Bovie Movie

The third of John Woo’s American-made feature films, Face/Off stars John Travolta as Sean Archer, an FBI agent obsessed with capturing Castor Troy (Nicolas Cage), a criminal genius who years before killed Archer’s son while trying to assassinate the agent. Archer’s single-minded pursuit of Troy has caused serious harm to his marriage, but Archer thinks the light may have appeared at the end of the tunnel when a seriously wounded Troy is captured in a bloody shootout. However, it turns out that Troy has planted a time bomb, with a biological payload that could destroy the entire city of Los Angeles — and Troy isn’t about to say where it is. The only other person who knows the bomb’s location is Troy’s brother, Pollux (Alessandro Nivola), who is no more helpful than Castor. FBI scientists hatch a plan: they have developed an experimental surgery which would allow them to graft Troy’s face temporarily on Archer’s head and allow him to question Pollux as if he were his brother. But after Archer has taken Troy’s face, Troy regains consciousness and forces the doctors to give him Archer’s face. Now the criminal mastermind has the FBI at his disposal, and the lawman is underground with few places to turn. Along with Woo’s usual elaborately choreographed action scenes, Face/Off features a number of notable supporting performances, including Joan Allen as Archer’s wife, Colm Feore and C.C.H. Pounder as FBI scientists, and Gina Gershon as Troy’s loyal but long-suffering girlfriend.

The fourth film in the Alien series, directed by Jean-Pierre Jeunet (Delicatessen, The City of Lost Children) at a cost of 70 million dollars, takes place aboard an immense ship, the Auriga, where General Perez (Dan Hedaya) heads a staff of seven science officers and 42 enlisted, all employed by United Systems Military (replacing the Company of the earlier films). The time is 200 years after the events of Alien 3. Scientists researching the aliens need hosts, and they rely on space mercenaries who make spacecraft raids to acquire bodies. The research requires an Alien Queen specimen, so Ellen Ripley (Sigourney Weaver) has been cloned from preserved blood samples. The scientific team then removes the baby Alien Queen from Ripley’s chest. Since the Ripley clone has alien DNA mixed into her genetic structure, she is not totally human. Later, a commercial freighter, the Betty, arrives with a crew of mercenaries — Elgyn (Michael Wincott), pilot Hillard (Kim Flowers), paralyzed mechanic Vriess (Dominique Pinon), space jock Johner (Ron Perlman), and junior mechanic Annalee Call (Winona Ryder) — who deliver a load of human hosts with alien eggs. Problems begin when the mercenaries take over the Auriga, and aliens escape to massacre humans. As the aliens attack, Ripley and the mercenaries try to reach the Betty in order to escape. Cinematography by Darius Khondji features the same ENR process he used on Seven, adding silver to the printing process to heighten contrasts, making the dark colors richer. An electric-blue tint was employed during the underwater firefight between the mercenaries and the aliens. For the more physical aspects of her role, Ryder got in shape with six hours of daily workouts. Although all previous films in the series were shot at London’s Pinewood Studios, filming of Alien Resurrection took place West Los Angeles soundstages with special effects in California and Paris.

Washington Irving’s tale of Ichabod Crane and the Headless Horseman gets a few new twists in a screen adaptation directed by Tim Burton. In this version, Ichabod (Johnny Depp) is a New York City detective whose unorthodox techniques and penchant for gadgets make him unpopular with is colleagues. He is sent to the remote town of Sleepy Hollow to investigate a series of bizarre murders, in which a number of people have been found dead in the woods, with their heads cut off. Local legend has it that a Hessian ghost rides through the woods on horseback, lopping off the heads of the unsuspecting and unbelieving. Ichabod refuses to believe in this legend, convinced that there must be a logical explanation for the murders. In time, Ichabod becomes smitten with a local lass, Katrina Van Tassel (Christina Ricci), who is the sweetheart of the burly Brom Bones (Casper Van Dien), and he becomes determined to capture the murderer to prove his bravery and win her heart. Christopher Walken, Jeffrey Jones, and Christopher Lee highlight the supporting cast; Lee’s appearance is particularly apt, since Burton has cited the Hammer films of the 1960s as a major influence in making this film. Andrew Kevin Walker and Tom Stoppard contributed to the screenplay.

New Zealand filmmaker Peter Jackson fulfills his lifelong dream of transforming author J.R.R. Tolkien’s best-selling fantasy epic into a three-part motion picture that begins with this holiday 2001 release. Elijah Wood stars as Frodo Baggins, a Hobbit resident of the medieval “Middle-earth” who discovers that a ring bequeathed to him by beloved relative and benefactor Bilbo (Ian Holm) is in fact the “One Ring,” a device that will allow its master to manipulate dark powers and enslave the world. Frodo is charged by the wizard Gandalf (Ian McKellen) to return the ring to Mount Doom, the evil site where it was forged millennia ago and the only place where it can be destroyed. Accompanying Frodo is a fellowship of eight others: his Hobbit friends Sam (Sean Astin), Merry (Dominic Monaghan), and Pippin (Billy Boyd); plus Gandalf; the human warriors Aragorn (Viggo Mortensen) and Boromir (Sean Bean); Elf archer Legolas (Orlando Bloom); and Dwarf soldier Gimli (John Rhys-Davies). The band’s odyssey to the dreaded land of Mordor, where Mount Doom lies, takes them through the Elfish domain of Rivendell and the forest of Lothlorien, where they receive aid and comfort from the Elf princess Arwen (Liv Tyler), her father, Elrond (Hugo Weaving), and Queen Galadriel (Cate Blanchett). In pursuit of the travelers and their ring are Saruman (Christopher Lee) — a traitorous wizard and kin, of sorts, to Gandalf — and the Dark Riders, under the control of the evil, mysterious Sauron (Sala Baker). The Fellowship must also do battle with a troll, flying spies, Orcs, and other deadly obstacles both natural and otherwise as they draw closer to Mordor. The Lord of the Rings: The Fellowship of the Ring (2001) was filmed in Jackson’s native New Zealand, closely followed by its pair of sequels, The Two Towers (2002) and The Return of the King (2003).

Following the phenomenal success of The Silence of the Lambs and Hannibal, Anthony Hopkins returns as brilliant madman Hannibal Lecter in this thriller based on the novel in which author Thomas Harris introduced the character. Will Graham (Edward Norton) is an FBI agent with a rare gift for tracking serial killers who brought Hannibal Lecter to justice; however, his confrontation with Lecter proved to be a bloody, near-death experience, and afterward Graham retired from the Bureau, moving to Florida to spend his time with his wife, Molly (Mary-Louise Parker), and their son. However, a particularly grisly killer is on the loose, and Jack Crawford (Harvey Keitel), Graham’s one-time mentor at the Bureau, asks him to return to duty to find him. The “Tooth Fairy” is a vicious murderer who kills entire families at once, covering the eyes of his victims with bits of a shattered mirror. Graham finds he needs help putting together the pieces of the “Tooth Fairy” case, and he calls upon Lecter looking for advice. Lecter, at once vaguely helpful and self-serving, as usual, offers scraps of information to Graham which help him zero in on the killer. But Lecter knows more than he’s telling; the “Tooth Fairy” is actually Francis Dolarhyde (Ralph Fiennes), a troubled and withdrawn man who admires Lecter’s violent panache and corresponds with him. Dolarhyde works at a film processing lab, where one of his co-workers, a blind woman named Reba McClane (Emily Watson), seems to be quite attracted to him. As Dolarhyde wrestles with both his murderous impulses and his feelings for McClane, Lecter plays Graham and Dolarhyde against one another so that, as the FBI agent comes closer to catching “the Tooth Fairy,” Dolarhyde moves in on his next victim — Graham’s family. Red Dragon marked the second time Harris’ novel of the same name had been brought to the screen; five years prior to The Silence of the Lambs, Michael Mann adapted the book for the screen as Manhunter, which starred William Petersen as Graham and Brian Cox as Lecter.

Joe Dante directed this satirical action-comedy about talking tech toys accidentally juiced-up with military microchips. After the defense industry firm Globotech takes over a small toy company, Heartland Play Systems’ CEO Gil Mars (Denis Leary) gives the green light to develop a new line of action figures, requesting an upgrade to more realistic figures from Heartland toy designers Larry Benson (Jay Mohr) and fumbling Irwin Wayfair (David Cross). Mars wants toys that act like the ones in TV commercials. The results are fierce fighting figures, the Commando Elite, programmed to seek out and destroy the kindly alien-like Gorgonites. In an effort to make the toys as natural as possible, Benson inserts Globotech’s most powerful military computer chips. Meanwhile, in quiet Winslow Corners, Ohio, toy-store owner Stuart Abernathy (Kevin Dunn) and his 15-year-old son Alan (Gregory Smith) are stuck in a failing business, so when Heartland truckdriver Joe (Dick Miller) stops by with the Commando and Gorgonite toys, Alan is convinced they will be hot sellers, commenting, “Maybe this store will finally make a little money.” With blistering blows to their blister packs, the Commandos burst out, receive orders from their leader Chip Hazard (voice of Tommy Lee Jones) and ready for an all-out assault on the Gorgonites. When the Gorgonite leader Archer (voice of Frank Langella) begins communicating with Alan, it causes the Commandos to perceive humans as another enemy, simply by their association with the “Gorgonite scum,” so an attack on the Abernathy house begins. Unfortunately, the Gorgonites can offer only limited assistance, since they have been programmed to lose. The film combines animatronics, puppetry, and computer animation. The Commando Elite voices include surviving actors from Robert Aldrich’s The Dirty Dozen (1967), while the Gorgonite voices reunited several This Is Spinal Tap (1983) cast members. A dedication to Phil Hartman (the voice of Phil Fimple) after the closing credits features a brief Hartman outtake.

“You’ve got to ask yourself a question: do I feel lucky? Well, do ya, punk?” Dirty Harry provoked a critical uproar in 1971 for its “fascist” message about the power of one, as it also elevated Clint Eastwood to superstar status through his most enduring screen persona. Harry Callahan (Eastwood, in a role meant for Frank Sinatra) is a sardonic, hard-working San Francisco cop who can’t finish his lunch without having to foil a bank robbery with his 44 Magnum, “the most powerful handgun in the world.” When hippie-esque psycho Scorpio (Andy Robinson) goes on a killing spree, Harry and new partner Chico (Reni Santoni) are assigned to hunt him down, but not before the Mayor (John Vernon) and Lt. Bressler (Harry Guardino) admonish Callahan about his heavy-handed tactics. Racing against a deadline to save a kidnap victim from suffocating to death, and unbothered by the niceties of Miranda rights and search warrants, Callahan brings in Scorpio, only to see him released on technicalities. “The law’s crazy,” opines Harry in disgust, before taking it upon himself to ensure that Scorpio doesn’t kill again. Directed in violent and efficient fashion by Don Siegel, with a propulsive score by Lalo Schifrin, Dirty Harry was the fourth Siegel-Eastwood collaboration after Coogan’s Bluff (1968), Two Mules for Sister Sara (1970), and The Beguiled (1970). Critics at the time strongly objected to the heroic image of a cop’s violations of a suspect’s Miranda rights, forcing Siegel and Eastwood to deny that they were right-wing reactionaries. All the same, Dirty Harry proved to be highly popular and spawned four sequels: Magnum Force (1973), The Enforcer (1976), Sudden Impact (1983), and The Dead Pool (1988).

Based on the best-selling novel by James Ellroy, this award-winning crime drama explores both the dark side of the Los Angeles police force and Southern California’s criminal underbelly in the early ’50s, when Hollywood was still seen as America’s capital of sophistication, glitter, and glamour. Dudley Smith (James Cromwell) is the head of the LAPD and is loyal to his officers and eager to turn a blind eye to violence or corruption within his department, as long as it’s the “bad guys” who are getting hurt. Bud White (Russell Crowe) is a police detective whose violent and cynical nature is often at war with his basic sense of decency and justice. Ed Exley (Guy Pearce) is a beat cop-turned-detective whose strict by-the-book philosophy and willingness to blow the whistle on other officers is balanced by a shrewd and opportunistic understanding of the internal politics of the department. And Jack Vincennes (Kevin Spacey) is a flashy “Hollywood” detective who serves as technical advisor for the TV series Badge of Honor. He is also in cahoots with Sid Hudgeons (Danny DeVito), publisher of the scandal sheet Hush Hush, who throws kickbacks to Vincennes in exchange for being brought along when showbiz figures get busted. White, Exley, and Vincennes find themselves drawn into a tangled and sticky web of violence and betrayal following a multiple murder at a coffee shop that is believed to be part of an effort by Mickey Cohen (Paul Guilfoyle) to consolidate his hold on organized crime in L.A. This lead appears to be connected to the discovery of a bizarre pornography and call-girl ring operated by Pierce Patchett (David Strathairn), whose women are given plastic surgery so that they more closely resemble well-known movie stars. White’s role in the investigation is complicated when he falls for Lynn Bracken (Kim Basinger), one of Patchett’s prostitutes, who is the spitting image of Veronica Lake. L.A. Confidential was nominated for nine Academy Awards and won two, with Curtis Hanson (who directed) and Brian Helgeland honored for Best Adapted Screenplay and Kim Basinger taking home a statuette as Best Supporting Actress.

Arnold Schwarzenegger appears as a pumped-up Shakespearian hero while an announcer bellows, “Something is rotten in Denmark — and Hamlet is taking out the trash!” This gag sets the stage for the post-modernist action epic The Last Action Hero. The film concerns Danny Madigan (Austin O’Brien), a lonely eleven-year-old boy who escapes from his bleak New York City reality by glorying in the action adventure movies of his favorite film character, Jack Slater (Arnold Schwarzenegger). Danny’s friend is an elderly movie projectionist, Nick (Robert Prosky), who lets Danny into the shabby Times Square movie theater where he works so Danny can see Slater’s new movie. He hands Danny a magic ticket given to him years ago by Houdini, and when Nick rips the ticket and gives Danny the stub, Danny finds himself catapulted from the theater into the back seat of Slater’s speeding sports car in “Jack Slater IV.” Danny becomes Slater’s helper as Jack battles a trio of nefarious bad guys –Benedict (Charles Dance), Vivaldi (Anthony Quinn) and The Ripper (Tom Noonan). But things get out of hand when Benedict steals Danny’s magic ticket stub and transports himself into Danny’s reality. Benedict and The Ripper proceed to wreak havoc along Broadway, forcing Slater to cross into reality to get the villains and, in the process, learn about blood and pain.

Returning to his action feature terrain after a short hiatus, Steven Seagal plays Orin Boyd, a maverick Detroit detective with an unconventional way of taking down foes. After a failed intervention in a terrorist kidnapping case that humiliates his superiors, Boyd — who is hailed as a top-drawer investigator but frowned upon for his tactics — is forced to do time in a tough downtown precinct. After discovering the covert drug operation performed by several corrupt cops at his new assignment, he decides to break the rules yet again. While the cops are planning a massive heroin deal with big-time gangster Latrell Walker (DMX), Boyd finds that Latrell is not who he once was, and Boyd persuades him to assist in bringing an end to the amoral police influence that helped ruin him. Exit Wounds is the second film from cinematographer-turned-director Andrzej Bartkowiak (Romeo Must Die) and also features Tom Arnold, Isaiah Washington, and Jill Hennessy.