself as a singer and songwriter, so she moves to New York City in hopes of landing her big break. Needing to support herself until stardom rolls around, she takes a job as a barmaid at a new nightspot called Coyote Ugly, where the owner Lil (Maria Bello) and the staff of attractive young women dance on the bar, flirt with the mostly male clientele, sing along with the jukebox, and goad the customers into matching them shot for shot. Soon, local media pick up on the bar’s success, turning the staff into unexpected celebrities, a situation that presents its own set of problems. Coyote Ugly also stars John Goodman as Violet’s straight-laced father, Adam Garcia as a customer Violet becomes involved with, and Tyra Banks, Melanie Lynskey, Bridget Moynahan, and Izabella Miko as the barmaids; action-film titan Jerry Bruckheimer produced.

After making a striking directorial debut with her screen adaptation of The Virgin Suicides, Sofia Coppola offers a story of love and friendship blooming under unlikely circumstances in this comedy drama. Bob Harris (Bill Murray) is a well-known American actor whose career has gone into a tailspin; needing work, he takes a very large fee to appear in a commercial for Japanese whiskey to be shot in Tokyo. Feeling no small degree of culture shock in Japan, Bob spends most of his non-working hours at his hotel, where he meets Charlotte (Scarlett Johansson) at the bar. Twentysomething Charlotte is married to John (Giovanni Ribisi), a successful photographer who is in Tokyo on an assignment, leaving her to while away her time while he works. Beyond their shared bemusement and confusion with the sights and sounds of contemporary Tokyo, Bob and Charlotte share a similar dissatisfaction with their lives; the spark has gone out of Bob’s marriage, and he’s become disillusioned with his career. Meanwhile, Charlotte is puzzled with how much John has changed in their two years of marriage, while she’s been unable to launch a creative career of her own. Bob and Charlotte become fast friends, and as they explore Tokyo, they begin to wonder if their sudden friendship might be growing into something more.

Director Bruce Paltrow teams with his Oscar-winning daughter Gwyneth Paltrow for this road comedy with music. Paltrow plays Liv, a struggling professional singer whose meets her father, Ricky Dean (Huey Lewis), for the first time at the funeral of her mother. As it turns out, both Liv and Ricky supplement the income from few-and-far-between gigs by singing in karaoke contests, and soon father and daughter are competing on the same circuit. Meanwhile, Todd Woods (Paul Giamatti), a salesman who has grown disenchanted with his job, his family, and his life, picks up a hitch-hiker named Reggie Kane (Andre Braugher), and during a stop at a tavern, they discover they make a good duet team while belting out a version of “Try A Little Tenderness.” And waitress Suzi Loomis (Maria Bello) sweet talks Billy (Scott Speedman), a cabbie, into driving her to Omaha, where the national karaoke finals will determine who does the best job of singing along with the records, as the lives of these six characters begin to intersect. Duets also features Angie Dickinson as Blair, Liv’s grandmother who was once a showgirl in Frank Sinatra’s Las Vegas floorshow; Brad Pitt was originally cast in Speedman’s role but withdrew after he and Paltrow announced the end of their off-camera relationship.

Undercover Brother began life as an animated series on the Internet. The satirical cartoon was created by novelist and screenwriter John Ridley (Three Kings) for the website urbanentertainment.com. Ridley wrote the screenplay with Michael McCullers, co-writer of the Austin Powers sequels, and it was directed by Malcolm D. Lee (Spike Lee’s cousin, and the writer/director of The Best Man). The film stars Eddie Griffin (of TV’s Malcolm and Eddie) as Undercover Brother, he of the gold Cadillac convertible and huge Afro, who uses gadgets and disguises to steal from the rich and give to the poor. His activities are discovered by the B.R.O.T.H.E.R.H.O.O.D., a spy organization devoted to subverting The Man (Robert Trumbull) and his henchman, Mr. Feather (Chris Kattan), who use their power over the media to demean black people and destroy racial unity. The spy organization is run by The Chief (Chi McBride), who is constantly screaming at his subordinates. They include Sistah Girl (Aunjanue Ellis), a beautiful martial artist, Conspiracy Brother (Dave Chappelle), who sees white supremacist plots everywhere, and Smart Brother (Gary Anthony Williams, who provided the voice of Undercover Brother in the cartoon), who supplies the operatives with gadgets and information. When a popular black political figure, General Boutwell (Billy Dee Williams), calls a press conference, presumably to announce his presidential candidacy, and instead announces that he’s opening a chain of fried chicken restaurants, the B.R.O.T.H.E.R.H.O.O.D. rightly suspects foul play, and recruits Undercover Brother to look into it. He goes undercover as an uptight buppie to work for The Man, but his cover is soon blown, and the seductive White She Devil (Denise Richards) is sent in to use her feminine wiles to destroy Undercover Brother.

In Slither, James Caan plays Dick Kanipsia, a recently paroled car thief whose plans to go straight are interrupted when his best pal Harry Moss (Richard B. Schull) is shot and killed. As he lies dying, Moss advises Kanipsia to seek out fellow crook Barry Fenaka (Peter Boyle), who knows where a huge amount of money stolen by Moss is hidden. Aware that he himself is a marked man, Kanipsia has to play it cool en route to Fenaka. This proves difficult when his erstwhile travelling companion, dopehead Kitty Kopetzky Sally Kellerman, robs a roadside diner in his presence. Since nothing is ever quite what it appears to be in Slither, perhaps we shouldn’t tell you any more. This truly serpentine tale served as the feature-film directorial debut of Howard Zieff, the former TV-commercial helmsman responsible for the famous Spicy Meatball ad.

The title refers to the radioactive fallout which descended upon ruined city of Hiroshima after the dropping of the first atomic bomb. Young bride-to-be Yoshiko Tanaka has the misfortune to be visiting Hiroshima on the day of the explosion. Incredibly, she is unhurt; she returns to her own village, across the bay from Hiroshima. Unfortunately, her townsmen have been profoundly affected by the “black rain”; over the next five years, the poison in their systems slowly but surely erodes their souls. In a tragic state of denial, Yoshiko’s former friends insist that they can’t be sick-it must be the girl who is bringing sickness to them. Now a pariah, Yoshiko’s life is shattered as surely as if the bomb had disintegrated her upon impact. Director Shohei Imamaura, a onetime assistant to the great Ozu and the director of such Japanese classics as The Insect Woman and The Ballad of Narayama, never sensationalizes his material; the story is effective told in a muted, subdued fashion, allowing the horror to arise from the inner torment of the characters rather than being artificially imposed by camera trickery or “shock” cutting. Based on a novel by Masuji Ibuse, the black-and-white Black Rain won the Japanese equivalent of the Academy Award, along with several other honors.

A former drug-addict in her early thirties attempts to put her shady past to rest while paving the way for a brighter future in director Rowan Woods’ tale of love, trust, and redemption in modern-day Australia. Tracy Heart (Cate Blanchett) hasn’t lived her 32 years so much as she has simply survived them. Ravaged by the drug-addiction and determined to redeem herself in the eyes of her overworked single-mother Janelle (Noni Hazelhurst), Tracy makes a personal vow to open her own business and turn her life around before it’s too late and life has passed her by. Tracy’s plan is complicated, however, when three men from her past reappear with their own plans for the future. In addition to the troubling re-appearance of her ex-boyfriend Jonny (Dustin Nguyen), her criminal-minded brother Ray (Martin Henderson) seems hell-bent on making a name for himself in the underworld, and the emotional demands of troubled family friend and ex-football star Lionel Dawson (Hugo Weaving) have left the emotionally vulnerable Tracy shaken and confused. When Tracy’s modest dreams of a happy life catch the attention of feared criminal kingpin Bradley “The Jockey” Thompson (Sam Neill), she is forced to place her fragile trust in the hands of her skeptical mother and take one last trip into the past to confront her greatest fear.