Bovie Movie

Larry Gigli (Ben Affleck) is a low-level Los Angeles mob enforcer. His volatile boss, Louis (Lenny Venito), hires Gigli to kidnap Brian (newcomer Justin Bartha), the mentally handicapped younger brother of a federal prosecutor who’s about to bring Louis’ boss to trial in New York. Gigli gets the kid home without a hitch. Then a beautiful woman (Jennifer Lopez) shows up at his door. She says her name is Ricki, and Gigli soon learns that the nervous Louis has hired her to keep an eye on him. “In every relationship,” Gigli soon finds himself expounding to his unwanted partner, “there’s a bull and a cow.” His efforts to maintain control of the situation are further hampered by the brief appearance of the insane Detective Stanley Jacobellis (Christopher Walken) and a forced visit to his overbearing mother’s (Lainie Kazan) house. To make matters worse, when Gigli expresses his attraction to Ricki, he learns that she’s a lesbian. She, meanwhile, proves herself considerably more capable than the lunkheaded Gigli, winning their war of words and even scaring off a rowdy group of high school kids. As Gigli and Ricki continue to look after the young, innocent Brian, they find themselves increasingly attracted to one another. But their potential budding romance is put on hold when Starkman (Al Pacino) arrives from New York, angry about how his affairs are being handled. Director Martin Brest, in his first film since 1998’s Meet Joe Black, returns to the crime comedy genre that made his reputation. Brest also wrote the script for Gigli, his first since 1979’s Going in Style. Stars Affleck and Lopez began a well-publicized romantic relationship on the set of the film.

Two low-level American crooks head to Australia, where they match wits with a kangaroo (who appears to have an intellectual edge on his pursuers) in this broad comedy. Charlie Carbone (Jerry O’Connell) is a hairdresser from Brooklyn whose best friend, Louis Booker (Anthony Anderson), scrapes together a living moving stolen merchandise. Charlie’s stepfather, Sal Maggio (Christopher Walken), is a crime kingpin who has loaned Charlie a lot of money and wants to know when he’ll get it back; Sal’s not especially fond of Louis, especially after he and Charlie accidentally lead the police to a storehouse of burgled goods owned by Sal. Charlie owes Sal a big favor, and Sal wants Charlie and Louis out of his hair for a while, so Sal sends them to Australia, where they’re to deliver a large amount of cash to a mysterious Mr. Smith (Marton Csokas). En route to their meeting in the outback, Charlie and Louis accidentally run over a kangaroo, and the half-bright tourists decide to dress the dead marsupial in sunglasses and Louis’ favorite jacket for snapshots. However, the animal wasn’t as dead as they imagined, and it soon hops away, shortly after Louis realizes the payment to Mr. Smith was in the pocket. Now Louis and Charlie are out to find the fast-moving critter, with the help of Jessie (Estella Warren), a wildlife expert; Mr. Jimmy (David Ngoombujarra), a wilderness guide; and Blue (Bill Hunter), a pilot familiar with the outback.

Joel Coen and Ethan Coen concocted this stylish screwball comedic amalgam of Frank Capra and Howard Hawks. Tim Robbins stars as Norville Barnes, a dull-wit from Muncie, Indiana who wrangles a job with the big Hudsucker Industries. He has a singular idea for a new children’s toy that he wants to present to corporate executive Sidney J. Mussberger (Paul Newman). As he makes his way up to Mussberger’s office, the company president Waring Hudsucker (Charles Durning) is on his way down — through the window of the forty-fourth floor boardroom! Hudsucker’s death sets off a panic that Mussberger sees as an opportunity for taking over the company — by installing a total incompetent in Hudsucker’s place and devaluing the stock. When Barnes stumbles into Mussberger’s office, Mussberger sees his pigeon and appoints Barnes as the new company president. The only problem is that the new product Barnes proposes for the company, the Hula Hoop, turns out to be a tremendous success, and Mussberger has difficulty manipulating his new corporate president.

They’ve kept television viewers laughing for nearly 20 years, and now the most popular animated family on the small screen makes the leap into theaters as Homer, Marge, Lisa, Bart, ad Maggie embark on their first-ever feature-length adventure. Directed by David Silverman and written by a whole host of Simpsons veterans including Matt Groening and James L. Brooks, The Simpsons Movie also features special guest appearances by Albert Brooks among others.

A clumsy criminal is put in a position where he not only has to save his own skin, but that of his girlfriend in this comedy with strong undercurrents of romance. Jerry Welbach (Brad Pitt) is a low-level Mafia “mechanic” whose ineptitude is countered by frequent (but unpredictable) bursts of dumb luck. Jerry’s girlfriend Samantha (Julia Roberts) wants him to get out of the business, and after his latest blunder lands capo Arnold Margolese (Gene Hackman) in jail, so does mid-level crime kingpin Bernie Nayman (Bob Balaban). But Bernie insists that Jerry do one last errand for the mob before they let him find employment elsewhere — he has to go to Mexico and recover a rare and very valuable pistol, which is said to be cursed. While Samantha objects to Jerry taking the assignment, he isn’t in much of a position to argue; Jerry heads south of the border, while Samantha, in a huff, sets out for Las Vegas. Once in Mexico, Jerry finds the pistol easily enough, but making his way back to the States proves to be an unexpected challenge. Meanwhile, Jerry’s superiors want insurance that he’ll return with the goods, so they hire Leroy (James Gandolfini), a hitman, to kidnap Samantha and hold her hostage until Jerry comes back. However, Samantha and Leroy quickly strike up a friendship, and she soon learns the gunman has a sensitive side he doesn’t show to the world — along with a few other secrets. The Mexican marked the first screen pairing for mega-stars Julia Roberts and Brad Pitt — though, given the film’s narrative arc, they play only a handful of scenes together. The film was directed by Gore Verbinski, who won awards for his work in commercials before breaking through with the quirky family comedy Mouse Hunt.

This crime comedy from director Craig Singer is the filmmaker’s third independent feature and his second outing with screenwriter Robert Dean Klein and star Gary Stretch, who had contributed to 2001’s Dead Dogs Lie, Singer’s sophomore effort. Stretch plays Ronnie, a hitman who, three years prior, vouched for his pal and fellow contract killer, August, played by Michael Rapaport (Zebrahead, Mighty Aphrodite). Unfortunately for Ronnie, over the years, August has gotten himself into some trouble and made a few enemies. Now, over the course of one day, Ronnie has to somehow clean up all of August’s messes or both men will be facing the consequences of their unhappy bosses. In addition to Frank Whaley and Seymour Cassel, the supporting cast boasts a bevy of 1980s artifacts including Ralph Macchio, Robin Givens, Deborah Harry, and Ally Sheedy. A Cold Day in August screened at Robert De Niro’s 2003 Tribeca Film Festival under the title A Good Night to Die.

Set in a small fictional town in the U.S. during the 1930s, Lars von Trier’s Dogville was filmed in a studio with a minimal set and features narration by John Hurt. On the run from a group of gangsters, Grace (Nicole Kidman) arrives in the small mining town of Dogville. Town philosopher Tom Edison (Paul Bettany) takes her in and strikes a deal with her: She’ll work for the townsfolk in exchange for a safe place to hide; after two weeks the people will vote for her to either stay or go. Grace agrees to the terms and ends up meeting the locals, including the town doctor (Philip Baker Hall), shopkeeper (Lauren Bacall), and apple farmer (Stellan Skarsg?rd). Eventually, Grace’s standing in the town takes a downward shift as the search for her intensifies.