Bovie Movie

The wind whispers ominous warnings of death before a malevolent entity arrives to claim the life of a young girl as director Courtney Solomon brings author Brent Monahan’s chilling, fact-based tale of supernatural murder to the screen in this tale of terror starring Donald Sutherland and Sissy Spacek. The year was 1818 and the Bell family was a quiet clan residing on a remote farm in Red River, Tennessee. A normal, loving family by all accounts, the uneventful lives of the Bell family began to take a dark turn when strange noises around the farm preceded the arrival of a black wolf with piercing yellow eyes said to strike unspeakable fear into the very soul of all who encounter it. As the sadistic spirit singles out the youngest daughter of the Bell family for torment and her frightened parents search frantically for a rational explanation to the chilling events unfolding in their once happy home, an eerie, disembodied voice promises death from beyond the grave. With the struggle rapidly turning violent and the Bell’s desperate prayers for mercy going unanswered time and again, the shocking murder that followed would prove the only case in recorded American history where the death of a human being was directly attributed to an attack by an evil entity or spirit.

Cinderella was Walt Disney’s return to feature-length “story” cartoons after eight years of turning out episodic pastiches like Make Mine Music and Three Caballeros. A few understandable liberties are taken with the original Charles Perrault fairy tale (the wicked stepsisters, for example, do not have their eyes pecked out by crows!) Otherwise, the story remains the same: Cinderella, treated as a slavey by her selfish stepfamily, dreams of going to the Prince’s ball. She gets her wish courtesy of her Fairy Godmother, who does the pumpkin-into-coach bit, then delivers the requisite “be home by midnight” warning. Thoroughly enchanting the prince at the ball, our heroine hightails it at midnight, leaving a glass slipper behind. The Disney people do a terrific job building up suspense before the inevitable final romantic clinch. Not as momentous an animated achievement as, say, Snow White or Fantasia, Cinderella is a nonetheless delightful feature, enhanced immeasurably by the introduction of several “funny animal” characters (a Disney tradition that has held fast into the 1990s, as witness Pocahontas), and a host of a sprightly songs, including “Cinderelly,” “A Dream is a Wish Your Heart Makes,” and — best of all — “Bibbidi Bobbidi Boo.”

“Don’t expose him to bright light. Don’t ever get him wet. And don’t ever, ever feed him after midnight.” This sage advice is ignored midway through Gremlins, with devastating results. This comic Joe Dante effort is set in a Norman Rockwell-esque small town at Christmastime. Seeking a unique gift for his son an erstwhile inventor (Hoyt Axton) purchases a cute, fuzzy little “Mogwai” from a Chinatown shopkeeper’s (Keye Luke) grandson (John Louie), who dispenses the above-mentioned warning before closing the deal. Meanwhile, young bank clerk Billy Peltzer (Zach Galligan) must suffer such antagonists as rich-bitch Mrs. Deagle (Polly Holliday) and priggish Gerald (Judge Reinhold) while pursuing his romance with Kate (Phoebe Cates). These and a variety of other plot strands are tied together when the lovable mogwai (named Gizmo) is exposed to bright light and gotten wet. In short order, the town is invaded by nasty, predatory Gremlins, who lay waste to everything in sight as Billy and Kate try to contain the destruction. Like most of Joe Dante’s works, Gremlins is chock-full of significant cameo appearances: in this instance, such pop-culture icons as Dick Miller, Jackie Joseph, Chuck Jones, Scott Brady, Harry Carey Jr., Steven Spielberg (the film’s executive producer) and even Robby the Robot all show up briefly on screen.