Bovie Movie

A crystal-meth addict struggles to get his next fix as he obsesses over a recent breakup in Spun, a black-comic drug drama from music video director Jonas Akerlund. Rushmore’s Jason Schwartzman stars as Ross, a young man who finds his maniacal world crumbling around him over the course of one long weekend. Spun chronicles Ross’ travails as he tries to score from his regular dealer, Spider Mike (John Leguizamo), who realizes during Ross’ visit that he’s misplaced his stash. Indisposed by the frantic drug search, Spider Mike’s girlfriend, Cookie (Mena Suvari), enlists Ross to pick up her stripper friend Nikki (Brittany Murphy) from work, and when he grudgingly agrees, he learns that Nikki might have an inside line on some of her own speed, courtesy of The Cook (Mickey Rourke). Meanwhile, two bumbling cops are onto Spider Mike’s trail, and in his paranoid-delusional state, he sets out to find out who set him up. Spun premiered at the 2002 CineVegas Film Festival before securing berths at the Sundance, Toronto, and South by Southwest festivals.

Leading man Matt Dillon makes his directorial debut with the crime thriller City of Ghosts. Jimmy (Dillon) is a New York con man fleeing the U.S. for Bangkok in order to avoid an insurance scam investigation. He goes to Cambodia to meet up with his former business partner, Marvin (James Caan), to collect his half of the money. Along the way, he makes friends with local man, Sok (Sereyvuth Kem), and romances Sophie (Natascha McElhone). Also starring G?rard Depardieu and Stellan Skarsg?rd.

Abel Ferrara directed this erotic thriller adapted by Ferrara and Christ Zois from a short story by science fiction author William Gibson (in his Burning Chrome collection). Global corporations rule the world, and corporate raider Fox (Christopher Walken) and his deputy X (Willem Dafoe) could pocket $100 million if they can get top scientist Hiroshi (Yoshitaka Amano) to defect from one corporation to another. Fox offers singer Sandii (Asia Argento) $1 million to seduce Hiroshi away from his wife, family, and employer. An affair develops between Sandii and X, while she studies facts about Hiroshi’s life. She departs on her assignment, but betrayals ensue, with Fox and X soon becoming targets themselves. With opening credits in three languages (English, German, Japanese), the soundtrack features the score-composition debut of hip-hopper Schoolly D, music which plays over a blank screen at the wrap-up (since the film has no closing credits). This Gibson short story was a property once in development by director Kathryn Bigelow. The title story of Gibson’s Burning Chrome collection was planned as the second Heavy Metal movie, intended for live-action and scripted but never filmed. Shown in competition at the 1998 Venice Film Festival.

Vatel director Roland Joff? teams with screenwriters Larry Cohen and Joselh Tura to adapt an original story by Cohen concerning a fashion model (Elisha Cuthbert) and her chauffer who are kidnapped and held captive by a sadistic serial killer. Jennifer Tree (Cuthbert) is America’s Sweetheart; a top fashion model and ubiquitous cover girl who is adored by millions, Jennifer possesses all of the wealth and power that comes with being a natural, world class beauty. Every girl wants to be Jennifer, and every man wants to have her - one more than all others combined. That man has been lying in wait for precisely the right moment to strike, and when Jennifer makes the fateful mistake of stepping out on her own at a Soho charity event he finally sees the opportunity to take possession of his most prized object. Drugged, taken, and placed in a cell where she is forced to endure unspeakable mental and physical torture, Jennifer struggles against her twisted tormentor with every ounce of courage and fight that she has - but will it be enough for her to endure should her captor continue to maintain the upper hand? A controversial film long before it ever went into wide release, Captivity caused quite a stir when graphic, unapproved ads for the film appeared on billboards and taxi cabs in New York and Los Angeles. Though representatives from Captivity’s releasing company After Dark Films claimed that the wrong materials were shipped to the printers and put up before they realized what had happened, public outcry was such that the MPAA saw fit to suspend the ratings process for the film. As a result, it quickly became apparent that Captivity would fail to procure an MPAA rating before its original target release date.

Famed producer Dino De Laurentiis tries to steal the thunder from Jaws, then the top-grossing film of all-time, in this big budget remake of King Kong. (De Laurentiis related his tactics to Tom Snyder: “When Jaws dies, nobody cries. When Kong dies, they all cry.”) Updated to the 1970s, the original Robert Armstrong character is now Fred Wilson (Charles Grodin), a big-shot oil magnate from Petrox Oil, looking for new petroleum deposits on a recently discovered Pacific island. Jack Prescott (Jeff Bridges) is a counter-culture paleontologist, stowing away on Wilson’s ship, who warns that they are headed for “Skull Island,” where prehistoric monsters still live and roam free. Also along for the ride is Dwan (Jessica Lange, in her film debut), a down-on-her-luck starlet, shipwrecked in the ocean after the sinking of a yacht. She really becomes down-on-her-luck when the group lands on the island and a giant ape, Kong, takes a shine to her. Kong kidnaps her and Dwan takes umbrage when the ape tries to remove her clothes by shouting, “You male chauvinist ape!” But Prescott comes to her aid and rescues her from the gorilla’s big mits. Wilson, seeing money to be made on Kong, locks him in the cargo hold of his ship and transports him to New York City. Once there, Kong manages to escape and wreak havoc upon the beleaguered town, before being compelled to climb up the World Trade Center for sanctuary.

The plot of this Raymond Chandler-esque comedy crime caper from the Coen Brothers (Joel Coen and Ethan Coen) pivots around a case of mistaken identity complicated by extortion, double-crosses, deception, embezzlement, sex, pot, and gallons of White Russians (made with fresh cream, please). In 1991, unemployed ’60s refugee Jeff “The Dude” Lebowski (Jeff Bridges) grooves into his laid-back Los Angeles lifestyle. One of the laziest men in LA, he enjoys hanging with his bowling buddies, pompous security-store owner Walter Sobchak (John Goodman) and mild-mannered ex-surfer Donny (Steve Buscemi). However, the Dude’s life takes an alternate route the afternoon two goons break into his threadbare Venice, California, bungalow, rough him up, and urinate on his living room rug. Why? Because Jackie Treehorn (Ben Gazzara) is owed money by the wife of a certain Jeff Lebowski. However, the goons grabbed the wrong Jeff Lebowski. With the right info, they would have invaded the home of philanthropic Pasadena millionaire Jeffrey Lebowski (David Huddleston). The Dude looks up his wealthy namesake, manages to get a replacement for his rug, and meets the millionaire’s sexy young wife Bunny (Tara Reid). Later, Jeffrey (”The Big”) Lebowski calls in the Dude to deliver a $1 million ransom for the return of his kidnapped wife. Fine — except that Walter intrudes and botches the ransom drop. As events unravel, the Dude gets caught up in the schemes of Lebowski’s daughter, erotic artist Maude (Julianne Moore), encounters both cops and bad guys, and drifts through an elaborate bowling fantasy sequence titled Gutterballs. The soundtrack includes Bob Dylan, Yma Sumac, Moondog, Captain Beefheart, and the Sons of the Pioneers.

Viewers familiar with the 1996 Mel Gibson blockbuster Ransom may be disappointed that there are no smirking villains, car chases, or bloody fistfights in the original 1956 version of the same story. Even so, the earlier Ransom! has much to offer on a purely dramatic level. Based on the Richard Maibaum-Cyril Hume TV play Fearful Decision, the film stars Glenn Ford as self-made industrialist David Stannard. When his son is kidnapped and held for 500,000 dollars ransom, Stannard at first sets about to cooperate with the abductors and to raise the necessary funds. Somewhere along the line, however, Stannard’s outrage erupts and boils over. Buying air time on a local TV station, he pulls out the half-million dollars, then informs the kidnappers that they’ll never get their hands on a single penny. He further threatens to use the money as a reward for the kidnappers’ capture, dead or alive, should any harm befall his son. Despite the protests of his wife, Edith (Donna Reed), and the admonishments of his friends, family, business associates and even the police, Stannard sticks fast to his decision…but will he live to regret it? The boy’s abductors are never seen in Ransom!; instead, the film concentrates on the multitude of ramifications (including a few political ones) stemming from David Stannard’s bold stance. As such, the 1956 Ransom! is in its own way as tense and exciting as the more elaborate 1996 remake.

Grieving over the death of their son, a married couple decide to take a long yachting trip for relaxation’s sake. Their journey takes a dark turn, however, when they rescue a young man from a drifting vessel. The couple soon discover that the other ship’s crew had been brutally murdered by their new passenger, and find themselves in a battle of wits against this violent sociopath. Interestingly, a previous attempt had been made at adapting the novel that inspired this film by none other than Orson Welles; footage from his unfinished version, known as The Deep, can be seen in the documentary Orson Welles: The One-Man Band.

Though it’s an English-language film, the fantasy action comedy The Medallion is one of the highest-budgeted movies to come out of Hong Kong. Cop Eddie Yang (Jackie Chan) and his partner, Interpol agent Arthur Watson (Lee Evans), are in pursuit of international human-smuggling crimelord Snakehead (Julian Sands). The partners get seriously wounded and a mysterious ancient medallion transforms them into superpowered warriors called Highbinders. The two halves of the medallion are supposed to grant eternal life when joined together by a powerful young boy who was born during a specific time in the Year of the Snake. The villainous Snakehead wants to gets his hands on both the child and the medallion, and the heros try to stop him. Aided by special effects and action choreography by Sammo Hung, Chan fights his way toward a violent conclusion with Snakehead that takes place in mid-air.. Claire Forlani plays Jackie Chan’s love interest, the Interpol agent Nicole. Also starring John Rhys-Davies as Commander Hammerstock-Smythe.

Robert De Niro is Gil Renard, baseball fan from hell. Bobby Rayburn (Wesley Snipes) is the player he is nuts about. No sooner does the talented Rayburn sign a huge contract with the San Francisco Giants, than everything in his life goes horribly wrong. Not only does his field play deteriorate along with his batting average, but someone murders his chief team rival. It’s not revealing too much to say that Gil killed him, in the mistaken belief that he was doing Bobby a favor. When superfan Gil insinuates himself into Bobby’s everyday life, the situation grows much worse, because this fixated nut-case has some very strange ideas about family solidarity. Amusing highlights come from John Leguizamo as a ballplayer’s agent, and Ellen Barkin as a radio sports announcer.