Bovie Movie

After squaring off in 1995 with competing movie biographies of frontier lawman Wyatt Earp, actors Kurt Russell and Kevin Costner co-star in this action crime caper as former cronies engaged in a series of double-crosses over some stolen loot. Michael Zane (Russell) and Thomas Murphy (Costner) are the leaders of a gang of ex-convict thieves using an Elvis Presley impersonator convention to pull off a daring heist in a Las Vegas casino. The gang also includes Gus (David Arquette), Hanson (Bokeem Woodbine), and Franklin (Christian Slater). Although they manage to retrieve the money, the crooks turn on each other in bloody fashion and Murphy (who believes he’s actually the illegitimate son of Elvis) makes off with the illegal funds. In hot pursuit are the police and Michael, who’s encumbered by his girlfriend Cybil (Courtney Cox-Arquette) and her young son Jesse James. Written and directed by music video creator Demian Lichtenstein, 3000 Miles to Graceland also stars Kevin Pollak, Ice-T, and Howie Long.

A very loose remake of the classic multi-star comedy It’s a Mad Mad Mad Mad World (1963), this madcap comedy is directed by Jerry Zucker, one third of the Zucker-Abrahams-Zucker comedy team and director of Ghost (1990). John Cleese stars as an eccentric casino owner who devises a contest pitting six teams against each other in a race to claim two million dollars from a locker in New Mexico. The competitors are Owen (Cuba Gooding Jr., who ends up driving a bus full of Lucille Ball imitators, a foreigner (Rowan Atkinson) who hitches a ride in an organ donor vehicle, and a recently reunited mother and daughter (Whoopi Goldberg and Lanei Chapman) who anger a “squirrel lady” (Kathy Bates) — much to their regret. There are also two con artist brothers (Seth Green and Vince Vieluf), the upright Nick (Breckin Meyer), who gets a lift from cute but psychotic pilot Tracy (Amy Smart), and the eccentric Pear family, headed up by Jon Lovitz. Rat Race also stars Dave Thomas, Kathy Najimy, Wayne Knight, Dean Cain, and Paul Rodriguez.

A young boy stumbles upon a simple way to change the world in this drama. Trevor (Haley Joel Osment) is a bright 11-year-old boy who comes from a troubled home; his mother Arlene (Helen Hunt) is an alcoholic trying to hold down two jobs to support her son, while Trevor’s father Jon Bon Jovi) left his family behind some time ago. At school, Trevor’s class is introduced to their new social studies teacher, Mr. Simonet (Kevin Spacey), a guarded man with severe facial scars. Simonet gives his class an unusual assignment — think up a practical way to make the world a better place, and put it into action. Trevor comes up with the notion of Pay It Forward” — do a needed favor for three different people without being asked, and then ask them to do the same for three others. Trevor starts by letting Jerry (James Caviezal), a junkie living on the streets, stay in his home. Next, he tries to fix Arlene up with Mr. Simonet, since both seem to be lonely and the clean and sober teacher might help Arlene stay away from alcohol. Finally, he tries to rescue one of his schoolmates, who is constantly tormented by bullies. Meanwhile, journalist Chris Chandler (Jay Mohr) finds himself stuck on the road without a car late one night when a man stops and give him the keys to a new car, asking him only to pay the favor forward to someone else; astonished, Chris wants to find out where this philosophy came from. Based on the novel by Catherine Ryan Hide, Pay It Forward also stars Angie Dickinson and Liev Schreiber.

After George Lazenby portrayed James Bond in On Her Majesty’s Secret Service, Sean Connery returned to the tux, gimmicks, and catchphrases of Secret Agent 007 in his penultimate Bond outing, Diamonds Are Forever. Fragments of Ian Fleming’s original 1954 novel remain, including the characters of the alluring Tiffany Case (Jill St. John) and fey hitmen Wint (Bruce Glover) and Mr. Kidd (Putter Smith). The remainder of Richard Maibaum and Tom Mankiewicz’s script diverges dramatically from the novel, involving Bond in a scheme by the insidious Ernst Blofeld (Charles Gray) to force the world powers to disarm so that he can take over the globe. Folksinger Jimmy Dean shows up briefly as a Howard Hughes-like reclusive billionaire, while Lana Wood (Natalie’s sister) participates in one of the film’s edgiest cliffhangers. Agreeing to make Diamonds Are Forever only because of the money offered him, Sean Connery parted company with the role for 12 years after this film; he returned to the role once more in 1983, for Irvin Kershner’s underrated Thunderball remake Never Say Never Again.

In Stakeout, cop Richard Dreyfuss fell in love with Madeline Stowe, the woman he and his partner Emilio Estevez were watching during a police stakeout. Stowe’s back in Another Stakeout, but her part is fleeting and unbilled. On the other hand, we get plenty of Dreyfuss and Estevez, still both as cantankerous and obnoxious as ever. This time, our two heroes are in search of a Mafia witness who has disappeared after an attempt on her life. While holed up in a judge’s mansion, staking out the apartment where the woman may or may not return, the pair are subject to the comic aggravation of DA’s assistant Rosie O’Donnell, who’s brought her “darling” little rotweiler along for company. Another Stakeout works a little harder for its laughs than its predecessor; the best scenes go to Ms. O’Donnell and to nonplussed supporting players Dennis Farina and Marcia Strassman.

When a shifty magician turns state’s evidence against a Las Vegas underworld heavy, the high price placed on his head sparks a fevered race to rub the snitch out and collect a tidy paycheck in Narc director Joe Carnahan’s dark action comedy. Buddy “Aces” Israel (Jeremy Piven) is a small time scammer who has somehow managed to get the goods on big time mobster Primo Sparazza. Upon discovering that Buddy is about to deliver the evidence needed to get him thrown in jail for life, Primo takes out a sizable contract on Buddy that entices every two-bit thug, grizzled bounty hunter, deadly vixen, skilled assassin, and ladder-climbing Mafioso within a hundred mile radius into taking a shot at the prize. Now holed up in his luxurious Lake Tahoe hideout with only two FBI Agents (Ryan Reynolds and Ray Liotta) standing between him from a virtual army of money-hungry rogues, Buddy is about to found out just how far this motley crew of killers is willing to go in order to take him out and hit the jackpot. Ben Affleck, Jason Bateman, Andy Garcia, Alicia Keys, and Martin Henderson co-star in a bullet-strewn, ensemble crime comedy that never stops to reload.

Mousse up your hair and pull your Missing Persons records out of mothballs for this romantic comedy set in that era of questionable fashion decisions, the ’80s. In 1985, Robbie Hart (Adam Sandler) is a vocalist whose rock band stubbornly refuses to get off the ground. In the meantime, he makes a living playing wedding receptions, where his easy charm and ability to schmooze brings him a steady income. Robbie meets Julia Sullivan (Drew Barrymore) when she’s working as a waitress at one of his wedding gigs; he immediately takes a shine to her, but since he’s engaged, he keeps his distance. Robbie learns that Julia is also engaged; unfortunately, her fianc?e Glen Gulia (Matthew Glave) is an obnoxious, self-obsessed yuppie who is chronically unfaithful to her. When Robbie gets stood up at the altar by his fianc?e, it’s a crushing blow to his ego, and he moves from working weddings to bar mitzvahs to avoid the humiliating issue of matrimony, and he considers giving up on music altogether. In time, Robbie realizes that he needs to step in and stop Julia from marrying Glen before the woman he’s come to love ruins her life. Adam Sandler’s former Saturday Night Live co-stars Kevin Nealon and Jon Lovitz make cameo appearances, as do Steve Buscemi and Billy Idol — as himself.

Popularly viewed as one of the best American films ever made, the multi-generational crime saga The Godfather is a touchstone of cinema: one of the most widely imitated, quoted, and lampooned movies of all time. Marlon Brando and Al Pacino star as Vito Corleone and his youngest son, Michael, respectively. It is the late 1940s in New York and Corleone is, in the parlance of organized crime, a “godfather” or “don,” the head of a Mafia family. Michael, a free thinker who defied his father by enlisting in the Marines to fight in World War II, has returned a captain and a war hero. Having long ago rejected the family business, Michael shows up at the wedding of his sister, Connie (Talia Shire), with his non-Italian girlfriend, Kay (Diane Keaton), who learns for the first time about the family “business.” A few months later at Christmas time, the don barely survives being shot by gunmen in the employ of a drug-trafficking rival whose request for aid from the Corleones’ political connections was rejected. After saving his father from a second assassination attempt, Michael persuades his hotheaded eldest brother, Sonny (James Caan), and family advisors Tom Hagen (Robert Duvall) and Sal Tessio (Abe Vigoda) that he should be the one to exact revenge on the men responsible.

After murdering a corrupt police captain and the drug trafficker, Michael hides out in Sicily while a gang war erupts at home. Falling in love with a local girl, Michael marries her, but she is later slain by Corleone enemies in an attempt on Michael’s life. Sonny is also butchered, having been betrayed by Connie’s husband. As Michael returns home and convinces Kay to marry him, his father recovers and makes peace with his rivals, realizing that another powerful don was pulling the strings behind the narcotics endeavor that began the gang warfare. Once Michael has been groomed as the new don, he leads the family to a new era of prosperity, then launches a campaign of murderous revenge against those who once tried to wipe out the Corleones, consolidating his family’s power and completing his own moral downfall. Nominated for 11 Academy Awards and winning for Best Picture, Best Actor (Marlon Brando), and Best Adapted Screenplay, The Godfather was followed by a pair of sequels.

This quirky science fiction comedy is a characteristic feature by iconoclastic director Tim Burton, known to moviegoers for Beetlejuice, Edward Scissorhands, and The Nightmare Before Christmas. The storyline affectionately harkens back to the deadpan sincerity of such ’50s and ’60s science-fiction films as The Day the Earth Stood Still and War of the Worlds. Flying saucers have been reliably seen over the capitals of the world, and the whole world awaits with bated breath to see what will transpire. Among those waiting is the President of the United States (Jack Nicholson), who is assured by his science advisor (Pierce Brosnan) that the coming aliens are utterly peaceful. This advice is hotly contested by the military (led by Rod Steiger), who advices the President to annihilate them. When the aliens land, they are seen to be green, garish, and very cheerful. But appearances prove deceiving when the “friendly” aliens abruptly disintegrate the entire U.S. Congress. Hollywood notables appear in vast quantities in roles (and sub-plots) of all sizes in this zany feature.

The inner-workings of a corrupt Las Vegas casino are exposed in Martin Scorsese’s story of crime and punishment. The film chronicles the lives and times of three characters: “Ace” Rothstein (Robert De Niro), a bookmaking wizard; Nicky Santoro (Joe Pesci), a Mafia underboss and longtime best friend to Ace; and Ginger McKenna (Sharon Stone, in a role she was born to play), a leggy ex-prostitute with a fondness for jewelry and a penchant for playing the field. Ace plays by the rules (albeit Vegas rules, which, as he reminds the audience in voiceover, would make him a criminal in any other state), while Nicky and Ginger lie, cheat, and steal their respective ways to the top. The film’s first hour and a half details their rise to power, while the second half follows their downfall as the FBI, corrupt government officials, and angry mob bosses pick apart their Camelot piece by piece.