Bovie Movie

In this action-horror flick from director Robert Rodriguez and screenwriter Quentin Tarantino, Tarantino stars with George Clooney as a pair of bad-to-the-bone brothers named Seth and Richie Gecko. After a string of robberies that left a river of blood in the Geckos’ wake, the sadistic siblings head to Mexico to live the good life. To get over the border, they kidnap Jacob Fuller, a widowed preacher played by Harvey Keitel, and his two children, Kate (Juliette Lewis) and Scott (Ernest Liu). Once south of the border, the quintet park their RV at a rough-and-tumble trucker bar called The Titty Twister, where Seth and Richie are supposed to meet a local thug. After a couple of drinks, they realize that they’re not in a typical bar, as the entire place begins to teem with vicious, blood-sucking vampires. With the odds stacked greatly against them, the Fullers and Geckos team together in hopes of defeating the creatures of the night. Makeup artist Tom Savini and blaxploitation star Fred Williamson appear as allies against the vampires, and Cheech Marin fills three different roles.

Her faith shaken by a family tragedy from which she was never quite able to fully recover, a professor of theology from Louisiana State University moonlighting as a debunker of unexplained religious phenomena finds herself faced with an apocalyptic series of events that seem to reflect the ten plagues of Exodus in director Stephen Hopkins’ Southern gothic chiller. The terrified citizens of Haven, Louisiana have been beset by swarms of locusts and watched as rivers turned to blood. As if that wasn’t enough to put the fear of God into any Bible-reading Christian, ominous rumors of a local swamp cult have left many of the small town citizens turning to prayer for fear that the end is finally nigh. Enter Katherine Winter (Hilary Swank), a skeptical myth-buster and renowned theology scholar with a special knack for spotting religious trickery. Though at first exceedingly confident that she will uncover a human component behind the otherworldly occurrences, Katherine quickly learns that just because one doesn’t believe in the supernatural doesn’t necessarily mean that it doesn’t exist.

Director Kenneth Branagh’s interpretation of Mary Shelley’s classic horror novel stars Robert DeNiro as a terrifying monster created in an obsessive attempt to defeat death and stretch the limits of medicine in the early 19th century. With the use of flashback, a dying Dr. Viktor Frankenstein (Kenneth Branagh) divulges a tale of gruesome terror to a sea captain (Aidan Quinn): As a medical student, the rebellious Frankenstein elaborates on the work of a brilliant scientist (John Cleese), successfully bringing to life a “man” assembled from the body parts of corpses. Upon realizing the destructive consequences of his experiment, Dr. Frankenstein abandons the creature and attempts to return to a normal life with his medical partner, Henry (Tom Hulce), and his fiancée (and adopted sister), Elizabeth (Helena Bonham Carter). In the meantime, the nameless creature struggles with loneliness and rejection from society until he sets out to track down his creator in search of one of two things: a bride to keep him company or revenge. Mary Shelley’s Frankenstein (1994) was produced by Francis Ford Coppola, who previously directed and produced monster-drama Bram Stoker’s Dracula (1992).

Following the smash hit The Sixth Sense (1999) and the under-performing follow-up Unbreakable (2000), directing phenom M. Night Shyamalan returns to the summer box office landscape that served as the backdrop for his cinematic breakthrough. In Signs, another paranormal outing for the writer-director, Shyamalan explores the eerie implications of a 500-foot crop circle that mysteriously appears on the Bucks County, PA farm of reverend Graham Hess (Mel Gibson). As Hess and his family (Joaquin Phoenix, Rory Culkin, Abigail Breslin) try to take stock of what the sign means, and how its message incorporates into their faith, they start to get the feeling they are not alone in the fields behind their house. Shyamalan re-teams with producers Frank Marshall, Sam Mercer and Kathleen Kennedy, and produces the project in association with his Blinding Edge Pictures banner and Touchstone Pictures.

Few famous novels have been filmed as often as Alexandre Dumas’ The Count of Monte Cristo–and few versions are as enjoyable as this 1934 adaptation starring Robert Donat. Donat plays Edmond Dantes, wrongly accused of a plot against the post-Napoleonic French government. Condemned to a prison cell in the impenetrable Chateau D’If, Dantes vows vengeance against the four conspirators who framed him. He is particularly anxious to give his ex-friend Mondego (Sidney Blackmer) his comeuppance, since it was Mondego who married Dantes’ fiancee Mercedes (Elissa Landi). Twelve years pass; with the help of ancient fellow prisoner Abbe Foria (O.P. Heggie), Dantes digs his way out of the Chateau D’If and escapes. He finds the treasure of Monte Cristo, which makes him the wealthiest man in the world. He uses his riches to put his plan of revenge into motion, methodically destroying every one of his enemies. Though he lives for vengeance, Dantes–alias the Count of Monte Cristo–has his humanity restored by the love of Mercede, who despite her marriage has always remained spiritually faithful to him. According to publicity, the 1955 TV series based on The Count of Monte Cristo was filmed on the standing sets from the 1934 film. This might well have been true, since both film and series were produced by Edward Small.