Bovie Movie

A man with the ability to see the future and change the outcome of events before they occur is forced to choose between saving himself and saving the world in this supernatural thriller starring Nicolas Cage and directed by Lee Tamahori (Die Another Day, The Edge). Cris Johnson (Cage) is a Las Vegas magician who possesses the unique ability to witness the events of the immediate future moments before they happen. As a child Cris was subjected to a series of cruel experiments by government scientists and doctors, but a change of name and a new identity allowed the tortured psychic to elude detection and start a new life away from the prying eyes of his former captors. Though his clairvoyant vision only extends a few minutes into the future, it has still allowed Cris to eke out a living as a low-rent Las Vegas magician while earning a little extra cash at the blackjack tables. Up to this point in his life Cris has never used his power for anything substantial, but when he experiences a vision of Los Angeles being incinerated in a nuclear holocaust, the small-time magician realizes that he could hold the key to saving millions of lives. But as low as he has tried to lie in recent years, Cris has never completely escaped detection by the government. Now, as terrorists prepare to unleash the ultimate horror on an unsuspecting city, FBI counter terror agent Callie Ferris (Julianne Moore) sets out to capture Cris and convince him to use his exceptional gift to prevent the nuclear nightmare from becoming a terrifying reality. Jessica Biel, Peter Falk, and Thomas Kretschmann co-star in the film, which is based on a short story by acclaimed sci-fi author Philip K. Dick.

James Cox directs the sleazy Hollywood murder tale Wonderland, starring Val Kilmer as legendary porn star John Holmes. Using a non-linear plot structure, the film explores different perspectives of the quadruple homicide that occurred on July 1, 1981, in the Hollywood Hills. At the lowest point of his career and the height of his drug addiction, Holmes was implicated in the murders of the Wonderland gang: Ron Launius (Josh Lucas), Billy Deverell (Tim Blake Nelson), Barbara Richardson (Natasha Gregson Wagner), and Joy Miller (Janeane Garofalo). Launius’ wife, Susan (Christina Applegate), was the only survivor. Led by Detective Sam Nico (Ted Levine), the police investigation reveals a dark criminal underworld surrounding Holmes, his disapproving wife, Sharon (Lisa Kudrow), and his innocent teenage girlfriend, Dawn Schiller (Kate Bosworth). Eric Bogosian stars as notorious Hollywood nightclub owner Eddie Nash. Wonderland premiered at the 2003 Toronto Film Festival.

Love blooms for a would-be hired killer in Angel’s Dance, which blends elements of a crime thriller with black comedy. Tony (Kyle Chandler) is offered a job with a powerful Mafia family after he saves the life of the capo’s nephew, even though Tony isn’t sure he’s really interested in a life of crime. To give him a crash course in his new line of work, Tony is sent to L.A. to study with Rosellini (James Belushi), a hired killer of no small reputation. After assigning him Nietzsche as required reading and staging a few practice sessions with water pistols, Rosellini gives Tony his final homework project — pick a name at random from the phone book, find the person, and kill him or her. The name Tony comes up with is Angelica Chase (Sheryl Lee), “Angel” to her friends. Tony finds Angel just in time to interrupt her latest suicide attempt; Angel is beautiful and charming, but an emotional wreck with eccentric tastes, a caffeinated personality, and a job at a mortuary (she even lives next door). Tony is immediately infatuated and can’t bring himself to kill her, so Rosellini decides he has to take over the job, but to the surprise of everyone, Angel knows how to handle herself in a time of crisis.

David Rabe’s popular play of Hollywood immorality and decadence is brought to the big screen by director Anthony Drazan and an all-star cast that includes Sean Penn, Robin Wright-Penn, Kevin Spacey, Meg Ryan, Chazz Palminteri, Garry Shandling, and Anna Paquin. The film is set in the Hollywood Hills and tells the story of Eddie (Penn) a drinking-smoking-snorting-womanizing casting director and his philandering partner-roommate Mickey (Spacey). Along with their buddies Artie and Phil, they sit around and pontificate about the meaning of life — that is, the meaning of their lives, of which there is very little. Eddie is in love with Darlene (real-life wife Wright Penn), but she is also seeing the married Mickey. When Artie brings Eddie and Mickey a “care package” in the shape of a pretty, disillusioned hitchhiker named Donna (Paquin), they take turns throwing her around until, yet again, their own empty pathetic lives preoccupy their paranoid minds. As people and relationships deteriorate everywhere, the guys try to pick Phil by giving him the gift of a washed-up exotic dancer, Bonnie (Ryan). Of course she ends up just more abused than ever as she and the rest of the gang hit rock bottom.

Adapted from a novel by John Fante, Robert Towne’s Ask the Dust stars Colin Farrell as Arturo Bandini, a young writer who comes to Los Angeles during the Great Depression in order to write a novel. As the film opens, he is down to his last nickel and decides to spend it on coffee in a diner. He is served by Camilla (Salma Hayek), a Mexican beauty he is instantly attracted to even though he treats her horribly during their first interaction. Soon the pair is involved in a relationship that finds them sparring with each other at first, but slowly learning to trust each other. Bandini meets the acquaintance of a desperate woman who sees him as the most desirable man in the world. Eventually Arturo and Camilla get away from the city and their love deepens as he attempts to finish his novel. Donald Sutherland co-stars as a seedy but helpful and loyal neighbor.

A reporter unexpectedly gets a personal perspective on a legendary show-business story in this adaptation of Rupert Holmes’ novel, scripted and directed by noted Canadian independent filmmaker Atom Egoyan. In the mid-’50s, Lanny Morris (Kevin Bacon) and Vince Collins (Colin Firth) were a wildly popular comedy team who suddenly and unexpectedly broke up at the peak of their popularity. Fifteen years after Morris and Collins called it quits, journalist Karen O’Connor (Alison Lohman), who has earned a reputation for her celebrity expos?s, wants to write about the true story of what happened with Morris and Collins — and to her surprise, her publisher tells her Collins has agreed to co-author the book for a cool million dollars. The only catch is that Collins has to tell the full truth about a very large skeleton in the team’s closet — a beautiful naked woman was found drowned in the bathtub of Morris and Collins’ hotel suite shortly before they broke up the act, and while the comics were cleared of any wrongdoing, rumors about the incident followed them for years. As O’Connor and Collins complete their book, they learn to their surprise that Morris has opted to write a book of his own about the team’s career; eager to learn what Morris has to say, O’Connor meets him posing as a schoolteacher, and soon falls into an unexpected romantic relationship with him. O’Connor soon finds herself playing two sides against one another as she tried to learn the truth about two men with dark and scandalous pasts. Where the Truth Lies became the subject of unexpected controversy when the MPAA gave the film an NC-17 rating due to a brief scene involving a m?nage ? trois; the film earned significantly more lenient rating in other countries.

David Lynch wrote and directed this look at two women who find themselves walking a fine line between truth and deception in the beautiful but dangerous netherworld of Hollywood. A beautiful woman (Laura Elena Harring) riding in a limousine along Los Angeles’ Mulholland Drive is targeted by a would-be shooter, but before he can pull the trigger, she is injured when her limo is hit by another car. The woman stumbles from the wreck with a head wound, and in time makes her way into an apartment with no idea of where or who she is. As it turns out, the apartment is home to an elderly woman who is out of town, and is allowing her niece Betty (Naomi Watts) to stay there; Betty is a small-town girl from Canada who wants to be an actress, and her aunt was able to arrange an audition with a film director for her. Betty befriends the injured woman, who begins calling herself “Rita” after seeing a poster of Rita Hayworth. While Betty’s audition impresses a casting agent, and she catches the eye of hotshot director Adam Kesher (Justin Theroux), Kesher’s producers and moneymen insist with no small vehemence that he instead cast a woman named Camilla Rhodes. As Rita attempts to put the pieces of her life back together, she pulls the name Diane Selwyn from her memory; Rita thinks it could be her real name, but when she and Betty find a listing for Diane Selwyn and visit her apartment, they discover the latest victim of a mysterious killer who is eluding police detective Harry McKnight (Robert Forster). Rita’s emotional identity soon takes a left turn, and it turns out that neither woman is quite who she once appeared to be. David Lynch originally conceived Mulholland Drive as the pilot film for a television series; after the ABC television network rejected the pilot and declined to air it, the French production film StudioCanal took over the project, and Lynch reshot and re-edited the material into a theatrical feature. The resulting version of Mulholland Drive premiered at the 2001 Cannes Film Festival, where David Lynch shared Best Director honors with Joel Coen.

Steve Martin wrote the screenplay and served as co-producer for this screen adaptation of his short novel, which takes a witty but bittersweet look at a young woman and the two men involved with her. Mirabelle Buttersfield (Claire Danes) is an aspiring artist in her mid-twenties who, after graduating from college, moved to Los Angeles, where she works at the glove counter of an upscale department store. Mirabelle’s job is simple and not demanding, but it doesn’t pay especially well, and she finds herself struggling to get out from under a growing mountain of debt from student loans and credit cards. One night, while doing her laundry, Mirabelle meets Jeremy (Jason Schwartzman), a scruffy but likable would-be musician who makes ends meet selling guitar amps. While Jeremy is obviously infatuated with Mirabelle, she isn’t sure how she feels about him, especially after she meets Ray Porter (Steve Martin), a man in his fifties whom she meets at the store. Ray is independently wealthy, intelligent, and charming, and after asking her out on a date he sweeps her off her feet. However, while Mirabelle quickly falls for Ray and he’s generous to a fault with her, he refuses to commit exclusively to her and suggests they should both see other people, a prospect that no longer holds much appeal for her. Shopgirl received its world premiere at the 2005 Toronto Film Festival.

A taxi driver is unexpectedly taken on the ride of his life in this stylish thriller from acclaimed director Michael Mann. Max (Jamie Foxx) is a cab driver who hopes to some day open his own limo company; one night behind the wheel begins promisingly when he picks up Annie (Jada Pinkett Smith), an attorney working with the federal government who is attractive, friendly, and gives him her business card after paying her fare. Max thinks his luck is getting even better when his next fare, Vincent (Tom Cruise), offers him several hundred dollars in cash if he’ll be willing to drop him off, wait, and pick him up at five different spots over the course of the evening. Max agrees, but he soon realizes Vincent isn’t just another guy with errands to run — Vincent is an assassin who has been paid to murder five people who could put the leaders of a powerful drug trafficking ring behind bars in an upcoming trial. As circumstances force Max to do Vincent’s bidding, the cabbie has to find a way to prevent Vincent from killing again and save his own skin, a task that becomes especially crucial when he discovers Annie is one of the names on Vincent’s hit list. Collateral also stars Mark Ruffalo, Peter Berg, and Bruce McGill as police detectives hot on Vincent’s trail.

Cute but geeky high-school student Samantha Martin (Hilary Duff) is knocked off her feet by her father’s untimely death, which leaves his diner and Samantha’s well-being in the care of Fiona (Jennifer Coolidge), Sam’s thoroughly wicked stepmother. Not one to take on such menial tasks as dishwashing and mopping floors, Fiona exploits Sam’s dependence as a method of hoisting any dirty work off her own shoulders. School is hardly a break for Samantha, particularly when Shelby (Julie Gonzalo) is around; spoiled, wealthy, and popular, Shelby treats Samantha nearly as badly as Fiona does. Samantha’s life is irrevocably changed, however, by two events: a makeover of epic proportions and a sudden electronic correspondence with a mysterious young man. Due to a misplaced cell phone and a series of fateful coincidences, Samantha and her Prince Charming develop a romance through text messages and e-mails, and ultimately promise to meet face-to-face at the biggest school dance of the year. Of course, getting there doesn’t go smoothly, and Samantha may miss her chance to meet her dream date — none other than Austin (Chad Michael Murray), the most popular boy in school.