Bovie Movie

This lavish big-budget epic was the pinnacle of a uniquely Italian subgenre, the historical hardcore gore/porn extravaganza. The star-studded cast, perhaps lured by the high-profile involvement of producer Bob Guccione and screenwriter Gore Vidal, includes such luminaries as John Gielgud, Peter O’Toole, and Helen Mirren. Director Tinto Brass, whose similar treatment of Nazi Germany in Salon Kitty won him the job, did his best with the mammoth enterprise, but numerous production problems and re-edits took their toll on the finished product. When Caligula works best, it works because of Malcolm McDowell, whose crazed portrayal of the title Emperor is the embodiment of villainous corruption. McDowell raises his performance level to match the gaudy spectacle around him, which led to charges of overacting, but there are moments when he is absolutely riveting. Some of the cast doesn’t fare as well, as O’Toole makes a particularly unsubtle Tiberius. The sex is graphic and steamy, particularly a feverish lesbian interlude between Penthouse Pets Lori Wagner and Marjorie Thorsen (using the pseudonym “Anneka di Lorenzo”), and the various carnival freaks used as atmosphere imbue the film with a grotesque, Fellini-like opulence. There are many memorable scenes and a magnificent score by Paul Clemente, but the heady brew of historical epic, hardcore sex, and gory violence proved overwhelming to many viewers. Still, Gore Vidal’s script is surprisingly accurate, and manages to be entertainingly vulgar while bringing a rather loathsome slice of human history to vivid life, warts and all. The more explicit scenes were directed by Bob Guccione and Giancarlo Lui, causing both Vidal and Brass to remove their names from the credits.

Outrageously violent, time-twisting, and in love with language, Pulp Fiction was widely considered the most influential American movie of the 1990s. Director and co-screenwriter Quentin Tarantino synthesized such seemingly disparate traditions as the syncopated language of David Mamet; the serious violence of American gangster movies, crime movies, and films noirs mixed up with the wacky violence of cartoons, video games, and Japanese animation; and the fragmented story-telling structures of such experimental classics as Citizen Kane, Rashomon, and La jet?e. The Oscar-winning script by Tarantino and Roger Avary intertwines three stories, featuring Samuel L. Jackson and John Travolta, in the role that single-handedly reignited his career, as hit men who have philosophical interchanges on such topics as the French names for American fast food products; Bruce Willis as a boxer out of a 1940s B-movie; and such other stalwarts as Harvey Keitel, Tim Roth, Christopher Walken, Eric Stoltz, Ving Rhames, and Uma Thurman, whose dance sequence with Travolta proved an instant classic.

Three brothers who would argue that crime does pay have a hard time getting their fair share of the proceeds in this witty action thriller from Australia. Dale Twentyman (Guy Pearce) and his brothers, Mal (Damien Richardson) and Shane (Joel Edgerton), are serving time together in prison for robbery. Dale is the brains and the cool head of the group, Mal is the eager-to-please nice guy, and Shane is something of a loose cannon. Dale and his siblings are eager to get out of jail, and their lawyer, Frank Malone (Robert Taylor), has pulled a deal that could pare some time off their sentences, though the arrangement is strictly off the books. Mick Kelly (Vince Colosimo) and Jack O’Riordan (Paul Sonkkila) are a pair of crooked police detectives who have arranged with Malone to give the Twentyman brothers day passes from jail in order to pull bank robberies, with the siblings’ share held in escrow until they’re released. Dale thinks something a bit off in this operation, and his suspicions are confirmed when Malone tells the brothers after they’re granted their early release that they won’t get their money until they pull one last job — an ambitious robbery at a Melbourne race track on the day of the nation’s biggest horse race. Dale is convinced he smells a rat — especially since he has good reason to suspect that Malone is having an affair with his wife, Carol (Rachel Griffiths). The Hard Word marked the directorial debut for writer/director Scott Roberts.

Your friendly neighborhood web-slinger is back, only this time his sunny outlook has become partially overcast in the third chapter of director Sam Raimi’s Spider-Man saga. Tobey Maguire, Kirsten Dunst, and James Franco return to reprise their roles from the previous two installments, with Thomas Haden Church, Topher Grace, and Bryce Dallas Howard making their first appearances in the series as Flint Marko (aka Sandman), Eddie Brock (aka Venom), and Gwen Stacy, respectively. Peter Parker (Maguire) has finally leaned to walk the middle ground between being the superhero that his city needs, and the man that Mary Jane (Dunst) loves. All is well in New York City until one night, as Peter and M.J. set gazing at the stars, a falling comet streams across the sky and crashes into the ground close by. But this isn’t any ordinary shooting star, and upon impact the mysterious space rock is split open to reveal a shape-shifting symbiote with the power to overtake anything that it comes into contact with. Later, as Harry Osborn acquires his late father’s flying board, engineers a powerful new Goblin outfit, and takes to the sky to avenge dad’s death, the mysterious space sludge infects both Peter’s Spider Man suit and ambitious street photographer Eddie Brock (Grace). His strange new suit giving him a newfound sense of power as it gradually overpowers his personality, Peter discovers that escaped convict Flint Marko was in fact the man responsible for the death of Uncle Ben (Cliff Robertson). Unfortunately for Peter, Marko has recently acquired the power to morph at will and quickly completes his transformation into the dreaded Sandman. As the Sandman gives in to his darkest criminal instincts and the slithering space symbiote transforms Eddie Brock into the nightmarish fanged villain known as Venom, the citizens of New York City must once again call on Spider Man to fend off destructive forces that are far too powerful for the likes of mortal man.

Mousse up your hair and pull your Missing Persons records out of mothballs for this romantic comedy set in that era of questionable fashion decisions, the ’80s. In 1985, Robbie Hart (Adam Sandler) is a vocalist whose rock band stubbornly refuses to get off the ground. In the meantime, he makes a living playing wedding receptions, where his easy charm and ability to schmooze brings him a steady income. Robbie meets Julia Sullivan (Drew Barrymore) when she’s working as a waitress at one of his wedding gigs; he immediately takes a shine to her, but since he’s engaged, he keeps his distance. Robbie learns that Julia is also engaged; unfortunately, her fianc?e Glen Gulia (Matthew Glave) is an obnoxious, self-obsessed yuppie who is chronically unfaithful to her. When Robbie gets stood up at the altar by his fianc?e, it’s a crushing blow to his ego, and he moves from working weddings to bar mitzvahs to avoid the humiliating issue of matrimony, and he considers giving up on music altogether. In time, Robbie realizes that he needs to step in and stop Julia from marrying Glen before the woman he’s come to love ruins her life. Adam Sandler’s former Saturday Night Live co-stars Kevin Nealon and Jon Lovitz make cameo appearances, as do Steve Buscemi and Billy Idol — as himself.

The toughest man in the American military faces a new kind of challenge — looking after four kids in soccer-mom suburbia — in this family-friendly comedy from Walt Disney Pictures. Shane Wolf (Vin Diesel) is a former Navy SEAL who was assigned to protect a scientist working on a top-secret defense project for the government. Despite Wolf’s efforts, however, an assassin slipped past him and murdered the man he was guarding. The inventor’s project is still being stored in his home, so Wolf has now been assigned to protect Julie (Faith Ford), the scientist’s widow, as well as her four children, Zoe (Brittany Snow), Seth (Max Thieriot), Lulu (Morgan York), and baby Peter (Kegan Hoover and Logan Hoover). Wolf has had years of military experience in some of the most dangerous places on Earth, but he doesn’t know much about raising kids, and he soon discovers his new job demands he be a nanny as much as a bodyguard. The Pacifier also co-stars Brad Garrett, Lauren Graham, and Carol Kane.

A man who dares to feel finds his life in danger in this cautionary science fiction drama. In the future, after a Third World War has decimated much of the Earth’s population, a new nation known as Libria rises up under the unquestioned leadership of Dupont (Angus MacFadyen). Believing human emotions and their expression were to blame for the failings of past societies, The Father has decreed that all citizens must take a daily dose of Prozia II, a drug which levels out the emotional landscape, and that all forms of creative expression are against the law; violating either regulation can be punished by death. John Preston (Christian Bale) is a Grammaton, an elite law enforcement officer who tracks down and punishes “sense offenders.” One day, Preston accidentally fails to take his Prozia II, and for the first time begins experiencing emotions himself. Preston becomes aware of an underground of rebels who refuse to take their medication and have embraced art and literature, and he finds himself becoming infatuated with one of their number, Mary O’Brian (Emily Watson). Equilibrium is the second feature-length directorial effort from Kurt Wimmer, whose screenwriting credits include The Thomas Crown Affair and Sphere.

James L. Brooks (Terms of Endearment, Broadcast News) directed this $50 million-plus romantic comedy, set in Manhattan. Dysfunctional, acid-tongued romance novelist Melvin Udall (Jack Nicholson), who suffers from an obsessive-compulsive disorder, takes pride in his ability to offend. At a nearby cafe, the only waitress willing to stand up to his sarcastic tirades is Carol Connelly (Helen Hunt), a single mother struggling to raise her chronically asthmatic son. In Melvin’s West Village apartment building, talented contemporary artist Simon Nye (Greg Kinnear) lives across the hall from Melvin. Simon is the current darling of the New York art world, reason enough to draw Melvin’s verbal fire, but Simon’s gay lifestyle is further grist for the novelist’s malicious mill. These three New Yorkers, none of whom appears to have a chance in hell at finding true happiness, discover their fates intertwined because of the fourth complicated character in the piece, Verdell, a tiny Brussels Griffon dog (played by newcomer Jill, after a 15-week training program). Melvin seems to have no friends or family, and he lives alone, working on his 62nd book.

When Simon goes into the hospital after a brutal mugging, Melvin has to take care of Verdell, and the dog actually warms Melvin’s cold heart — to the degree that he sets up unsolicited medical care for Carol’s son. Eventually, Melvin is cornered into driving Simon and Carol to Baltimore, and during a hotel stopover, Melvin confesses to Carol, “You make me want to be a better man.” The trip becomes an odyssey of self-realization for all three. Locations included Brooklyn’s Prospect Park (Carol’s neighborhood) and Greenwich Village (where Melvin’s building is on 12th Street between Fifth and Sixth Avenues). Other exteriors were shot in downtown Los Angeles, where a dilapidated transient hotel at the corner of 4th Street and Main was transformed into the chic cafe where Carol works. Sets for the Simon/Melvin apartment interiors were erected on a soundstage at the Sony Pictures lot. Simon’s paintings were created for the film by New York artist Billy Sullivan, whose work is part of the modern art collection at NYC’s Metropolitian Museum of Art and the New Orleans Museum of Art.

Lethal Weapon 2 reteams Mel Gibson and Danny Glover as, respectively, “loose cannon” LA detective Martin Riggs and Riggs’ partner, the cautious family man Roger Murtaugh. The villain this time is a South African diplomat (Joss Ackland) who doubles as a drug dealer. Though Riggs knows what’s going on thanks to characterless character witness Joe Pesci, he can’t touch the villain because of “diplomatic immunity.” After perils too numerous to mention, Riggs and Murtaugh shoot it out with the heavies on the deck of a South African cargo ship. Lethal Weapon 2, of course, contains as one of its comic high-points a now famous suspense scene: Mel Gibson agonizingly attempting to extricate a terrified Danny Glover from a booby-trapped toilet seat. Gibson, Glover, Donner and Joe Pesci would be reunited three years later for Lethal Weapon 3 and in 1998 for Lethal Weapon 4.

The war against the forces of darkness becomes a family affair in this cinematic prequel to the popular video game Bloodrayne. In 16th century Europe, Lord Kagan (Ben Kingsley) is an evil ruler who holds more power than any man alive, but he still dreams of having more, and when he’s told of three magic talismans who, when united, will give him intense supernatural strength and the gift of immortality, he will stop at nothing to attain them. However, three warriors who have learned how to battle the forces of darkness — Vladimir (Michael Madsen), Katarin (Michelle Rodriguez), and Sebastian (Matt Davis) — have formed the Brimstone Society, with the goal of stripping Kagan of his power and restoring justice to their land. They can’t accomplish this on their own, though, so they enlist the aid of Rayne (Kristanna Loken), a half-human, half-vampire who can approach Kagan’s sinister gifts while having a desire to do good. However, Rayne is torn about signing on with the Brimstone Society, and for a good reason — Kagan is her father. Scripted by actress, screenwriter, and video-game enthusiast Guinevere Turner, BloodRayne also stars Geraldine Chaplin, Udo Kier, Billy Zane, Michael Par?, and Meat Loaf Aday.