Bovie Movie

Dedicated to Tomoyuki Tanaka (1910-1997), who produced the 1954 original and sequels, the Devlin/Emmerich interpretation displays a redesign of Godzilla, now a large lizard mutated after fallout from French nuclear tests. A blinding flash of white light fills the Eastern sky. Thousands of miles away, the Pacific Ocean churns, engulfing a freighter. On another part of the globe, giant footsteps plow a path through miles of Panamanian forests, Tahitian villages, and Jamaican beaches. In the Ukraine, biologist Dr. Niko Tatopoulos (Matthew Broderick), with the U.S. Nuclear Regulatory Commission, is examining the impact of radiation on Chernobyl earthworms. Colonel Hicks (Kevin Dunn) and a military team escort Niko to check out giant claw marks on the beached freighter; they’re joined by paleontologists Elsie Chapman (Vicki Lewis) and Mendel Craven (Malcolm Danare). Blood and giant-size footprints indicate “some sort of enormous reptile.” French secret agent Philippe Roache talks to the freighter’s only survivor, who keeps repeating, “Gojira…Gojira.” Tatopoulos et al arrive in Manhattan’s Fulton Fish Market where Godzilla surfaces, moving on to the NYC financial district where Mayor Ebert (Michael Lerner) is speaking. Ambitious Audrey Timmonds (Maria Pitillo), who works for TV news anchor Charles Caiman (Harry Shearer), is Niko’s former girlfriend, and she uses this to her professional advantage. As the wave of destruction continues, Niko and Roache track the creature through the evacuated city and discover Godzilla’s eggs about to hatch in Madison Square Garden. They are followed by Audrey and TV cameraman Victor “Animal” Palotti (Hank Azaria), and soon the hatching Godzilla offspring prowl the Garden corridors, leading to a final showdown.

A man finds himself living among the animals and enchanted spirits of the rainforest, and learns of the true consequences of human destruction in this animated adventure. Crysta (voice of Samantha Mathis) is a young fairy who is being tutored in the powers of magic by the older and wiser Magi (voice of Grace Zabriskie) in an Amazon rain forest. While their home was once on the verge of destruction thanks to the evil spirit Hexxus (voice of Tim Curry), the demon has been trapped inside a tree, and Crysta is free to play with her friends Batty Koda (voice of Robin Williams), a bat who escaped from an animal testing facility, and Pips (voice of Christian Slater), who has obvious romantic intentions toward the attractive young sprite. However, a clear-cutting crew destroys the tranquil peace of the rainforest, and when Crysta sees a runaway logging machine about to run over lumberjack Zak (voice of Jonathan Ward), she saves his life by shrinking him to her own size. However, Crysta isn’t able to bring Zak back to his normal size, so he’s forced to live among the forest creatures and learn first-hand the devastation the humans have brought to this world — especially when the loggers accidentally free Hexxus from captivity.

A overgrown mama’s boy who hasn’t found the courage to take flight from the nest gets a little help from the girl of his dreams in the one comedy that proves it’s never to late to strike out on your own. Tripp (Matthew McConaughey) may have hit 30, but that doesn’t mean that he’s ready to give up the many benefits of living at home with mom (Kathy Bates) and dad (Terry Bradshaw). His desperate parents have had enough, though, and after years of gentle nudging they soon realize that it’s going to take a concerted effort to get Tripp out and enjoy their twilight years in peace. Realizing that their only hope for ridding themselves of their reluctant-to-leave offspring rides on the off-chance of his meeting the ideal female companion, mom and dad enlist the help of a beautiful and talented woman (Sarah Jessica Parker) in providing the romantic incentive needed to finally get their son out of the family home.

The first effort from director Wes Anderson since his critically beloved The Royal Tenenbaums, The Life Aquatic With Steve Zissou finds the filmmaker re-teaming with a number of familiar faces, including Bill Murray, Owen Wilson, Anjelica Huston, and Seymour Cassel. Murray plays Steve Zissou, an eccentric and renowned oceanographer who has decided to seek out and enact mortal revenge on a shark that ate one of the men on his team. Along for the ride is Ned Plimpton (Owen Wilson), a young man who has joined Zissou’s crew after showing up claiming to be the seaman’s long-lost son and Zissou’s co-producer (and estranged wife), Eleanor Angelica Huston. As the expedition ensues, the two bond and Plimpton falls for a female journalist (Cate Blanchett) who is writing a piece on Zissou. The crew meets a host of obstacles on their journey, including pirates, kidnapping, and bankruptcy. Adding a flair of whimsy to the film’s aesthetic, the sea creatures and underwater scenes in the film have been created using stop-motion animation under the direction of Henry Selick, the man behind The Nightmare Before Christmas and James and the Giant Peach. The ensemble cast also includes Willem Dafoe, Jeff Goldblum, Michael Gambon, Noah Taylor, and Bud Cort.

Terry Gilliam (Brazil, Twelve Monkeys, The Fisher King) directed this colorful, stylized, pseudo-psychedelic $21-million adaptation of the 1971 Hunter S. Thompson classic, Fear and Loathing in Las Vegas: A Savage Journey into the Heart of the American Dream, about stoned sportswriter Raoul Duke, Thompson’s alter ego, on a wild drug-crazed road trip, a paranoid plummet into the belly of the beast, with his pal, lawyer Oscar Zeta Acosta. Originally serialized in Rolling Stone (November 1971), the book catapulted Thompson headfirst toward the Kerouac-Mailer-Capote pantheon and jump-started the entire movement of “gonzo journalism.” Carrying a suitcase of drugs, Raoul Duke (Johnny Depp with shaved pate) and his attorney Dr. Gonzo (Benicio Del Toro) drive a red convertible across the Mojave from L.A. to Vegas, where Duke has an assignment to cover the Mint 400 desert motorcycle race. As the drugs kick in, Duke ventures into voiceover, filling in the blank spots and narrative gaps. “This is not a good town for psychedelic drugs,” says Duke, but even so, they consume vast quantities, eventually escalating to ether. Duke notes that with ether “you can actually watch yourself behaving this terrible way, but you can’t control it.” The two trash their hotel room, and Gonzo goes back to L.A. Thinking the hotel room holocaust will lead to an arrest, Duke begins a drive back to L.A., but after an odd encounter with a highway patrolman (Gary Busey) and a telephone conversation with Gonzo, he returns to Vegas to cover the District Attorney Convention on Narcotics and Dangerous Drugs in the glitzy Flamingo Hotel. This time the drugged-out duo trash their Flamingo room. The crazed carnival atmosphere segues into a carney casino, Bazooko’s Circus, where a barker (Penn Jillette) spiels amid aerialists, clowns, and a rotating carousel bar. Gonzo worries over runaway teen Lucy (Christina Ricci), who paints portraits of Barbra Streisand. Soon the hallucinations begin: Duke sees Gonzo transmogrify into a demon with breasts on its back, and an acid vision of a Vegas bar features large legit lounge lizards (courtesy of monster makeup man Rob Bottin). Flashbacks depicting Duke’s intro to the drug scene jump back to love-Haight relationships in San Francisco’s Summer of Love. Cameos and guest stars include Mark Harmon, Cameron Diaz, Flea, Lyle Lovett, Harry Dean Stanton, Ellen Barkin, Tobey Maguire, and Hunter S. Thompson himself. The film features a Geffen Records soundtrack mixing rock of the period with Vegas lounge tunes. Over the years, various script adaptations came and went as did numerous talents; people connected with past efforts to film Thompson’s book include Martin Scorsese, Jack Nicholson, Dan Aykroyd, John Belushi, and writer-director Alex Cox. Shown in competition at the 1998 Cannes Film Festival.