Bovie Movie

Director Alex Proyas (Dark City, The Crow) helmed this sci-fi thriller inspired by the stories in Isaac Asimov’s nine-story anthology of the same name. In the future presented in the film, humans have become exceedingly dependent on robots in their everyday lives. Robots have become more and more advanced, but each one is preprogrammed to always obey humans and to, under no circumstances, ever harm a human. So, when a scientist turns up dead and a humanoid robot is the main suspect, the world is left to wonder if they are as safe around their electronic servants as previously thought. Will Smith stars as Del Spooner, the robot-hating Chicago cop assigned to the murder investigation. Bridget Moynahan, Bruce Greenwood, James Cromwell, and Chi McBride also star.

Twenty-two people become unwitting participants in a tragic and defining moment of the 1960’s in this period drama from actor and director Emilio Estevez. It’s early June in 1968, and the California presidential primary elections are occupying the minds of many in the Golden State, with Robert F. Kennedy in a close race against Eugene McCarthy and Hubert Humphrey. The Kennedy campaign staff has set up camp at the Ambassador Hotel in Los Angeles, while the staff and guests become observers as the brother of fallen president John F. Kennedy sets out to pick up where his sibling left off. Paul (William H. Macy) is the manager of the Ambassador, and his wife Miriam (Sharon Stone) is a hairdresser who runs’s the hotel’s beauty salon. Angela (Heather Graham) is a receptionist working the hotel’s switchboard who has been sleeping with Paul behind Miriam’s back. Timmons (Christian Slater) is in charge of the hotel’s restaurant and catering department, and makes no secret of his dislike of the African-Americans and Latinos under his employ. Miguel (Jacob Vargas) and Jose (Freddy Rodriguez) are two young Chicanos on the kitchen staff who have it in for Timmons, while Robinson (Laurence Fishburne) is an older black man who counsels them on dealing with their rage. Virginia Fallon (Demi Moore) sings in the hotel’s cocktail lounge and has a serious problem with alcohol; her husband Tim (Emilio Estevez) is a Kennedy supporter and also her manager, and he’s nearing the end of his rope in dealing with her problem. William (Elijah Wood) is a young man desperate to avoid being drafted and sent to Vietnam; Diane (Lindsay Lohan) is a pretty young woman dating William’s brother who agrees to marry him so William can avoid being drafted, though William is clearly infatuated with her while she considers this a marriage in name only. John Casey (Anthony Hopkins) is one of the owners of the Ambassador, and Nelson (Harry Belafonte) is an old friend who works at the hotel. And Jack (Martin Sheen) is a wealthy Kennedy campaign financier who is married to Samantha (Helen Hunt), an attractive but much younger woman. Bobby also features Joshua Jackson, Nick Cannon and Shia LaBeouf as young Kennedy campaign volunteers, while Ashton Kutcher, Joy Bryant, Kip Pardue and Mary Elizabeth Winstead also highlight the supporting cast.

Dan Brown’s controversial best-selling novel about a powerful secret that’s been kept under wraps for thousands of years comes to the screen in this suspense thriller from director Ron Howard. The stately silence of Paris’ Louvre museum is broken when one of the gallery’s leading curators is found dead on the grounds, with strange symbols carved into his body and left around the spot where he died. Hoping to learn the significance of the symbols, police bring in Sophie Neveu (Audrey Tautou), a gifted cryptographer who is also the victim’s granddaughter. Needing help, Sophie calls on Robert Langdon (Tom Hanks), a leading symbologist from the United States. As Sophie and Robert dig deeper into the case, they discover the victim’s involvement in the Priory of Sion, a secret society whose members have been privy to forbidden knowledge dating back to the birth of Christianity. In their search, Sophie and Robert happen upon evidence that could lead to the final resting place of the Holy Grail, while members of the priory and an underground Catholic society known as Opus Dei give chase, determined to prevent them from sharing their greatest secrets with the world. Also starring Ian McKellen, Jean Reno, and Alfred Molina, The Da Vinci Code was shot on location in France and the United Kingdom; the Louvre allowed the producers to film at the famous museum, but scenes taking place at Westminster Abbey had to filmed elsewhere when church officials declined permission.

Love, treachery, and broken furniture are the hallmarks of this rollicking action drama. Dalton (Patrick Swayze) has a Ph.D., but rather than make a living teaching Socrates at some university, he’s opted to become a top-drawer “cooler” — an expert barroom bouncer who can break up fights without getting himself killed in the process. Dalton is hired to keep the peace at the Double Duce, a rough-and-tumble honky tonk in Jasper, Missouri, where beer-soaked free-for-alls are a nightly event. Dalton is hurt on his first night on the job, and he is patched up by “Doc” Clay (Kelly Lynch), a beautiful woman working as the town’s physician. Dalton and Doc immediately hit it off, but Dalton learns that another man, Brad Wesley (Ben Gazzara), already has his eye on her. Wesley is a man used to getting his way; he’s an extortionist and crime boss who has nearly everyone in Jasper under his thumb, and he sets out to teach Dalton a lesson, while Dalton is determined to clean up the town like he breaks up brawls at the Double Duce. Sam Elliott plays Dalton’s mentor Wade, and Red West, a one-time member of Elvis Presley’s “Memphis Mafia,” appears as Webster; Canadian blues-rock guitarist Jeff Healey leads the Double Duce house band.

This crowd-pleasing medieval adventure tale is very loosely inspired by Geoffrey Chaucer’s The Canterbury Tales and mixes the anachronistic elements of modern-day rock music and colloquialisms with a period setting and characters. Heath Ledger stars as William Thatcher, a low-born 14th century squire who, in a fit of inspired spontaneity, replaces his deceased employer as the competitor at a jousting competition. Jousting is a pastime only permitted to knights, who are of noble birth, but Thatcher wins and decides to continue his new pursuits. With the help of his two fellow squire friends Wat and Roland (Alan Tudyk and Mark Addy) and none other than the gambling-addicted Geoffrey Chaucer (Paul Bettany), Thatcher has soon adopted a false identity and is winning one joust after another on his way to a championship in London. His victories inspire the affection of a female fan, Jocelyn (Shannyn Sossamon), and the ire of a competitor, Count Adehmar (Rufus Sewell), but Thatcher’s ruse is threatened with exposure. A Knight’s Tale is the sophomore directorial effort of acclaimed screenwriter Brian Helgeland, who won an Oscar for his work on L.A. Confidential (1997) and debuted behind the camera with the troubled production of Payback (1999).

Directed by Michael Mayer and based on The Hours author Michael Cunningham’s novel of the same name, A Home at the End of the World chronicles the 1980s reunion of childhood best friends Bobby (Colin Farrell) and Jonathan (Dallas Roberts). Where they were once best pals — and teenage lovers — in the suburbs of Cleveland, Bobby has become a charismatic but go-nowhere heterosexual slacker, and Jonathan is now living as an openly gay man in New York City, hoping to serve as father to his eccentric roommate Clare’s (Robin Wright Penn) child. When Bobby impulsively moves to the city to be closer to his former friend, their bonds are tested sooner than anyone would have thought. Bobby falls for Clare, and in doing so, effectively eliminates what would have been Jonathan’s position in the baby’s life. Jonathan temporarily takes off; when his father dies, and he attends the Arizona funeral, Bobby and Clare unexpectedly turn up with the news that she’s expecting. Despite the still-existent tensions, the trio becomes a family unit among themselves, ultimately buying a house in Woodstock, Upstate New York, where they all move together, challenging traditional notions of family, commitment, love, and devotion.

Homer’s sprawling tale of love and war in ancient Greece comes to the screen in all its grandeur in this epic-scale adventure. In 1193 B.C., Paris, Prince of Troy (Orlando Bloom), has fallen in love; however, the beautiful woman who has beguiled him is Helen, Queen of Sparta (Diane Kruger), who is wed to King Menelaus (Brendan Gleeson). While Helen is hardly immune to Paris’ charms, this doesn’t blunt Menelaus’ fury when Paris steals her away from him. Menelaus’ brother Agamemnon (Brian Cox), the power-hungry king of the Mycenaeans, is eager to expand his empire through Troy to the lands of the Aegean Sea, and he uses Paris’ romantic slight against Menelaus as an excuse to wage an all-out war against the great walled city. Priam, King of Troy (Peter O’Toole), summons his armies, led by Prince Hector (Eric Bana), to meet the onslaught of Agamemnon’s forces, but while the great city has yet to yield in a battle, Agamemnon has a formidable ally — Achilles (Brad Pitt), a mighty and seemingly unstoppable warrior whose presence could tip the scales in Agamemnon’s favor. Sean Bean, Julie Christie, Saffron Burrows, and Rose Byrne highlight the film’s supporting cast.

Oliver Stone’s breakthrough as a director, Platoon is a brutally realistic look at a young soldier’s tour of duty in Vietnam. Chris Taylor (Charlie Sheen) is a college student who quits school to volunteer for the Army in the late ’60s. He’s shipped off to Vietnam, where he serves with a culturally diverse group of fellow soldiers under two men who lead the platoon: Sgt. Barnes (Tom Berenger), whose facial scars are a mirror of the violence and corruption of his soul, and Sgt. Elias (Willem Dafoe), who maintains a Zen-like calm in the jungle and fights with both personal and moral courage even though he no longer believes in the war. After a few weeks “in country,” Taylor begins to see the na?vet? of his views of the war, especially after a quick search for enemy troops devolves into a round of murder and rape. Unlike Hollywood’s first wave of Vietnam movies (including The Deer Hunter, Apocalypse Now, and Coming Home), Platoon is a grunts-eye view of the war, touching on moral issues but focusing on the men who fought the battles and suffered the wounds. In this sense, it resembles older war movies more than its Vietnam peers, as it mixes familiar elements of onscreen battle with small realistic details: bugs, jungle rot, exhaustion, C-rations, marijuana, and counting the days before you go home. This mix of traditional war movie elements with a contemporary sensibility won Platoon four Oscars including Best Picture and Best Director, and a reputation as one of the definitive modern war films.

Independent filmmaker Jacob Aaron Estes makes his feature debut with the coming-of-age drama Mean Creek. Rory Culkin, Ryan Kelley, Scott Mechlowicz, Josh Peck, Trevor Morgan, and Carly Schroeder are teenagers living in small-town Oregon. Some of the boys take a boat trip for a birthday celebration. When they get an idea to play a mean trick on the town bully, it suddenly goes too far. Soon they’re forced to deal with the unexpected consequences of their actions. Mean Creek was workshopped at the Eugene O’Neill Center’s National Playwrights Conference and premiered at the Sundance Film Festival as part of the American Spectrum program.

After creating an international sensation with the visually dazzling and intellectually challenging sci-fi blockbuster The Matrix, the Wachowski brothers returned with the first of two projected sequels that pick up where the first film left off. Neo (Keanu Reeves) and Trinity (Carrie-Anne Moss) have been summoned by Morpheus (Laurence Fishburne) to join him on a voyage to Zion, the last outpost of free human beings on Earth. Neo and Trinity’s work together has been complicated by the fact the two are involved in a serious romantic relationship. Upon their arrival in Zion, Morpheus locks horns with rival Commander Lock (Harry J. Lennix) and encounters his old flame Niobe (Jada Pinkett Smith). Meanwhile, Agent Smith (Hugo Weaving) has returned with some surprises for Neo, most notably the ability to replicate himself as many times as he pleases. Neo makes his way to The Oracle (Gloria Foster), who informs him that if he wishes to save humankind, he must unlock “The Source,” which means having to release The Key Maker (Randall Duk Kim) from the clutches of Merovingian (Lambert Wilson). While Merovingian refuses to cooperate, his wife, Persephone (Monica Bellucci), angry at her husband’s dalliances with other women, offers to help, but only in exchange for a taste of Neo’s affections. With The Keymaker in tow, Neo, Trinity, and Morpheus are chased by Merovingian’s henchmen: a pair of deadly albino twins (Neil Rayment and Adrian Rayment). Filmed primarily in Australia and California (the extended chase scene was shot on a stretch of highway build specifically for the production outside of San Francisco), The Matrix Reloaded was produced in tandem with the third film in the series, The Matrix Revolutions.