Bovie Movie

Defense attorney Claire Kubik (Ashley Judd) seems to have the perfect life. She has a high profile job at a big firm, a beautiful home outside San Francisco, and a husband, Tom (James Caviezel of The Thin Red Line), who loves her. Claire’s biggest problem appears to be that she wants to have a baby, and she’s having trouble getting pregnant. But when the police investigate a routine break-in at her home, they uncover the truth about her husband’s identity, and her life is thrown into turmoil. Claire finds out that her husband’s name is actually Ron Chapman, and that he’s an ex-marine accused of murdering seven innocent civilians in El Salvador during a raid in the late ’80s. He admits that he was there, and that he changed his identity to escape prosecution for the crimes, but he insists that he’s innocent, and that the massacre was committed by another soldier under the orders of a powerful general (Bruce Davison), who is using Ron as a patsy to cover it up. Claire is eventually convinced that Ron’s telling the truth. Faced with defending her husband in an unfamiliar military courtroom, Claire enlists the aid of Charles Grimes (Morgan Freeman), an ex-Army judge advocate with an axe to grind. Stonewalled by the military bureaucracy at every turn, they uncover a web of deception and disappearing witnesses, and they soon find their own lives in danger. High Crimes was adapted from Joseph Finder’s novel by the husband and wife screenwriting team of Yuri Zeltser and Cary Bickley. The film was directed by Carl Franklin (One False Move), and co-stars Amanda Peet and Adam Scott.

F. Gary Gray directed this suspenseful action thriller based on a real case experienced by police in St. Louis. The James DeMonaco/Kevin Fox screenplay follows an accused man who is forced to commit crimes in order to prove himself innocent of murder. After Chicago police hostage negotiator Danny Roman (Samuel L. Jackson) succeeds in rescuing a little girl menaced by her gun-wielding dad, he’s praised by both the police department and the media, and he returns to his usual cop routines with his longtime partner, promising his new wife Karen (Regina Taylor) he’ll make it home for dinner every night. Then his partner, who had evidence of embezzlement within the police department, is killed. Since Danny arrives at the crime scene only seconds later, he’s the main suspect, and Chief Al Travis (John Spencer) asks him to turn in his gun and badge. Danny invades the Chicago Internal Affairs Division headquarters and tries to get the truth from Inspector Terence Niebaum (J.T. Walsh) while holding two assistants and Commander Frost (Ron Rifkin) as hostages. He then calls for an outsider from another precinct, hostage negotiator Chris Sabian (Kevin Spacey). When Sabian arrives, the two compete for control, while Danny attempts to prove to him that he’s been falsely accused. The film is dedicated to J.T. Walsh, who died not long after the production wrapped.

A brilliant young man is tapped to join the elite branch of American intelligence, only to discover how complex and dangerous the job can really be in this suspense-drama. James Clayton (Colin Farrell) recently completed his studies at MIT, where he graduated at the top of his class and is pondering his next move while he works as a bartender at an upscale nightspot. One evening, Clayton is approached by Walter Burke (Al Pacino), a recruiter for the Central Intelligence Agency, who describes himself as “a scary judge of talent” and believes Clayton is just the sort of man the CIA is looking for. Clayton, who has little interest in an ordinary nine-to-five career and suspects his father (whom Burke claims to have known) worked for the Agency, accepts the offer and is soon sent to the CIA’s secret training camp. It soon becomes obvious that Burke’s intuition has not failed him; Clayton is smart, fast on his feet, a crack shot, and possesses a very agile mind. In training, Clayton notices a few things, most notably one of his fellow students, Layla (Bridget Moynahan), a beautiful woman whose skills equal his own. Clayton becomes quite infatuated with Layla, and after a fashion the attraction appears to be mutual, but Clayton has to keep in mind Burke’s dictum that “nothing is as it seems,” especially when Clayton is given a special assignment — find the mole within the Agency’s training program who is actually feeding information to America’s enemies.

In this comedy from Austin Powers director Jay Roach, Ben Stiller plays a young man who endures a disastrous weekend at the home of his girlfriend’s parents. Greg Focker (Stiller) is completely in love with Pam Byrnes (Teri Polo), and views their upcoming trip to her parents’ house on Long Island (where her sister is to be married during the weekend) as a perfect opportunity to ask her to marry him. Once Greg is introduced to Pam’s parents, however, things stampede steadily downhill. Pam’s father, Jack (Robert De Niro), takes an instant and obvious dislike to his daughter’s boyfriend, lambasting him for his job as a nurse and generally making Greg painfully aware of the differences between him and Pam’s family. Where Greg is grubby, relatively unambitious, and Jewish, Pam comes from a long line of well-mannered, blue-blooded WASPs. Things go from bad to worse in less time than it takes to spin a dreidel, with Greg incurring the wrath of both Pam’s father — who, it turns out, worked for the CIA for 34 years — and the rest of her family, and almost single-handedly destroying their house and the wedding in the process.

In the wake of such Satanic-themed thrillers as Rosemary’s Baby, The Exorcist and The Omen comes The Sentinel. When New York fashion model (Cristina Raines) splits with her fiance (Chris Sarandon) and moves into an old brownstone, she soon discovers she has more than she bargained for in the lease. As luck would have it, a mysterious blind priest (John Carradine) who lives upstairs happens to be guarding the doorway to Hell, and she has been chosen as his replacement. Incidentally, when the door is finally opened, out spills an assortment of deformed humans whom director Michael Winner hand-picked from hospital wards and circus sideshows.