Bovie Movie

Terence Young directed this first of a long line of screen adventures with Ian Fleming’s unflappable British Secret Service Agent 007 in a fast-paced, tongue-in-cheek style that set the tone for the rest of the popular series. Sean Connery sets the standard by which all future takers must measure themselves as the insouciant and devil-may-care James Bond. The story concerns Bond being sent to Jamaica to investigate the murders of a British agent and his secretary. During his investigation, he comes into contact with the evil and unscrupulous Chinese scientist Dr. No (Joseph Wiseman) who, living on an island called Crab Key, is hard at work in a nuclear laboratory. Dr. No’s scheme is to divert rockets being fired from Cape Canaveral off their charted course and to blackmail the United States to get their rocket launches restored to normal. Helping Bond is Ursula Andress (mostly undressed in a bikini throughout most of the film), as well as bad gals like Zena Marshall, who almost leads Bond to his death in her bedroom, and Eunice Gayson, a Bond pickup in a London gambling house who proves herself a greater adversary than even James Bond can handle.

Director Mark L. Lester modeled this police action drama on the Hong Kong style, guaranteeing plenty of over-the-top action sequences. Dolph Lundgren stars as police detective Chris Kenner, an American raised in Japan. He is given a new partner, Johnny Murata (Brandon Lee, making his Hollywood debut), a Japanese raised in America. The two are made for each other — Chris doesn’t appreciate American culture, while Johnny doesn’t much like Japanese culture. One thing they both enjoy are the martial arts, of which they are experts. The two are assigned to L.A.’s Little Tokyo, trying to nab the notorious Yoshida (Carey-Hiroyuki Tagawa), a drug manufacturer using a local brewery as his distribution center. Yoshida, a member of the Yakuza, has brought the residents of Little Tokyo to their knees. But Chris has personal reasons for wanting to get Yoshida — as a child he witnessed Yoshida murdering his parents. When Yoshida rapes and kidnaps Minako (Tia Carrere), a beautiful lounge singer, it’s the last straw and Chris and Johnny set out for Yoshida’s heavily guarded home for a big showdown.

The Living Daylights represents the first appearance by Timothy Dalton as “Bond…James Bond.” Based very, very loosely on an obscure Ian Fleming short story, the film finds Bond assigned to aid in the defection of KGB agent Jeroen Krabbe. 007 must prevent an unknown sniper from killing Krabbe before he can reach the West. The mysterious assailant turns out to be the luscious Maryam d’Abo, who like practically everyone in the film except Bond is Not All That She Seems. The plot wends its way through a scheme to trade several million dollars’ worth of diamonds for weapons, which will be shipped off to mercenaries worldwide. The climax takes place high above the clouds in a cargo plane loaded with opium. Dalton would play Bond one more time in License to Kill (1989) before handing the franchise over to Pierce Brosnan.

With Goldfinger, the James Bond series took a turn away from relatively straightforward spy thrillers and toward campy gadgetry, extravagant sets, and kitschy jokes. Bond (Sean Connery) has to prevent a notorious gold smuggler, appropriately named Goldfinger (Gert Fröbe), from robbing Fort Knox. Goldfinger is surrounded by evil henchmen such as the sexy female pilot Pussy Galore (Honor Blackman) and Oddjob (Harold Sakata), who kills with his steel-rimmed bowler hats. In order to stop Goldfinger, Bond has to survive several perilous situations, including a huge, deadly laser. Goldfinger is one of the most popular films in the James Bond series, and it set the tone not only for the rest of the series but also for most of the action/adventure films of the late ’60s and early ’70s.

Legendary Hong Kong action director and choreographer Corey Yuen brings Tecmo’s best-selling video-game franchise to the big screen in a martial arts extravaganza featuring an impressive quartet of female fighters including Devon Aoki, Sarah Carter, Jaime Pressly, and Holly Valance. Tina (Pressly), Christie (Valance), Kasumi (Aoki), and Helena (Carter) are four skilled martial artists whose outwardly sexy appearances betray their true, lethal natures. When the fearsome females each receive an invitation to take part in an illegal martial arts competition to be staged on a remote Asian island, the prospect of a ten-million-dollar top prize is only sweetened by the fact that they will be facing off against some of the toughest fighters on the planet. Now, in order to defend their honor and search for the answers to life’s greatest mysteries, Tina, Christie, Kasumi, and Helena will check their inhibitions at the beach and prepare for a series of fights that will test not only their strength, stamina, and endurance, but the very foundation of their dedication to the martial arts as well.

The Man With the Golden Gun, Roger Moore’s second outing as James Bond (Live and Let Die was the first), whisks our hero off to Hong Kong, Macau, Thailand, and then the South China Sea in search of a solar energy weapon. His opponent is Scaramanga (Christopher Lee), who rules the roost on a well-fortified island. Scaramanga’s aide-de-camp is Nick Nack, played by future Fantasy Island co-star Herve Villechaize. Britt Ekland plays the bikinied Mary Goodnight, whose clumsy efforts to help Bond thwart Scaramanga are almost as destructive as the elusive solar device. The Man With the Golden Gun was adapted by Richard Maibaum and Tom Mankiewicz from Ian Fleming’s last James Bond novel, which had to be published posthumously in “rough draft” form.

The classic Burt Reynolds football-behind-bars flick The Longest Yard crosses the pond and gets an appropriate British accent in the process in this rough-and-tumble mixture of sports and action-comedy. Danny Mehan (Vinnie Jones) was one of the biggest stars in British football (what Americans call soccer), until he was caught rigging a game during a championship tournament. In the wake of this scandal, Danny’s career takes a nosedive and his life spins out of control, until he finally ends up in prison for three years on an assault and battery conviction. Danny discovers there are a number of football fans behind bars who still hate him for fixing the game, but Danny has one powerful fan in this prison. The warden (David Hemmings) is a devoted football supporter with a taste for gambling; he’s been trying to assemble a semi-pro team comprised of the prison’s guards, but Danny is just smart enough to know this would seal his fate with his fellow prisoners. Instead, he offers to put together a team of inmates, who can play practice games against the guards. A new inmate, Sykes (John Forgeham), gets wind of Danny’s idea and arranges an exhibition match between Danny’s new team and the guards, though Sykes’ motivation is more than just good fun. A powerful bookie, Sykes lost a fortune on the game Danny threw, and expects betting to be heavy for this game. If Danny and his men win, Sykes could make back the fortune he lost, but if the guards come out ahead, Danny’s goose is cooked. Can Danny turn a gang of losers, misfits, and violent psychopaths — including muscle-bound lunatic Monk (Jason Statham), creepy but loyal Billy the Limpit (Danny Dyer), tough guy Massive (Vas Blackwood), pyromaniac Nitro (Robbie Gee), and enthusiastic but out-of-shape Raj (Omid Djalili) — into a proper team with a fighting chance of winning? Mean Machine was produced by Matthew Vaughn, who was also behind Guy Ritchie’s tough-but-stylish crime comedies Lock, Stock and Two Smoking Barrels and Snatch. Star Vinnie Jones, by the way, enjoyed a career as a professional footballer in Great Britain before turning to acting.

Eddie Murphy followed up his Beverly Hills Cop success with this fantasy adventure that plops him right into the land of Ray Harryhausen and Indiana Jones. The plot revolves around a God-like youngster (J.L. Reate) known as a “golden child,” who has been sent to Tibet to bring the gift of compassion to humanity. But the devil isn’t idle, sending his emissary, Sardo Numspa (Charles Dance) to kidnap the golden child. Sardo absconds with the child and takes off to Los Angeles. In L.A., a beautiful Tibetan priestess named Kee Nang (Charlotte Lewis) seeks out Chandler Jarrell (Eddie Murphy), a social worker and self-styled “finder of lost children.” She tells Chandler he has been chosen to rescue the magical child from the devil and save the world from evil. Before Chandler can let go of his first riposte, he finds himself holding a magic dagger, following a sacred parakeet, and under-going several trials by fire. He also falls in love with Kee Nang, who at one point in the film has to be brought back from the dead.

Prepare for the hardest hitting martial arts action since Bruce Lee as Donnie Yen reprises the role made famous by the tragic screen legend in this made-for-television effort inspired by Lee’s timeless classic Fist of Fury. As the dejected citizens of Shanghai cower in fear of the Japanese occupation, Chen Jun (Yen) joins the Jin Wu Martial Arts Academy in hopes of refining his skills and striking back at his oppressors through the formation of a well-organized underground resistance. When Chen’s master (Eddy Ko) is poisoned by the leaders of the Japanese occupation, the furious student puts his skills to the ultimate test by embarking on a skull-cracking revenge spree that will leave martial arts fans breathless.

One of the most popular kung fu films ever, and perhaps the peak of the famed Bruce Lee’s career, Enter the Dragon achieved success by presenting a series of superbly staged fighting sequences with a minimum of distractions. The story finds Lee as a martial-arts expert determined to help capture the narcotics dealer whose gang was responsible for his sister’s death. This evil villain operates from a fortified island manned by a team of crack martial artists, who also host a kung fu competition. Lee uses his skills to enter the contest and then tries to chop, kick, and otherwise fight his way into the dealer’s headquarter. The story is, of course, merely an excuse for showdown after showdown, featuring masterly fighting by Lee in a wide variety of martial arts styles. Essential viewing for martial arts fans, the film was also embraced by a larger audience, thanks to a fast pace and higher-than-usual production values.