Bovie Movie

Five men desperately try to recover their memories and piece together the traumatic events of the past several days in this independent thriller. In an abandoned warehouse, a handful of men slowly regain consciousness, but they’ve been stricken with amnesia and have no idea who they are, where they are, or what has happened to them. All five seem to have been in some sort of serious scuffle; one is tied up (Joe Pantoliano), another has been handcuffed (Jeremy Sisto), a third has a broken nose (Greg Kinnear), and the other two have their share of scrapes and bruises (Jim Caviezel and Barry Pepper). As the men compare the tiny shards of memory they can pull from their minds, one finds a newspaper from two days before which features a front-page story about the kidnapping of a wealthy and well-known businessman. The men begin to suspect that they were involved with the kidnapping, but no one is sure if they’re on the right or wrong side of the law – or if one of them might happen to be the victim. The first feature film from veteran music video director Simon Brand, Unknown also stars Peter Stormare, Bridget Moynahan and Clayne Crawford.

Directed by Clint Eastwood, the mysterious drama Mystic River is based on the novel by Dennis Lehane and adapted by screenwriter Brian Helgeland. Set in an Irish neighborhood in Boston, Jimmy, Sean, and Dave are three childhood friends who are reunited after a brutal murder takes place. Reformed convict Jimmy Markum (Sean Penn) and his devoted wife Annabeth (Laura Linney) find out that their teenage daughter Katie (Emmy Rossum) has been beaten and killed. Jimmy’s old friend Sean Devine (Kevin Bacon) is the homicide detective assigned to the case, along with partner Whitey Powers (Laurence Fishburne). Jimmy also gets his relatives, the Savage brothers (Adam Nelson and Robert Wahlberg), to conduct an investigation of their own. Jimmy and Sean both start to suspect their old pal, Dave Boyle (Tim Robbins), who lives a quiet life with his wife Celeste (Marcia Gay Harden) but harbors some disturbing secrets. Clint Eastwood won a Golden Coach for Mystic River at the 2003 Cannes Film Festival.

A group of close female friends on a yearly adventure vacation find themselves trapped and hunted in a series of caves by an unknown force that lurks in the shadows in The Descent, the second horror feature from Dog Soldiers writer/director Neil Marshall. After suffering a devastating car crash one year before, Sarah (Shauna Macdonald) is lured to the States with her friend Beth (Alex Reid) to a special spelunking trip by the fearless Juno (Natalie Mendoza), who abruptly fled from the U.K. after Sarah’s accident. Along with two old friends and a new acquaintance of Juno’s, the group embark on a cave expedition that takes a turn for the worse after a rock fall leaves them stranded in an uncharted cave with no map and only a handful of supplies to last them the rest of the trip. As tensions arise in the group, they are faced with another danger — one whose love of the dark is as strong as its lust for blood. Opening to rave reviews in the U.K. in July of 2005, the creature-feature went on to show at the Venice Film Festival and garnered the top prize for Euro feature at Sweden’s Fantastic Film Festival. The Descent was picked up for future U.S. distribution by Lion’s Gate, whose work was cut out for them considering the tame opening of the similarly-themed stateside production of The Cave in late-August of the same year.

In this multiple Oscar-winning thriller, Jodie Foster stars as Clarice Starling, a top student at the FBI’s training academy whose shrewd analyses of serial killers lands her a special assignment: the FBI is investigating a vicious murderer nicknamed Buffalo Bill, who kills young women and then removes the skin from their bodies. Jack Crawford (Scott Glenn) wants Clarice to interview Dr. Hannibal Lecter (Anthony Hopkins), a brilliant psychiatrist who is also a violent psychopath, serving life behind bars for various acts of murder and cannibalism. Crawford believes that Lecter may have insight into this case and that Starling, as an attractive young woman, may be just the bait to draw him out. Lecter does indeed know something of Buffalo Bill, but his information comes with a price: in exchange for telling what he knows, he wants to be housed in a more comfortable facility. More important, he wants to speak with Clarice about her past. He skillfully digs into her psyche, forcing her to reveal her innermost traumas and putting her in a position of vulnerability when she can least afford to be weak. The film mingles the horrors of criminal acts with the psychological horrors of Lecter’s slow-motion interrogation of Clarice and of her memories that emerge from it.

Based on the best-selling novel by James Ellroy, this award-winning crime drama explores both the dark side of the Los Angeles police force and Southern California’s criminal underbelly in the early ’50s, when Hollywood was still seen as America’s capital of sophistication, glitter, and glamour. Dudley Smith (James Cromwell) is the head of the LAPD and is loyal to his officers and eager to turn a blind eye to violence or corruption within his department, as long as it’s the “bad guys” who are getting hurt. Bud White (Russell Crowe) is a police detective whose violent and cynical nature is often at war with his basic sense of decency and justice. Ed Exley (Guy Pearce) is a beat cop-turned-detective whose strict by-the-book philosophy and willingness to blow the whistle on other officers is balanced by a shrewd and opportunistic understanding of the internal politics of the department. And Jack Vincennes (Kevin Spacey) is a flashy “Hollywood” detective who serves as technical advisor for the TV series Badge of Honor. He is also in cahoots with Sid Hudgeons (Danny DeVito), publisher of the scandal sheet Hush Hush, who throws kickbacks to Vincennes in exchange for being brought along when showbiz figures get busted. White, Exley, and Vincennes find themselves drawn into a tangled and sticky web of violence and betrayal following a multiple murder at a coffee shop that is believed to be part of an effort by Mickey Cohen (Paul Guilfoyle) to consolidate his hold on organized crime in L.A. This lead appears to be connected to the discovery of a bizarre pornography and call-girl ring operated by Pierce Patchett (David Strathairn), whose women are given plastic surgery so that they more closely resemble well-known movie stars. White’s role in the investigation is complicated when he falls for Lynn Bracken (Kim Basinger), one of Patchett’s prostitutes, who is the spitting image of Veronica Lake. L.A. Confidential was nominated for nine Academy Awards and won two, with Curtis Hanson (who directed) and Brian Helgeland honored for Best Adapted Screenplay and Kim Basinger taking home a statuette as Best Supporting Actress.

The time is the 1950s: seedy Brooklyn private eye Harry Angel (Mickey Rourke) is hired by shady Louis Cyphre (Robert De Niro) to locate a pop singer who reneged on a debt. Harry ventures into Harlem, the first step of a Heart of Darkness-inspired odyssey. Each time Harry makes contact with someone who might know the singer’s whereabouts, he or she is killed in a horrible, ritualistic fashion; a Satanic cult seems to be at the bottom of all the carnage. Harry solves the mystery, all right. He just didn’t know that he had the answer all along — even before Louis entered his office. Also available in the “unrated” video version, Angel Heart is best known as the film that nearly got an X-rating due to a no-holds-barred sex scene involving Mickey Rourke and Lisa Bonet.

Two generations of a damaged family are brought together in this emotional drama. Einar Gilkyson (Robert Redford) was a once successful rancher whose spread went to seed after he developed a serious drinking problem. Now on the wagon, Einar looks after what’s left of his spread with his friend Mitch (Morgan Freeman), a one-time cowhand who never fully recovered after being mauled by a bear. Einar once had a son named Griffin, but he died in a car wreck while Griffin’s wife, Jean (Jennifer Lopez), was driving; Einar never forgave her for the death, and he had never met the granddaughter she was carrying until she arrived at his doorstep 11 years later. Jean has become involved with a violent man named Gary (Damian Lewis), and seeks refuge on Einar’s ranch for the safety of her daughter, Griff (Becca Gardner). Einar reluctantly takes in Jean and Griff, giving them a place to stay as Jean looks for work and tries to put her life back together. But old trouble makes its way back to town in two ways — Gary tracks down Jean and wants to make her pay for leaving him, while the bear who attacked Mitch comes down from the mountains looking for new prey. An Unfinished Life was adapted from the novel of the same name by Mark Spragg.

In Bernardo Bertolucci’s art-house classic, Marlon Brando delivers one of his characteristically idiosyncratic performances as Paul, a middle-aged American in “emotional exile” who comes to Paris when his estranged wife commits suicide. Chancing to meet young Frenchwoman Jeanne (Maria Schneider), Paul enters into a sadomasochistic, carnal relationship with her, indirectly attacking the hypocrisy all around him through his raw, outrageous sexual behavior. Paul also hopes to purge himself of his own feelings of guilt, brilliantly (and profanely) articulated in a largely ad-libbed monologue at his wife’s coffin. If the sexual content in Last Tango is uncomfortably explicit (once seen, the infamous “butter scene” is never forgotten), the combination of Brando’s acting, Bertolucci’s direction, Vittorio Storaro’s cinematography, and Gato Barbieri’s music is unbeatable, creating one of the classic European art movies of the 1970s, albeit one that is not for all viewers.