Bovie Movie

Donnie (Jake Gyllenhaal) is a bright and charming high-school student who also has a dark and willfully eccentric side; he does little to mask his contempt for many of his peers and enjoys challenging the authority of the adults around him. Donnie is also visited on occasion by Frank, a monstrous six-foot rabbit that only Donnie can see who often urges him to perform dangerous and destructive pranks. Late one night, Frank leads Donnie out of his home to inform him that the world will come to an end in less than a month; moments later, the engine of a jet aircraft comes crashing through the ceiling of Donnie’s room, making him think there might be something to Frank’s prophesies after all. The rest of Donnie’s world is only marginally less bizarre, as he finds himself dealing with his confused parents (Mary McDonnell and Holmes Osborne), his college-age sister (Maggie Gyllenhaal), his perplexed analyst (Katherine Ross), a rebellious English teacher (Drew Barrymore), a sleazy self-help expert (Patrick Swayze), and the new girl at school who is attracted by Donnie’s quirks (Jena Malone). Donnie Darko was the first feature film from writer and director Richard Kelly; Drew Barrymore, who plays teacher Karen Pomeroy, also lent her support to the project as executive producer. A director’s cut played in select theaters on a limited basis in the summer of 2004, featuring original music cues and trimmed scenes originally in Kelly’s first cut of the film.

This big budget “re-imagining” of the 1968 original departs somewhat from both that classic science fiction film and the source novel by author Pierre Boulle. Mark Wahlberg stars as Leo Davidson, an astronaut of the early 21st century whose unauthorized mission to rescue a chimp companion from a mysterious space storm goes awry when he and his ship are lost through a rip in the fabric of time. Leo crash-lands on a planet where intelligent, talking apes are the dominant species and humans a conquered slave class. Befriending both a chimpanzee activist named Ari (Helena Bonham Carter), who’s sympathetic to humans, and a beautiful human rebel, Daena (Estella Warren), Leo quickly becomes a prominent figure of resistance to his fellow humans. This makes him an instant source of irritation for the militant and ambitious General Thade (Tim Roth) and his trusted adjutant, Attar (Michael Clarke Duncan), who intend to hunt Leo down and crush the burgeoning human uprising. War looms between ape and human as Leo and his band head for a sacred site deep in an off-limits desert, where secrets about the planet’s ape and human ancestry wait to be revealed. Planet of the Apes is directed by Tim Burton and features the original film’s star, Charlton Heston, in a cameo role as the dying father of Thade.

One of a cluster of late-1970s films about the Vietnam War, Francis Ford Coppola’s Apocalypse Now adapts the Joseph Conrad novella Heart of Darkness to depict the war as a descent into primal madness. Capt. Willard (Martin Sheen), already on the edge, is assigned to find and deal with AWOL Col. Kurtz (Marlon Brando), rumored to have set himself up in the Cambodian jungle as a local, lethal godhead. Along the way Willard encounters napalm and Wagner fan Col. Kilgore (Robert Duvall), draftees who prefer to surf and do drugs, a USO Playboy Bunny show turned into a riot by the raucous soldiers, and a jumpy photographer (Dennis Hopper) telling wild, reverent tales about Kurtz. By the time Willard sees the heads mounted on stakes near Kurtz’s compound, he knows Kurtz has gone over the deep end, but it is uncertain whether Willard himself now agrees with Kurtz’s insane dictum to “Drop the Bomb. Exterminate them all.” Coppola himself was not certain either, and he tried several different endings between the film’s early rough-cut screenings for the press, the Palme d’Or-winning “work-in-progress” shown at Cannes, and the final 35 mm U.S. release (also the ending on the video cassette). The chaotic production also experienced shut-downs when a typhoon destroyed the set and star Sheen suffered a heart attack; the budget ballooned and Coppola covered the overages himself. These production headaches, which Coppola characterized as being like the Vietnam War itself, have been superbly captured in the documentary, Hearts of Darkness: A Filmmaker’s Apocalypse. Despite the studio’s fears and mixed reviews of the film’s ending, Apocalypse Now became a substantial hit and was nominated for eight Academy Awards, including Best Picture, Best Director, Best Supporting Actor for Duvall’s psychotic Kilgore, and Best Screenplay. It won Oscars for sound and for Vittorio Storaro’s cinematography. This hallucinatory, Wagnerian project has produced admirers and detractors of equal ardor; it resembles no other film ever made, and its nightmarish aura and polarized reception aptly reflect the tensions and confusions of the Vietnam era.

The fourth film to chronicle the life of fourth-century B.C. ruler Alexander the Great, Oliver Stone’s Alexander stars Colin Farrell as the titular Macedonian conqueror. The film follows the young king as he leads his forces on a bloody empirical conquest across the known world, taking large parts of Asia and the Middle East to amass a giant empire, all by the time he turned 25. Anthony Hopkins co-stars as Ptolemy I along with Rosario Dawson as Roxane, Angelina Jolie as Olympias, Jared Leto as Hephaistion, Val Kilmer as King Philip II, and Jonathan Rhys-Meyers as Cassander.

In the Disney-animated adventure Brother Bear, Joaquin Phoenix provides the voice of Kenai, a young Native American boy whose brother, Sitka (voice of D.B. Sweeney), is killed by a mother bear protecting her cubs. With revenge in mind, Kenai sets out into the woods only to find himself magically transformed into a bear himself. Seeing the world through the eyes of his prey, Kenai is forced to learn a lesson about nature and life. On a comic footnote: Brother Bear also features the voices of Rick Moranis and Dave Thomas as Rutt and Tuke, moose characters reminiscent of their beer-guzzling McKenzie brothers from SCTV and Strange Brew; because this is a family-oriented cartoon - and it would be inappropriate for the moose to quaff beer — the two moose express a fondness for eating wheat hops instead.

The politics of slavery and the follies of nation-building highlight Danish director Lars von Trier’s thought-provoking follow-up to the director’s 2003 drama Dogville, featuring The Village’s Bryce Dallas Howard in the role originally played by Nicole Kidman, and shot in the same stage-bound style as its predecessor. Shortly after leaving Dogville, Grace (Howard) and her father (Willem Dafoe) wander into a gated Alabama community still operating under the tenets of slavery. Appalled to stumble across a brutal scene in which a white master is viciously lashing his slave (Isaach de Bankolé), Grace hastily intercedes and pleads with the abusive man to treat his workers with respect and dignity. When merciless matriarchal plantation owner Mam (Lauren Bacall) dies shortly thereafter, the remaining slaves, who have never tasted freedom and only known life under “Mam’s Law,” implore the sympathetic Grace to help ease their turbulent transition toward democratic rule, with disastrous results.