Bovie Movie

The Eisner Award-winning comic series Sin City comes to life in this live-action feature adaptation from director Robert Rodriguez and creator Frank Miller. Interweaving multiple storylines from the series’ history, this violent crime noir paints the picture of the ultimate town without pity through the eyes of its roughest characters. There’s the street thug Marv (Mickey Rourke), whose desperate quest to find the killer of a prostitute named Goldie (Jaime King) will lead him to the foulest edges of town. Inhabiting many of those areas is Dwight (Clive Owen), a photographer in league with the sordid ladies of Sin City, headed by Gail (Rosario Dawson), who opens up a mess of trouble after tangling with a corrupt cop by the name of Jackie Boy (Benicio Del Toro). Finally, there’s Hartigan (Bruce Willis), an ex-cop with a heart problem who’s hell-bent on protecting a stripper named Nancy (Jessica Alba). Featuring a who’s who supporting cast that includes Elijah Wood, Brittany Murphy, Devon Aoki, and Nick Stahl, Sin City promises to be one of the most direct translations from page to screen of a comic series, with shots and dialogue adapted straight from the original comic’s panels. Rodriguez quit the Director’s Guild when they refused to let Frank Miller co-direct the film, a deal hashed out after the two collaborators developed and shot the opening scene utilizing a green-screen process to harness the stark, black-and-white look of the books as a litmus test for the rest of the production. Quentin Tarantino was brought in and reportedly paid one dollar to direct an extended scene between Del Toro and Owen that amounts to one issue of The Big Fat Kill miniseries.

Director Gus Van Sant returned to the low-key style of his early independent efforts with this semi-improvised exploration of how violence makes its way into a typical American high school. Eric (Eric Deulen) and Alex (Alex Frost) are two close friends who are students in a well-to-do suburb of Portland, OR. Eric and Alex are at once ordinary and misfits; while they seem to be confined to the edges of the clique-oriented social strata of high school, little about their behavior draws attention to itself. Or at least not during a typical school day; on their own time, the two boys are fascinated by Nazi iconography, enjoy violent video games, tentatively explore homoerotic desires, and coolly begin to make plans for an armed ambush of the school, drawing up working diagrams of the lunch room during study hall and buying rifles over the Internet. Drawing an expected degree of controversy, Elephant had its world premiere when it was screened in competition at the 2003 Cannes Film Festival, where it won both Best Director for Van Sant and the Golden Palm award.

New Yorkers get a crash course in the more dangerous aspects of moving to the country and buying a “handyman’s special” in this thriller from award-winning director Mike Figgis. Cooper and Leah Tilson (Dennis Quaid and Sharon Stone) are a wealthy couple who have grown tired of the high stress of life in New York City and are looking to move to someplace with more breathing room. Upstate, they find a mansion in the village of Cold Creek which has fallen into disrepair after it was repossessed. Convinced the house has great possibilities, The Tilsons buy it, and with a little hard work Cooper, Leah, and their two children are soon living in their dream home. Unknown to The Tilsons, the house used to belong to a lifelong Cold Creek resident named Dale Massie (Stephen Dorff), a ne’er-do-well who ended up behind bars. After he’s released from prison, Massie makes it clear to the new owners that he wants his home back, and before long Cooper and Leah begin learning the disturbing truth about the history of the mansion — and that many Cold Creek residents don’t take kindly to new arrivals. Cold Creek Manor also stars Juliette Lewis and Christopher Plummer.

A frenetic, bloody look at mass murder and the mass media, director Oliver Stone’s extremely controversial film divided critics and audiences with its mixture of over-the-top violence and bitter cultural satire. At the center of the film, written by Stone and Quentin Tarantino, among others, are Mickey (Woody Harrelson) and Mallory (Juliette Lewis), a young couple united by their desire for each other and their common love of violence. Together, they embark on a record-breaking, exceptionally gory killing spree that captivates the sensation-hungry tabloid media. Their fame is ensured by one newsman, Wayne Gale (Robert Downey, Jr.), who reports on Mickey and Mallory for his show, American Maniacs. Even the duo’s eventual capture by the police only increases their notoriety, as Gale develops a plan for a Super Bowl Sunday interview that Mickey and Mallory twist to their own advantage. Visually overwhelming, Robert Richardson’s hyperkinetic cinematography switches between documentary-style black-and-white, surveillance video, garishly colored psychedelia, and even animation in a rapid-fire fashion that mirrors the psychosis of the killers and the media-saturated culture that makes them popular heroes. The film’s extreme violence — numerous edits were required to win an R rating — became a subject of debate, as some critics asserted that the film irresponsibly glorified its murderers and blamed the filmmakers for potentially inciting copy-cat killings. Defenders argued that the film attacks media obsession with violence and satirizes a sensationalistic, celebrity-obsessed society. Certain to provoke discussion, Natural Born Killers will thoroughly alienate many viewers with its shock tactics, chaotic approach, and disturbing subject matter, while others will value the combination of technical virtuosity and dark commentary on the modern American landscape.

Jigsaw, the diabolical criminal who captured the imagination of horror fans in the 2004 hit Saw, returns in this equally bloody sequel. Eric Matthews (Donnie Wahlberg) is a police detective who, after discovering the aftermath of a particularly gruesome murder, is convinced that Jigsaw (Tobin Bell) is up to his ugly tricks again. Matthews’s hunch turns out to be correct, but the master criminal proves to be disconcertingly easy to capture. As it happens, Jigsaw is eager to be put behind bars in order to throw the authorities off his trail as he once again punishes people who in his eyes have transgressed the boundaries of acceptable moral behavior. But instead of trapping two people in a filthy dungeon where they must engage in a terrible contest in order to win their freedom, eight people have been locked away by Jigsaw, and they must torture their bodies and minds to achieve the terrible justice Jigsaw seeks. Saw II was written by Leigh Whannell, who also scripted the first film.

A hard-nosed star reporter learns who her real friends are — and gets in way over her head — investigating a murder in this twisty thriller. Perfect Stranger stars Halle Berry as Rowena, a prominent New York journalist who writes using a pseudonym to entrap some of the tri-state area’s most corrupt individuals, using a network of informants, acquaintances, and digital gadgets. When her latest expos? is buried at the behest of her paper’s corporate backers, she walks off the job and into a personal quagmire. Her childhood friend Grace (Nicki Aycox) is murdered when she threatens to reveal she’s been sleeping with married advertising mogul Harrison Hill (Bruce Wills). With the help of her loyal techie friend Miles (Giovanni Ribisi), she goes undercover — and online — to find the smoking gun that will indict Hill. But Rowena soon finds herself caught in a web of manipulation, deceit, and false truths.

Famed poet Gu Cheng travels from his native China to the beautiful shores of New Zealand, searching for beauty and innocence. What he finds, however, is a twisted tumult of human emotion when he is loved by two different women. What began as a search for renewed life ends in murder and jealousy in this film based on a true story.

This sequel to a box-office sleeper hit that spoofed teen slasher flicks takes its cues from haunted house and possession films, particularly The Haunting (1999) and The Exorcist (1973). Although many of the first film’s main characters were homicide victims, Marlon Wayans, Shawn Wayans, and Anna Faris return anyway to “re-possess” their roles for this follow-up in which four students are invited by their professor (Tim Curry) to his haunted mansion, Hell House, for a weekend sleep-deprivation study. Providing the sleep deprivation, however, is a series of murderous, supernatural goings-on. Scary Movie 2 co-stars Tori Spelling, Andy Richter, Christopher Masterson, Kathleen Robertson, James Woods, Chris Elliott, and Natasha Lyonne.

Model-turned-actress Charlize Theron leaves her glamorous image behind for this gritty drama, in which she plays a disturbed prostitute who becomes a serial killer. Aileen Wuornos (Theron) was a woman who survived a brutal and abusive childhood in Michigan to become a thick-skinned but emotionally damaged adult. Homeless most of her life, Wuornos subsisted by working as a street prostitute; later, when she was in Florida, down to her last five dollars and pondering suicide, she stopped into a bar for a beer. There, Aileen met Selby Wall (Christina Ricci), a woman in her early twenties who had been sent to live with relatives after her Christian parents became aware of her lesbian lifestyle. Selby is immediately attracted to Aileen, and while Aileen tells Selby she’s never been in a lesbian relationship, she soon finds herself equally infatuated with her. Selby runs away from her family and moves into a cheap hotel with Aileen, who initially pays the bills by hooking. However, as their money runs low and Aileen finds herself unable to land a regular job, tensions mount between the two. One night, after a john attacks her, Aileen pulls a gun and kills the man. Although her first murder can be categorized as self-defense, Aileen’s loathing for the men who pay her for sex becomes so extreme that she begins killing her customers regardless of their behavior. Meanwhile, Selby slowly becomes aware of the full extent of her lover’s instability and the bloody consequences of her actions. Monster was inspired by the true story of Aileen Wuornos, whose life and death was chronicled in two documentaries by filmmaker Nick Broomfield, Aileen Wuornos: The Selling of a Serial Killer, and Aileen: The Life and Death of a Serial Killer.

Jigsaw (Tobin Bell) is back, and this time he’s concocted his deadliest set of traps yet in this gore-soaked sequel written by James Wan and Leigh Whannell, and directed by Saw II’s Darren Lynn Bousman. Picking up directly where its predecessor left off, Saw III finds Jigsaw near death and fighting to stay alive for one final game. Determined to show his prot?g?, Amanda (Shawnee Smith), what it truly means to carry out his deadly game, the ailing Jigsaw instructs his apprentice to kidnap unsuspecting doctor Lynn Denlon (Bahar Soomekh) in order to ensure that he survives long enough to see how his latest victim Jeff (Angus MacFadyen) fares when faced with the prospect of imminent death. As Lynn and Jeff both struggle to beat the clock and carry out their tasks before Jigsaw draws his final breath, a much larger plan begins to emerge that shows just how cunning the legendary killer can truly be.