Bovie Movie

Joel Coen and Ethan Coen concocted this stylish screwball comedic amalgam of Frank Capra and Howard Hawks. Tim Robbins stars as Norville Barnes, a dull-wit from Muncie, Indiana who wrangles a job with the big Hudsucker Industries. He has a singular idea for a new children’s toy that he wants to present to corporate executive Sidney J. Mussberger (Paul Newman). As he makes his way up to Mussberger’s office, the company president Waring Hudsucker (Charles Durning) is on his way down — through the window of the forty-fourth floor boardroom! Hudsucker’s death sets off a panic that Mussberger sees as an opportunity for taking over the company — by installing a total incompetent in Hudsucker’s place and devaluing the stock. When Barnes stumbles into Mussberger’s office, Mussberger sees his pigeon and appoints Barnes as the new company president. The only problem is that the new product Barnes proposes for the company, the Hula Hoop, turns out to be a tremendous success, and Mussberger has difficulty manipulating his new corporate president.

Popularly viewed as one of the best American films ever made, the multi-generational crime saga The Godfather is a touchstone of cinema: one of the most widely imitated, quoted, and lampooned movies of all time. Marlon Brando and Al Pacino star as Vito Corleone and his youngest son, Michael, respectively. It is the late 1940s in New York and Corleone is, in the parlance of organized crime, a “godfather” or “don,” the head of a Mafia family. Michael, a free thinker who defied his father by enlisting in the Marines to fight in World War II, has returned a captain and a war hero. Having long ago rejected the family business, Michael shows up at the wedding of his sister, Connie (Talia Shire), with his non-Italian girlfriend, Kay (Diane Keaton), who learns for the first time about the family “business.” A few months later at Christmas time, the don barely survives being shot by gunmen in the employ of a drug-trafficking rival whose request for aid from the Corleones’ political connections was rejected. After saving his father from a second assassination attempt, Michael persuades his hotheaded eldest brother, Sonny (James Caan), and family advisors Tom Hagen (Robert Duvall) and Sal Tessio (Abe Vigoda) that he should be the one to exact revenge on the men responsible.

After murdering a corrupt police captain and the drug trafficker, Michael hides out in Sicily while a gang war erupts at home. Falling in love with a local girl, Michael marries her, but she is later slain by Corleone enemies in an attempt on Michael’s life. Sonny is also butchered, having been betrayed by Connie’s husband. As Michael returns home and convinces Kay to marry him, his father recovers and makes peace with his rivals, realizing that another powerful don was pulling the strings behind the narcotics endeavor that began the gang warfare. Once Michael has been groomed as the new don, he leads the family to a new era of prosperity, then launches a campaign of murderous revenge against those who once tried to wipe out the Corleones, consolidating his family’s power and completing his own moral downfall. Nominated for 11 Academy Awards and winning for Best Picture, Best Actor (Marlon Brando), and Best Adapted Screenplay, The Godfather was followed by a pair of sequels.

This (13th) time around, “007″ receives the usual call to come and visit “Mother” when another agent drops off a fake Faberge jeweled egg at the British embassy in East Berlin and is later killed at a traveling circus. Suspicions mount when the assistant manager of the circus Kamal (Louis Jourdan), outbids Bond for the real Faberge piece at Sotheby’s. Bond follows Kamal to India where the superspy thwarts many an ingenious attack and encounters the antiheroine of the title (Maud Adams), an international smuggler who runs the circus as a cover for her illegal operations. It does not take long to figure out that Orlov (Steven Berkoff), a decidedly rank Russian general is planning to raise enough money with the fake Faberges to detonate a nuclear bomb in Europe and then defeat NATO forces once and for all in conventional warfare.

Laid up with a broken leg, photojournalist L.B. Jeffries (James Stewart) is confined to his tiny, sweltering courtyard apartment. To pass the time between visits from his nurse (Thelma Ritter) and his fashion model girlfriend Lisa (Grace Kelly), the binocular-wielding Jeffries stares through the rear window of his apartment at the goings-on in the other apartments around his courtyard. As he watches his neighbors, he assigns them such roles and character names as “Miss Torso” (Georgine Darcy), a professional dancer with a healthy social life or “Miss Lonelyhearts” (Judith Evelyn), a middle-aged woman who entertains nonexistent gentlemen callers. Of particular interest is seemingly mild-mannered travelling salesman Lars Thorwald (Raymond Burr), who is saddled with a nagging, invalid wife. One afternoon, Thorwald pulls down his window shade, and his wife’s incessant bray comes to a sudden halt. Out of boredom, Jeffries casually concocts a scenario in which Thorwald has murdered his wife and disposed of the body in gruesome fashion. Trouble is, Jeffries’ musings just might happen to be the truth. One of Alfred Hitchcock’s very best efforts, Rear Window is a crackling suspense film that also ranks with Michael Powell’s Peeping Tom (1960) as one of the movies’ most trenchant dissections of voyeurism. As in most Hitchcock films, the protagonist is a seemingly ordinary man who gets himself in trouble for his secret desires.

Two guys looking for a respite from their bumpy romantic lives find themselves in the midst of a very confusing situation in this broad comedy. Jerry (Cuba Gooding Jr.) is a guy who thinks he’s found the love of his life in Felicia (Vivica A. Fox), his beautiful longtime girlfriend. Jerry decides to propose to Felicia, and arranges for a hot-air balloon ride in order to create the ideal setting to pop the question. However, Felicia not only turns him down, she announces that she’s leaving him for another man. Jerry sinks into a deep depression, until his best friend Nick (Horatio Sanz), who has been having his own romantic problems, suggests they take a vacation cruise on an ocean liner, forgetting their troubles while they make time with bikini-clad babes. Jerry is game, but after an angry misunderstanding with a travel agent, Nick and Jerry discover they’ve been booked on a tour specifically for gay men. Jerry and Nick are forced to pose as lovers to ward off the indefatigable advances of aging playboy Lloyd (Roger Moore), which cramps their style when the ship’s captain rescues a boatload of buxom Swedish swimsuit models. Jerry’s spirits rise when he meets Gabriella (Roselyn Sanchez), a beautiful dancer who is part of the ship’s entertainment staff. Jerry, however, now has to walk a fine line between maintaining his cover and convincing Gabriella that despite outward appearances, he’s not gay. Boat Trip was the first feature film from director Mort Nathan, best known for his work as a writer for television.

British filmmaker John MacKenzie directs the crime thriller Quicksand, based on the book by Desmond Lowden. Michael Keaton plays Martin Raikes, a New York banker who goes to Monaco to investigate some questionable transactions. He discovers that the shifty bank account belongs to film producer Lela Forin (Judith Godrëche), whose next movie stars former action star Jake Mellows (Michael Caine). The production company turns out to be closely associated with a group of gangsters who wish Martin was out of the picture. They frame him for murder and make it look like his bank received a profit. Martin and Lela team up against the gangsters. Quicksand was released straight-to-video in Europe.

An FBI agent finds himself crossing the gender line again in the name of national security in this sequel to the comedy hit Big Momma’s House. Tom Fuller (Mark Moses) is a computer whiz who is under investigation by the FBI, who suspect he may be the man behind a dangerous piece of underground software that would allow terrorists and criminals to access secured intelligence files online. The Bureau is looking for a way to get inside Fuller’s home to find out what he’s doing when a golden opportunity presents itself — Fuller and his wife, Leah (Emily Proctor), are in the market for a nanny to help look after their three children. The FBI sends in Malcolm Turner (Martin Lawrence), who will once again impersonate feisty septuagenarian Hattie Mae Pierce, better known as “Big Momma.” “Big Momma” gets the job, but while trying to dig up the truth about Fuller’s possible criminal connections, Malcolm also finds himself developing a close relationship with the suspect’s wife and kids. Malcolm also finds himself offering unlikely romantic advice to his new partner, Kevin (Zachary Levi), and developing a new appreciation of the day-to-day travails of his wife, Sherrie (Nia Long).

After suffering the humiliation of being given the third degree by his girlfriend’s father, one man now faces the even more embarrassing task of introducing his own mother and father in this star-studded sequel to the box-office smash Meet the Parents. After getting off on the wrong foot (to put it mildly) with his prospective in-laws, Greg Focker (Ben Stiller) has finally won the grudging approval of Jack and Dina Byrnes (Robert De Niro and Blythe Danner) to marry their daughter Pam (Teri Polo). But after clearing the first hurdle, now Greg has to face an even bigger challenge — introducing the straight-laced Byrnes family to his folks, free-spirited sex therapist Roz (Barbra Streisand) and eccentrically open-minded Bernie, who blend with Pam’s parents not quite as well as oil and water. Meet the Fockers was directed by Jay Roach, who handled the same chores for Meet the Parents.

A woman finds herself attempting to foil one office romance while debating if she should take a chance on another in this romantic comedy. Lucy Kelton (Sandra Bullock) is a top-flight attorney who has risen to the position of Chief Legal Counsel for one of New York’s leading commercial real estate firms, the Wade Corporation. However, Lucy’s job has one significant drawback — George Wade (Hugh Grant), the eccentric and remarkably self-centered head of the firm. George seems entirely incapable of making a decision without Lucy’s advice, whether it actually involves a legal matter or not, and while she’s fond of George, being at his beck and call 24 hours a day has brought her to the end of her rope. In a moment of anger, Lucy gives her two weeks notice, and George reluctantly accepts, under one condition — Lucy has to hire her own replacement. After extensive research, Lucy picks June Carter (Alicia Witt), a Harvard Law graduate determined to make a career for herself. Lucy soon begins to suspect, however, that June plans to hasten her rise up the corporate ladder by winning George’s hand, leaving Lucy to wonder if she should warn George about his beautiful but calculating new attorney — and whether she should tell George that she has finally realized she’s in love with him. Two Weeks Notice was written and directed by Marc Lawrence, who had previously scripted two other box-office hits for Sandra Bullock: Miss Congeniality and Forces of Nature.