Bovie Movie

Two guys find out the hard way that sneaking into the wrong party can cause serious problems in this comedy. Jeremy Klein (Vince Vaughn) and John Beckwith (Owen Wilson) are a pair of longtime friends who work for a law firm, helping contentious couples mediate their divorces. Their job has given them a cynical attitude about marriage, and as a hobby each weekend the two make a point of crashing weddings reception, where they load up on free food and booze and try their luck at seducing the bridesmaids. When William Cleary (Christopher Walken), the nation’s Secretary of the Treasury and a possible candidate for the Presidency, announces his daughter is to wed, the nuptials are billed as the social event of the year, and Jeremy and John decide they must attend the reception. However, John makes the mistake of falling head over heels for Claire (Rachel McAdams), the bride’s sister, while Jeremy attracts the attentions of a woman he’d prefer not to be involved with, and soon their romantic peccadilloes get them in very hot water.

A true-life story of a basketball team who broke down barriers while racking up victories is the basis for this sports drama. Don Haskins (Josh Lucas) was a high school and college basketball star who, after six years of working with high school teams, became the head coach at Texas Western University in 1962. At that time, Texas Western’s basketball program was not well respected, but Haskins was determined to change that, and in 1966 Haskins assembled what he was certain was a winning team. However, Haskins’ starting lineup was comprised entirely of African-American athletes at a time when racially integrated teams were still a novelty in the South and West. Despite generating a firestorm of controversy, Haskins and his players showed they could succeed where it counted — on the court. In post-season play Haskins and the Texas Western team found themselves competing for the NCAA championship against the University of Kentucky’s all-white team, lead by legendary coach Adolph Rupp (Jon Voight). Glory Road also stars Derek Luke, Alphonso McAuley, Mehcad Brooks, Al Shearer, Damaine Radcliff, Sam Jones III, and Schin S. Kerr as members of Haskins’ winning team.

In Patriot Games, Harrison Ford plays former CIA agent Jack Ryan, taking over from Alec Baldwin, who had played author Tom Clancy’s brainy protagonist in Hunt for Red October. This time around, Ryan foils an attempted assassination, thereby incurring the wrath of a maniacal Irish radical (Sean Bean). After seemingly neutralizing the villains, and deciding to celebrate the occasion with his wife (Anne Archer) and daughter (Thora Birch), everything appears to be back to normal; then all hell breaks loose. Author Tom Clancy himself bemoaned the liberties taken with his novel in the final sequences; the picture scored with audiences, however, and soon inspired a followup, A Clear and Present Danger (1994), also starring Ford.

In this multiple Oscar-winning thriller, Jodie Foster stars as Clarice Starling, a top student at the FBI’s training academy whose shrewd analyses of serial killers lands her a special assignment: the FBI is investigating a vicious murderer nicknamed Buffalo Bill, who kills young women and then removes the skin from their bodies. Jack Crawford (Scott Glenn) wants Clarice to interview Dr. Hannibal Lecter (Anthony Hopkins), a brilliant psychiatrist who is also a violent psychopath, serving life behind bars for various acts of murder and cannibalism. Crawford believes that Lecter may have insight into this case and that Starling, as an attractive young woman, may be just the bait to draw him out. Lecter does indeed know something of Buffalo Bill, but his information comes with a price: in exchange for telling what he knows, he wants to be housed in a more comfortable facility. More important, he wants to speak with Clarice about her past. He skillfully digs into her psyche, forcing her to reveal her innermost traumas and putting her in a position of vulnerability when she can least afford to be weak. The film mingles the horrors of criminal acts with the psychological horrors of Lecter’s slow-motion interrogation of Clarice and of her memories that emerge from it.