Bovie Movie

Writer and director John Carpenter returns to the mixture of science fiction and horror that made The Thing (1982) a success. Natasha Henstridge stars as Lt. Melanie Ballard of the Martian Police Force, a member of a law enforcement team two centuries in the future, dispatched to the remote colony of Shining Canyon. There, the most notorious criminal on Mars, James “Desolation” Williams (Ice Cube), awaits transport to a more secure jail. Besides Ballard, the other cops include the rookie Bashira (Clea Duvall), hotshot and fast talker Jericho (Jason Statham), tough veteran and squad leader Helena (Pam Grier), and reliable soldier Descanso (Liam Waite). Once Ballard and her companions arrive in Shining Canyon, however, they discover that it’s a literal ghost town. It seems that an archaeologist team led by Professor Whitlock (Joanna Cassidy) has uncovered an ancient relic at a nearby dig site, unleashing the vengeful spirits of the planet’s long-ago warrior inhabitants, which have now possessed the bodies of the human invaders and set about trying to destroy them. After her team is decimated by the Martian specters, Ballard is forced to turn for help to the one person she can’t really trust: Williams. Ghosts of Mars screenwriter Larry Sulkis broke into the film business as producer of the satirical commercials in Carpenter’s They Live (1988).

Homer’s sprawling tale of love and war in ancient Greece comes to the screen in all its grandeur in this epic-scale adventure. In 1193 B.C., Paris, Prince of Troy (Orlando Bloom), has fallen in love; however, the beautiful woman who has beguiled him is Helen, Queen of Sparta (Diane Kruger), who is wed to King Menelaus (Brendan Gleeson). While Helen is hardly immune to Paris’ charms, this doesn’t blunt Menelaus’ fury when Paris steals her away from him. Menelaus’ brother Agamemnon (Brian Cox), the power-hungry king of the Mycenaeans, is eager to expand his empire through Troy to the lands of the Aegean Sea, and he uses Paris’ romantic slight against Menelaus as an excuse to wage an all-out war against the great walled city. Priam, King of Troy (Peter O’Toole), summons his armies, led by Prince Hector (Eric Bana), to meet the onslaught of Agamemnon’s forces, but while the great city has yet to yield in a battle, Agamemnon has a formidable ally — Achilles (Brad Pitt), a mighty and seemingly unstoppable warrior whose presence could tip the scales in Agamemnon’s favor. Sean Bean, Julie Christie, Saffron Burrows, and Rose Byrne highlight the film’s supporting cast.

A space bum helps rescue a princess from an evil overlord with the help of a benevolent elder in this Star Wars send-up written and directed by Mel Brooks. Lone Starr (Bill Pullman) and his half-man, half-dog co-pilot, Barf the Mawg (John Candy), are content to scour the galaxy living the easy life. But they reluctantly come to the rescue when Druish Princess Vespa (Daphne Zuniga) is threatened by the evil Lord Dark Helmet (Rick Moranis), who wants to steal all of the air from her planet, Druidia. Trapped on a harsh desert world with Vespa and her robot chaperone, Dot Matrix (voice of Joan Rivers), Lone Starr and Barf are helpless to prevent Helmet from kidnapping the girl. But assistance arrives in the form of Yogurt (Brooks), a wizard who turns Lone Starr on to a mysterious power known as The Schwartz. Catching up with Helmet just as he’s transforming his spaceship into a giant vacuum cleaner in orbit around Druidia, the reluctant heroes stage a dramatic showdown. Although it borrows most of its plot from the Star Wars series, Spaceballs also pokes fun at Star Trek, Snow White, and Planet of the Apes — as well as the entire videocassette and movie marketing industries. The large supporting cast includes Dick Van Patten, Jim J. Bullock, and the voice of Dom DeLuise. John Hurt makes a cameo in a parody of the exploding chest scene he played in Alien.

From the producers of The Lion, the Witch, and the Wardrobe and mind of author Katherine Paterson comes a rousing fantasy adventure about family, friendship, and the wondrous power of imagination. A perpetual outsider both at home and at school, Jess Aarons (Josh Hutcherson) just never seems to fit in no matter how hard he tries. When his goal to become the fastest runner in middle school is unexpectedly thwarted by newly arrived classmate Leslie Burke (AnnaSophia Robb), who enters in an “all boys” race and leaves her competitors in the dust, Jess soon strikes up a friendship with the imaginative outsider. Their bond is soon cemented thanks to Leslie’s love for storytelling and Jess’ skill as an artist, and the two lonely kids create a secret kingdom called Terabithia that is only accessible by swinging over a stream on a nearby rope. Though Jess and Leslie may be considered outcasts by their classmates, their adventures in Terabithia find the pair doing battle against the dreaded Dark Master and his malevolent creatures while plotting revenge against the schoolyard bullies. Now, thanks to his adventures in Terabithia and his friendship with Leslie, Jess finally finds the confidence needed to stand tall and be himself.

This big-budget sequel from writer/director Stephen Sommers navigates much of the same cliffhanger territory as George Lucas and Steven Spielberg’s Indiana Jones franchise. It is 1933, eight years after the events of The Mummy (1999). Legionnaire Rick O’Connell Brendan Fraser has married his Egyptologist girlfriend Evelyn Carnahan (Rachel Weisz) and the couple has settled in London, where they’re raising their young son Alex (Freddie Boath). The family’s domestic tranquility is shattered when the 3,000-year-old mummified corpse of Imhotep (Arnold Vosloo), which has been shipped to the British Museum, is resurrected once again to resume his evil quest for immortality. In the meantime, another ancient threat emerges in the form of the Scorpion King (professional wrestler Dwayne Johnson, aka. the Rock), a mighty warrior frozen in time with his supernatural army. In order to save his family, Rick is forced to seek a mythical pyramid of gold, facing marauding bands of pygmy skeletons, among other hazards. The Mummy Returns co-stars John Hannah, Oded Fehr, and Patricia Velasquez.

The second film in Peter Jackson’s series of screen adaptations of J.R.R. Tolkien’s internationally popular Lord of The Rings trilogy, The Lord of the Rings: The Two Towers literally begins where The Lord of the Rings: The Fellowship of the Ring ended, with the Fellowship splitting into three groups as they seek to return the Ring to Mordor, the forbidding land where the powerful talisman must be taken to be destroyed. Frodo (Elijah Wood), who carries the Ring, and his fellow Hobbit Sam (Sean Astin) are lost in the hills of Emyn Muil when they encounter Gollum (Andy Serkis), a strange creature who once carried the Ring and was twisted by its power. Gollum volunteers to guide the pair to Mordor; Frodo agrees, but Sam does not trust their new acquaintance. Elsewhere, Merry (Dominic Monaghan) and Pippin (Billy Boyd) are attempting to navigate Fangorn Forrest where they discover a most unusual nemesis — Treebeard (voice of John Rhys-Davies), a walking and talking tree-shepherd who doesn’t much care for Hobbits. Finally, Aragorn (Viggo Mortensen), Gimli (John Rhys-Davies), and Legolas (Orlando Bloom) arrive in Rohan to discover that the evil powers of Saruman (Christopher Lee) have robbed King Theoden (Bernard Hill) of his rule. The King’s niece Éowyn (Miranda Otto) believes Aragorn and his men have the strength to defeat Saruman, his henchman Wormtongue (Brad Dourif), and their minions. Éowyn soon becomes infatuated with Aragorn, while he struggles to stay faithful to the pledge of love he made to Arwen (Liv Tyler). Gandalf (Ian McKellen) offers his help and encouragement as the Rohans, under Aragorn’s leadership, attempt to face down Saruman’s armies, but they soon discover how great the task before them truly is when they learn that his troops consist of 10,000 bloodthirsty creatures specially bred to fight to the death. Most of The Lord of the Rings: The Two Towers was shot in tandem with The Lord of the Rings: The Fellowship of the Ring and The Lord of the Rings: The Return of the King during a marathon 18-month shooting schedule, overseen by Peter Jackson.

One of the great stories of doomed love is given a new screen interpretation in this historical drama. After the collapse of the Roman Empire, King Donnchadh (David O’Hara) of Ireland has become the de facto ruler of England, but one of his underlings, Lord Marke (Rufus Sewell), dreams of uniting British forces with an eye toward self-rule. One of Marke’s most valuable allies is Tristan (James Franco), Marke’s protégé, who has become a brave warrior since he was rescued by the lord after his parents were murdered by Irish forces during a battle. While Marke and Tristan dream of banishing Ireland’s presence in England, Tristan has a secret he’s been hiding from Marke — after suffering serious wounds during a hard-fought battle, he was rescued and nursed back to health by Isolde (Sophia Myles), King Donnchadh’s daughter, and the two fell deeply in love. But the couple were separated after Tristan returned to England, and when King Donnchadh attempts to quell the British uprising by staging a tournament among the nation’s greatest warriors, with an extreme and rather personal surprise in store for Tristan.
Tristan & Isolde was directed by Kevin Reynolds, and produced in part by Ridley Scott, who attempted to bring the story to the screen back in the 1970s.

The fourth film to chronicle the life of fourth-century B.C. ruler Alexander the Great, Oliver Stone’s Alexander stars Colin Farrell as the titular Macedonian conqueror. The film follows the young king as he leads his forces on a bloody empirical conquest across the known world, taking large parts of Asia and the Middle East to amass a giant empire, all by the time he turned 25. Anthony Hopkins co-stars as Ptolemy I along with Rosario Dawson as Roxane, Angelina Jolie as Olympias, Jared Leto as Hephaistion, Val Kilmer as King Philip II, and Jonathan Rhys-Meyers as Cassander.

Loosely adapted from the classic 1932 horror film starring Boris Karloff, The Mummy is set in Egypt, where over 3,000 years ago the high priest Imhotep (played by Arnold Vosloo) was given the all-important assignment of preparing the recently dead for their journey into the afterlife. However, Imhotep made one terrible mistake - he became smitten with Anck-Su-Namun, the mistress of the Pharaoh himself. Driven mad by jealousy and love, Imhotep murdered the Pharaoh, and his punishment was to be buried alive and suffer the torment of an eternal life in his wretched tomb. In 1925, a band of adventurers seeking fame and fortune - led by Rick O’Connel (Brendan Fraser), an American expatriate who has joined the foreign legion, and Evelyn Carnarvon (Rachel Weisz), an amateur archeologist - find a previously unknown burial site in Egypt. The team starts to dig, hoping to find lost riches, but instead they disturb the tomb of Imhotep, and soon the cursed priest rises from his grave to wreck vengeance on humanity. The Mummy was written and directed by Stephen Sommers, whose previous cinematic journeys into the past include The Jungle Book and The Adventures Of Huck Finn.

Sometimes a family title, among the nobility of England, goes to the “collateral” heirs — people not in the direct line of decent, like cousins, great-nephews and the like. On rare occasions, these people are not even aware that they are about to be elevated to the House of Lords, and they have been living more-or-less ordinary lives. In this comedy, the family which lacks direct heirs is the Royal Family of England — as all of the likely heirs have died one after the other in swift succession. In this comedy, the “collateral heir” is an exuberant, fence-busting All-American slob (and pretty good rock n’ roll musician) by the name of Ralph (John Goodman). Unknown to him, his grandmother had an affair with a royal prince. Ralph’s a good guy, and eager to please. He recognizes the importance of the royal hoopla to England and works very hard to fit in as its new designated king. He is assisted by the ever-unctuous, very serious family factotum Willingham (Peter O’Toole). The trouble is, he doesn’t have instincts for politics English-style, and he is constantly “putting a foot wrong,” as they might say. The most difficult situation for him is when he develops a new love interest, and she’s not “acceptable” to the upper crust. In addition to being hounded by the tabloids, he finds that “the good of the state” requires that he drop his new girlfriend. Things really come to a head just before Ralph’s coronation as king. Reviewers generally loathed this feel-good comedy, but audiences seem to have enjoyed it tremendously, and it has done well in video and TV airings.