Bovie Movie

In this psychological thriller, a needy young woman finds fulfillment by trying to literally become her successful roommate. Attractive Manhattanite Allison Jones (Bridget Fonda) has it all: a handsome beau, a rent-controlled apartment, and a promising career as a fashion designer. When boyfriend Sam (Steven Weber) proves unfaithful, Allison strikes out on her own but must use the classifieds to seek out a roommate in order to keep her spacious digs. In steps Hedra Carlson (Jennifer Jason Leigh), who’s timid and frumpy but puppy-dog sweet. The self-centered Allison finds Hedra’s eager friendship flattering, but soon she grows annoyed as Hedra begins emulating everything about her. After Allison gets back with Sam and asks Hedra to please vacate the premises, the pert beauty really gets to see her weird new roomie’s bad side — Hedra, it seems, is downright homicidal. Directed by Barbet Schroeder, who wowed Hollywood with Barfly and Reversal of Fortune. Single White Female was the second screenplay from future Opposite of Sex director Don Roos.

Director Gus Van Sant returned to the low-key style of his early independent efforts with this semi-improvised exploration of how violence makes its way into a typical American high school. Eric (Eric Deulen) and Alex (Alex Frost) are two close friends who are students in a well-to-do suburb of Portland, OR. Eric and Alex are at once ordinary and misfits; while they seem to be confined to the edges of the clique-oriented social strata of high school, little about their behavior draws attention to itself. Or at least not during a typical school day; on their own time, the two boys are fascinated by Nazi iconography, enjoy violent video games, tentatively explore homoerotic desires, and coolly begin to make plans for an armed ambush of the school, drawing up working diagrams of the lunch room during study hall and buying rifles over the Internet. Drawing an expected degree of controversy, Elephant had its world premiere when it was screened in competition at the 2003 Cannes Film Festival, where it won both Best Director for Van Sant and the Golden Palm award.

Just how far would you go to have the home of your dreams all to yourself? A couple start asking themselves that very question in this dark comedy directed by Danny DeVito. Alex (Ben Stiller) and Nancy (Drew Barrymore) are a young couple who are happy and successful, but lack one thing that they truly want — the perfect home in Manhattan. Alex and Nancy think they may have found just the place they’ve been looking for when they discover the bottom half of a beautiful old duplex has opened up. While the couple are delighted with their new flat, they discover it has one major disadvantage they hadn’t counted on — their upstairs neighbor, Mrs. Connelly (Eileen Essel), an elderly woman who soon makes their lives a living hell. Persuading Mrs. Connelly to move is fruitless, since she has a long term rent-controlled lease, and as things become more and more difficult, Alex and Nancy begin to wonder if she won’t go away on her own, perhaps a more drastic (and permanent) solution may be in order. Duplex also stars Harvey Fierstein, Justin Theroux, James Remar, and Swoosie Kurtz.

A big lie told in fun has deadly consequences in this horror story. A group of students at an exclusive private school decide to have some fun by creating an urban legend and seeing how far it will spread. When a woman is murdered not far from the school’s campus, the students create an elaborate mythology about a serial killer known as “the Wolf,” whose motives and methods would make him a likely culprit for the recent crime. However, when other people begin dying at the hands of “the Wolf,” the students are forced to admit to their lie in hopes of stopping the killings. But will anyone believe them? And how does the real-life killer know so much about the backstory of “the Wolf”? Cry_Wolf stars Julian Morris, Lindy Booth, Jon Bon Jovi, and Gary Cole.

A young man who has pledged his life to helping others finds himself in a pitched battle between two gangs of supernatural villains in this blend of horror story and action thriller. Michael Corvin (Scott Speedman) is a medical student who is heading home after a long day of school and work when he unexpectedly finds himself in the middle of what appears to be a rumble between two well turned-out street gangs. What Michael doesn’t know is he has witnessed a skirmish between two deadly underground communities, unknown to the mortal world, who are battling for supremacy — the Death Dealers, a tribe of vampires, and the Lycans, a band of werewolves. Selene (Kate Beckinsale) is a leading member of the Death Dealers who hears through the grapevine that the Lycans have plans to capture the aspiring doctor who witnessed their battle. Certain something is in the air, Selene begins following Michael around the city, and she finds herself growing emotionally attached to him. As Selene becomes more attracted to Michael, she becomes more convinced that the Lycans are planning a major attack against the Death Dealers, although vampire kingpin Kraven (Shane Brolly) is certain she’s crediting the Lycans with more intelligence than they can muster. As Selene shadows Michael, she finds herself wanting to protect him, but her longing becomes a handicap when he’s attacked by Lucian (Michael Sheen), the leader of the werewolf community, and the man she wants to save has now become a sworn enemy. Underworld was the first feature film from music video director Len Wiseman.

Mr. Bean — the stick-legged goofball man-child created by Rowan Atkinson on television in the early ’90s, and in the 1997 feature Bean — undertakes his second cinematic adventure in the comic romp Mr. Bean’s Holiday. Growing thoroughly sick of the wet, cold, and clammy London weather, Mr. Bean (Atkinson) finds just the right tonic when he wins a trip to sunny southern France, all expenses paid, with a new digital video camera to accompany him. However, he runs headfirst into a series of outrageous and unpleasant situations, such as winding up in a French restaurant where a ma?tre d? (Jean Rochefort) convinces him to eat bizarre varieties of seafood that he’s never before encountered, and discovering that the “Very Fast Train” certainly lives up to its name. Eventually, Mr. Bean (accompanied by a Russian traveling companion whom he meets along his journey) stumbles onto the French Riviera and spoils the latest movie production of snobbish, egomaniacal filmmaker Carson Clay (Willem Dafoe) — little realizing that his own klutzy video footage will accidentally end up in Clay’s film and be screened at the upcoming Cannes Film Festival. Unlike the first big-screen incarnation of Atkinson’s character, Mr. Bean’s Holiday adheres more closely to the formula of the original series by rendering the character almost completely mute.

A group of teens discover that the next generation of survival horror games are more realistic than they thought when they begin dying in the same manner as their pixilated counterparts in director William Brent Bell’s bloody tale of video games gone bad. In the days following the mysterious death of an old friend, a young group of gaming enthusiasts comes into possession of a chillingly realistic game based on the exploits of a 17th century noblewoman who earned the name “The Blood Countess” for her murderous exploits. Their curiosity piqued by the fact that they were obviously not supposed to come into possession of the grisly game, the teens soon give in to temptation and begin doing battle for high score. When the chilling events of the game begin to bleed over into the real world and the real-life deaths of the players begin to mirror the deaths of their in-game characters, the race is on to defeat the murderous Blood Countess and ensure that other curious gamers don’t fall into the same deadly trap that they did.

Two friends wonder if there might be more between them when their lives both take a left turn in this romantic comedy. Terry (Joan Allen) is a middle-aged housewife and mother of four teenaged daughters and gets the shock of her life when her husband, without a word of warning, leaves them behind, presumably to move to Sweden with his secretary. Going through a bender of depression and alcohol, Terry finds herself commiserating with Denny (Kevin Costner), a former baseball star turned unenthusiastic radio personality who was her husband’s colleague and friend and an occasional presence at the house. With both Terry and Denny feeling down in the dumps about recent events in their lives, the two find themselves drawn to one another, and while Terry fights the notion of a new romance, her daughters — Andy (Erika Christensen), Hadley (Alicia Witt), Emily (Keri Russell), and Lavender (Evan Rachel Wood) — each have different ideas about their futures. The Upside of Anger was written and directed by Mike Binder, who also plays a supporting role as the producer of Denny’s radio show.

The search for life outside our solar system becomes a personal and spiritual quest for a young researcher. Ellie Arroway (Jodie Foster) is a scientist who lost her faith in God after her parents died when she was a child. However, Ellie has learned to develop a different sort of faith in the seemingly unknowable: working with a group that monitors radio waves from space, Ellie hopes that some day she will receive a coherent message from another world that will prove that there is a world beyond our own. Ellie’s hard work is rewarded when her team picks up a signal that does not appear to be of earthly origin. Ellie decodes the message, which turns out to be plans for a space craft, which she takes as an invitation for a meeting with the aliens. Ellie and her fellow researchers soon run into interference from a White House scientific advisor, David Drumlin (Tom Skerritt), who cuts off their funding and tries to take credit for their achievements. However, Ellie receives moral support from Palmer Joss (Matthew McConaughey), a spiritual teacher who advises President Clinton and tries to persuade her to accept the existence of a higher power, and financial backing from S.R. Hadden (John Hurt), a multi-millionaire willing to fund her attempts to contact the source of the message. Contact was based on a novel by Carl Sagan, who advised director Robert Zemeckis during the film’s production until his death in 1996.