Bovie Movie

James Mangold’s Walk the Line tells the life story of country music legend Johnny Cash (Joaquin Phoenix), focusing primarily on the long courtship he had with June Carter (Reese Witherspoon). The film is structured as an extended flashback opening with Cash readying to take the stage at his historic Folsom Prison Concert. The film touches on his childhood, relating a horrific early incident from his life and establishing the troubled relationship he would have with his father (Robert Patrick). Cash joins the military and leaves home. During his time in the armed services he begins writing songs and romances a hometown girl (Ginnifer Goodwin). After the end of his duty he settles down and attempts to begin a music career, but his wife has trouble adjusting to his dreams. Cash auditions for Sam Phillips (Dallas Roberts), signs to Sun Records, and soon finds himself on tour with a roster of young soon to be legends that includes Elvis Presley (Tyler Hilton) and Jerry Lee Lewis (Waylon Malloy Payne). On this tour he meets June Carter, the daughter of the famous Carter family, and they take a liking to each other although she refuses any serious advances from him. Cash gains world wide fame thanks in part to the inspiration he gets from June, but eventually his marriage crumbles and he develops a serious drug addiction. The film is based on Cash’s autobiographies. Phoenix and Witherspoon performed all of their own singing in the movie, just as Sissy Spacek and Beverly D’Angelo did in Coal Miner’s Daughter a quarter-century before.

Directed by Michael Mayer and based on The Hours author Michael Cunningham’s novel of the same name, A Home at the End of the World chronicles the 1980s reunion of childhood best friends Bobby (Colin Farrell) and Jonathan (Dallas Roberts). Where they were once best pals — and teenage lovers — in the suburbs of Cleveland, Bobby has become a charismatic but go-nowhere heterosexual slacker, and Jonathan is now living as an openly gay man in New York City, hoping to serve as father to his eccentric roommate Clare’s (Robin Wright Penn) child. When Bobby impulsively moves to the city to be closer to his former friend, their bonds are tested sooner than anyone would have thought. Bobby falls for Clare, and in doing so, effectively eliminates what would have been Jonathan’s position in the baby’s life. Jonathan temporarily takes off; when his father dies, and he attends the Arizona funeral, Bobby and Clare unexpectedly turn up with the news that she’s expecting. Despite the still-existent tensions, the trio becomes a family unit among themselves, ultimately buying a house in Woodstock, Upstate New York, where they all move together, challenging traditional notions of family, commitment, love, and devotion.

After years of wooing director John Huston via good reviews, film critic James Agee was given a chance to write the screenplay for a Huston picture. Adapted from a novel by C.S. Forester, The African Queen stars Humphrey Bogart in his Oscar-winning portrayal of Charlie Allnut, the slovenly, gin-swilling captain of a tramp steamer called the African Queen, which ships supplies to small East African villages during World War I. Katharine Hepburn plays Rose Sayer, the maiden-lady sister of a prim British missionary (Robert Morley). When invading Germans kill the missionary and level the village, Allnut offers to take Rose back to civilization. She can’t tolerate his drinking or bad manners; he isn’t crazy about her imperious, judgmental attitude. However it does not take long before their passionate dislike turns to love. Together the disparate duo work to ensure their survival on the treacherous waters and devise an ingenious way to destroy a German gunboat. The African Queen may well be the perfect adventure film, its roller-coaster storyline complemented by the chemistry between its stars. The profound difficulties inherent in filming on location in Africa have been superbly documented by several books, including one written by Katharine Hepburn. Screenwriter Peter Viertel (who worked, on an uncredited basis, on the script of this film - assisting with some of the dialogue) incorporated some of the African Queen anecdotes in his roman a clef about a Huston-like director/adventurer, White Hunter, Black Heart.

A teenage girl learns that reaching for your dreams isn’t always easy in this heartfelt drama with music. Terri Fletcher (Hilary Duff) is a small-town girl with a great love of music and a fine singing voice. Already one of the lead vocalists in her church choir, Terri has also appeared at local nightspots with some help from her older brother. When he tragically dies in an auto accident, Terri becomes all the more determined to make the most of her talent, and she’s elated when she’s accepted as part of a summer study program at one of California’s most prestigious music schools; however, Terri attends over the stern objections of her father. As she tries to hold together her relationship with her family, she finds herself falling for one of her fellow students, Jay (Oliver James), and competing for attention against dozens of kids whose talent rivals her own. Raise Your Voice also features Jason Ritter, Rebecca De Mornay, Rita Wilson, David Keith, and John Corbett.

An overheard conversation leads a woman into a dark world of deadly intrigue in this political thriller. Silvia Broome (Nicole Kidman) is an African ?migr? who works as an interpreter at the United Nations. One of the languages she understands is Ku, a dialect spoken in her home country of Matobo. One day, as the General Assembly auditorium is being evacuated for a routine security sweep, Broome overhears a man speaking in Ku, who makes a cryptic statement that could be interpreted as a threat against the life of Zuwanie (Earl Cameron), Matobo’s controversial ruler. Secret Service agent Tobin Keller (Sean Penn) is brought in to investigate Broome’s story, and it isn’t long before he’s convinced that she knows more than she’s willing to tell. As Keller and his partner, Dot Woods (Catherine Keener), dig deeper into Broome’s story as well as her past, they discover a shocking tale of violence and corruption tied to Zuwanie’s regime. The Interpreter was directed by Sydney Pollack, who also appears in a brief supporting role.

Oceanic wise guys meet up with a small fish who has a big attitude in this computer-animated comedy. Don Lino (voice of Robert De Niro) is the patriarch of a family of sharks who lord over a bustling aquatic community based along a massive underwater reef. Don Lino has two sons, Frankie (voice of Michael Imperioli) and Lenny (voice of Jack Black); Frankie is a carnivorous tough guy who takes after his father, but Lenny is, at heart, a kind soul who has earned the ire of his dad by becoming a vegetarian. One of Don Lino’s cronies is Sykes (voice of Martin Scorsese), who runs a “whale wash” where Oscar (voice of Will Smith) scrubs aquatic mammals for a living. Oscar is a small but ambitious fish who dreams of making something of himself, and when a dropped anchor accidentally kills Frankie, Oscar is suddenly (if mistakenly) celebrated as “the shark killer.” Oscar’s overnight fame attracts the attentions of Lola (voice of Angelina Jolie), a slinky dragon fish who woos Oscar away from his steady date, Angie (voice of Ren?e Zellweger); however, Oscar strikes up a friendship with Lenny and has to decide what to do when Don Lino and Sykes decides it’s time to “take care” of the “different” shark. Also popping up in Shark Tale’s all-star voice cast are Peter Falk, Vincent Pastore, Ziggy Marley, and Katie Couric.

In this belated prequel to director Brian De Palma’s 1993 crime drama, gangster Carlito Brigante (Jay Hernandez) rises through the ranks of the New York underworld to establish himself as Spanish Harlem’s most powerful kingpin. As the intoxication of ultimate power tightens its firm grip on the rising heroin czar, he soon learns that greed and deception are the unspoken laws of the street. With no one to trust except for his two brothers in crime, Carlito begins building an empire founded on supplying the city’s addicts with the one product that is always in demand. His dreams of ruling the city finally becoming a reality, Carlito soon learns that the only way to sustain his power is through loyalty and respect. Adapted from author Edwin Torres’ acclaimed novel, Carlito’s Way: Rise to Power also stars Mario Van Peebles, Luis Guzm?n, and Sean Combs.

The tragic aftermath of human carelessness travels around the world in this multi-narrative drama from filmmaker Alejandro Gonz?lez I??rritu. Richard (Brad Pitt) and Susan (Cate Blanchett) are a couple from the United States who have traveled to Morocco in Northern Africa on a vacation after the death of one of their children has sent Susan into a deep depression. Richard and Susan’s other two children have been left in the care of Amelia (Adriana Barraza), their housekeeper. Amelia is originally from Mexico, and her oldest son is getting married in Tijuana. Unable to find someone who can watch the kids, or to obtain permission to take the day off, Amelia takes the children with her as she travels across the border for the celebration. Around the same time, in Morocco a poor farmer buys a hunting rifle, and he gives it to his sons to scare off the predatory animals that have been thinning out their goat herd. The boys decide to test the weapon’s range by shooting at a bus far away; the shot hits Susan in the shoulder, and soon she’s bleeding severely, while police are convinced the attack is the work of terrorists. In Japan, Chieko (Rinko Kikuchi) is a teenage deaf-mute whose mother recently committed suicide. This despairing, confused girl experiences such rage and frustration that she causes her volleyball team to lose a match, and later yanks her underwear off and begins exposing herself to boys in a crowded restaurant. Chieko’s father then struggles to reach past the emotional distance which separates him and his daughter. Babel earned Alejandro Gonz?lez I??rritu the prize for Best Director at the 2006 Cannes Film Festival.

Directed by the prolific Rob Zombie, The Devil’s Rejects is a sequel of sorts to 2003’s House of 1000 Corpses, and picks up several weeks after House left off. This time, the clash revolves around the tribe of violent lunatics and decidedly valueless family members of the original film, who have come to be known as the “Devil’s Rejects.” After learning of the extended family’s horrific attacks, a SWAT team is sent to take them into custody; all but their crazed Mama escape. In addition to creating a full-fledged media circus, this sends the sociopath housemates on the run, and they initiate a deadly road trip. Meanwhile, Mama has to deal with a violent, vengeful sheriff (William Forsythe). The Devil’s Rejects features Bill Moseley, Sid Haig, Sheri Moon, Michael Berryman, and Ken Foree, among other cult horror regulars.

Tom Jones director Tony Richardson might seem a curious choice to direct the contemporary western The Border, but he does his best to emulate Sam Peckinpah. Jack Nicholson stars as an El Paso border guard, saddled with avaricious wife Valerie Perrine. Hoping to stifle her nagging about money matters, Nicholson begins accepting payoffs to allow Mexican aliens to cross the border without interference. This leads to a relationship with a young Mexican mother Elpidia Carillo. Harvey Keitel and Warren Oates lend strong support to this atmospheric tale.