Bovie Movie

This spoof of the Airport series of disaster movies relies on ridiculous sight gags, groan-inducing dialogue, and deadpan acting — a comedy style that would be imitated for the next 20 years. Airplane! pulls out all the clich?s as alcoholic pilot Ted Striker (Robert Hays), who’s developed a fear of flying due to wartime trauma, boards a jumbo jet in an attempt to woo back his stewardess girlfriend (Julie Hagerty). Food poisoning decimates the passengers and crew, leaving it up to Striker to land the plane, with the help of a glue-sniffing air traffic controller (Lloyd Bridges) and Striker’s vengeful former captain (Robert Stack), who must both talk him down. Along the way, we meet a clutch of stock disaster movie passengers like the guitar-strumming nun, a sick little girl, a frightened old lady, and two African-American travelers whose “jive” has to be subtitled. Leslie Nielsen portrays the plane’s doctor, launching a new phase of the actor’s career that carried him through the next two decades in several similarly comedic roles. The trio of directors Jim Abrahams, Jerry Zucker, and David Zucker responsible for the film would eventually go on to solo careers, but not before making Top Secret! and Ruthless People.

A space bum helps rescue a princess from an evil overlord with the help of a benevolent elder in this Star Wars send-up written and directed by Mel Brooks. Lone Starr (Bill Pullman) and his half-man, half-dog co-pilot, Barf the Mawg (John Candy), are content to scour the galaxy living the easy life. But they reluctantly come to the rescue when Druish Princess Vespa (Daphne Zuniga) is threatened by the evil Lord Dark Helmet (Rick Moranis), who wants to steal all of the air from her planet, Druidia. Trapped on a harsh desert world with Vespa and her robot chaperone, Dot Matrix (voice of Joan Rivers), Lone Starr and Barf are helpless to prevent Helmet from kidnapping the girl. But assistance arrives in the form of Yogurt (Brooks), a wizard who turns Lone Starr on to a mysterious power known as The Schwartz. Catching up with Helmet just as he’s transforming his spaceship into a giant vacuum cleaner in orbit around Druidia, the reluctant heroes stage a dramatic showdown. Although it borrows most of its plot from the Star Wars series, Spaceballs also pokes fun at Star Trek, Snow White, and Planet of the Apes — as well as the entire videocassette and movie marketing industries. The large supporting cast includes Dick Van Patten, Jim J. Bullock, and the voice of Dom DeLuise. John Hurt makes a cameo in a parody of the exploding chest scene he played in Alien.

A very loose remake of the classic multi-star comedy It’s a Mad Mad Mad Mad World (1963), this madcap comedy is directed by Jerry Zucker, one third of the Zucker-Abrahams-Zucker comedy team and director of Ghost (1990). John Cleese stars as an eccentric casino owner who devises a contest pitting six teams against each other in a race to claim two million dollars from a locker in New Mexico. The competitors are Owen (Cuba Gooding Jr., who ends up driving a bus full of Lucille Ball imitators, a foreigner (Rowan Atkinson) who hitches a ride in an organ donor vehicle, and a recently reunited mother and daughter (Whoopi Goldberg and Lanei Chapman) who anger a “squirrel lady” (Kathy Bates) — much to their regret. There are also two con artist brothers (Seth Green and Vince Vieluf), the upright Nick (Breckin Meyer), who gets a lift from cute but psychotic pilot Tracy (Amy Smart), and the eccentric Pear family, headed up by Jon Lovitz. Rat Race also stars Dave Thomas, Kathy Najimy, Wayne Knight, Dean Cain, and Paul Rodriguez.

Tony Curtis stars as The Great Leslie, a hero among heroes whose purity of heart is manifested by his spotlessly white wardrobe. Leslie’s great rival, played by Jack Lemmon, is Professor Fate, a scowling, mustachioed, top-hatted, black-garbed villain. Long envious of Leslie’s record-setting accomplishments with airships and sea craft, Professor Fate schemes to win a 22,000-mile auto race from New York City to Paris by whatever insidious means possible. The problem is that Fate is his own worst enemy: each of his plans to remove Leslie from the running (and from the face of the earth) backfires. Leslie’s own cross to bear is suffragette Maggie Dubois (Natalie Wood), who also hopes to win the contest and thus strike a blow for feminism. The race takes all three contestants to the Wild West, the frozen wastes of Alaska, and, in the longest sequence, the mythical European kingdom of Carpania. This last-named country is the setting for a wild Prisoner of Zenda spoof involving Professor Fate and his look-alike, the foppish Carpanian king. When Leslie and Fate approach the finish line at the Eiffel Tower, Leslie deliberately loses to prove his love for Maggie. Professor Fate cannot stand winning under these circumstances, thus he demands that he and Leslie race back to New York. The supporting cast includes Peter Falk as Fate’s long-suffering flunkey Max, Keenan Wynn as Leslie’s faithful general factotum, Dorothy Provine as a brassy saloon singer, Larry Storch as ill-tempered bandit Texas Jack, and Ross Martin as Baron Von Stuppe. The film also yielded a hit song, Henry Mancini and Johnny Mercer’s The Sweetheart Tree. The Great Race was dedicated to “Mr. Laurel and Mr. Hardy”.

Written and directed by Alec Berg, David Mandel, and Jeff Schaffer, Eurotrip is a teen comedy from the Montecito Picture Company (makers of similar movies Old School and Road Trip). Mainstream teenager Scott (Scott Mechlowicz) forms an online friendship with German student Mieke in order to get a passing grade in his high school German class. When he finds out Mieke is a buxom blonde girl (Jessica B?hrs), he travels to meet her with his pals Cooper (Jacob Pitts), Jenny (Michelle Trachtenberg), and Jamie (Travis Wester). The group of randy teens head to Berlin by way of London, Paris, and Amsterdam.

One of Marvel Comics’ most popular characters comes to the screen for the first time in this sci-fi action-thriller. Matthew Murdock (Ben Affleck) is a lawyer whose father, a prizefighter, was killed by gangsters when Murdock was just a boy. Since then, Murdock has devoted his life to bringing wrongdoers to justice and is willing to help others by taking on cases no other attorney will touch. Murdock is also blind, after being struck down by a truck while trying to save a man from being hit. What no one knows is that Murdock was also doused with an unusual radioactive isotope which had a strange effect on him — while Murdock’s sight may be gone, his other senses have been raised to such a keen pitch that they act like radar, allowing him to tell where he’s going and what happens around him, both near and far away. Murdock puts his gifts to use at night as the costumed crime-fighter Daredevil, whose pursuit of justice has earned him the wrath of underworld leader Kingpin (Michael Clarke Duncan). Kingpin wants Daredevil out of his way once and for all, and hires Bullseye (Colin Farrell), a super-assassin with an uncanny ability to throw blades, to do the job. Daredevil also makes the acquaintance of Elektra Natchios (Jennifer Garner), a woman with super-heroic talents who is also on Kingpin’s bad side, though it remains to be seen if she has aligned herself with the forces of good as Daredevil has done. Jon Favreau, Joe Pantoliano, and David Keith highlight Daredevil’s supporting cast.

For his sophomore stab at directing, actor/writer/director Jon Favreau (Swingers, Made), took on this holiday comedy starring Saturday Night Live-alum Will Ferrell. Ferrell stars as Buddy, a regular-sized man who was raised as an elf by Santa Claus (Edward Asner). When the news is finally broken to Buddy that he’s not a real elf, he decides to head back to his place of birth, New York City, in search of his biological family. Elf also stars James Caan, Mary Steenburgen, Zooey Deschanel, and Bob Newhart.

After the Oscar-winning The English Patient, writer/director Anthony Minghella attempted another tricky literary adaptation with The Talented Mr. Ripley, which features heartthrob Matt Damon cast against type as a psychopathic bisexual murderer. Tom Ripley (Damon) is a bright and charismatic sociopath who makes his way in mid-’50s New York City as a men’s room attendant and sometimes pianist, though his real skill is in impersonating other people, forging handwriting, and running second-rate scams. After being mistaken for a Princeton student, Tom meets the shipping tycoon father of Dickie Greenleaf (Jude Law), who has traveled to the coast of Italy, where he’s living a carefree life with his father’s money and his beautiful girlfriend, Marge (Gwyneth Paltrow). Dickie’s father will pay Ripley 1,000 dollars plus his expenses if he can persuade Dickie to return to America. As Ripley and Dickie become friends, Tom finds himself both attracted to Dickie and envious of his life of pleasure. In time, he decides that he would rather be Dickie Greenleaf than Tom Ripley, so rather than go back to his life of poverty, Ripley impulsively murders Dickie and assumes his identity. The Talented Mr. Ripley was based on the first of a series of novels featuring Tom Ripley written by Patricia Highsmith; the story was previously filmed in 1960 as Purple Noon, with Alain Delon as Ripley.

This lavish big-budget epic was the pinnacle of a uniquely Italian subgenre, the historical hardcore gore/porn extravaganza. The star-studded cast, perhaps lured by the high-profile involvement of producer Bob Guccione and screenwriter Gore Vidal, includes such luminaries as John Gielgud, Peter O’Toole, and Helen Mirren. Director Tinto Brass, whose similar treatment of Nazi Germany in Salon Kitty won him the job, did his best with the mammoth enterprise, but numerous production problems and re-edits took their toll on the finished product. When Caligula works best, it works because of Malcolm McDowell, whose crazed portrayal of the title Emperor is the embodiment of villainous corruption. McDowell raises his performance level to match the gaudy spectacle around him, which led to charges of overacting, but there are moments when he is absolutely riveting. Some of the cast doesn’t fare as well, as O’Toole makes a particularly unsubtle Tiberius. The sex is graphic and steamy, particularly a feverish lesbian interlude between Penthouse Pets Lori Wagner and Marjorie Thorsen (using the pseudonym “Anneka di Lorenzo”), and the various carnival freaks used as atmosphere imbue the film with a grotesque, Fellini-like opulence. There are many memorable scenes and a magnificent score by Paul Clemente, but the heady brew of historical epic, hardcore sex, and gory violence proved overwhelming to many viewers. Still, Gore Vidal’s script is surprisingly accurate, and manages to be entertainingly vulgar while bringing a rather loathsome slice of human history to vivid life, warts and all. The more explicit scenes were directed by Bob Guccione and Giancarlo Lui, causing both Vidal and Brass to remove their names from the credits.

Outrageously violent, time-twisting, and in love with language, Pulp Fiction was widely considered the most influential American movie of the 1990s. Director and co-screenwriter Quentin Tarantino synthesized such seemingly disparate traditions as the syncopated language of David Mamet; the serious violence of American gangster movies, crime movies, and films noirs mixed up with the wacky violence of cartoons, video games, and Japanese animation; and the fragmented story-telling structures of such experimental classics as Citizen Kane, Rashomon, and La jet?e. The Oscar-winning script by Tarantino and Roger Avary intertwines three stories, featuring Samuel L. Jackson and John Travolta, in the role that single-handedly reignited his career, as hit men who have philosophical interchanges on such topics as the French names for American fast food products; Bruce Willis as a boxer out of a 1940s B-movie; and such other stalwarts as Harvey Keitel, Tim Roth, Christopher Walken, Eric Stoltz, Ving Rhames, and Uma Thurman, whose dance sequence with Travolta proved an instant classic.