Bovie Movie

Vatel director Roland Joff? teams with screenwriters Larry Cohen and Joselh Tura to adapt an original story by Cohen concerning a fashion model (Elisha Cuthbert) and her chauffer who are kidnapped and held captive by a sadistic serial killer. Jennifer Tree (Cuthbert) is America’s Sweetheart; a top fashion model and ubiquitous cover girl who is adored by millions, Jennifer possesses all of the wealth and power that comes with being a natural, world class beauty. Every girl wants to be Jennifer, and every man wants to have her - one more than all others combined. That man has been lying in wait for precisely the right moment to strike, and when Jennifer makes the fateful mistake of stepping out on her own at a Soho charity event he finally sees the opportunity to take possession of his most prized object. Drugged, taken, and placed in a cell where she is forced to endure unspeakable mental and physical torture, Jennifer struggles against her twisted tormentor with every ounce of courage and fight that she has - but will it be enough for her to endure should her captor continue to maintain the upper hand? A controversial film long before it ever went into wide release, Captivity caused quite a stir when graphic, unapproved ads for the film appeared on billboards and taxi cabs in New York and Los Angeles. Though representatives from Captivity’s releasing company After Dark Films claimed that the wrong materials were shipped to the printers and put up before they realized what had happened, public outcry was such that the MPAA saw fit to suspend the ratings process for the film. As a result, it quickly became apparent that Captivity would fail to procure an MPAA rating before its original target release date.

Noted theater director Sam Mendes, who was responsible for the acclaimed 1998 revival of Cabaret and Nicole Kidman’s turn in The Blue Room, made his motion picture debut with this film about the dark side of an American family, and about the nature and price of beauty in a culture obsessed with outward appearances. Kevin Spacey plays Lester Burnham, a man in his mid-40s going through an intense midlife crisis; he’s grown cynical and is convinced that he has no reason to go on. Lester’s relationship with his wife Carolyn (Annette Bening) is not a warm one; while on the surface Carolyn strives to present the image that she’s in full control of her life, inside she feels empty and desperate. Their teenage daughter Jane (Thora Birch) is constantly depressed, lacking in self-esteem, and convinced that she’s unattractive. Her problems aren’t helped by her best friend Angela (Mena Suvari), an aspiring model who is quite beautiful and believes that that alone makes her a worthwhile person. Jane isn’t the only one who has noticed that Angela is attractive: Lester has fallen into uncontrollable lust for her, and she becomes part of his drastic plan to change his body and change his life. Meanwhile, next door, Colonel Fitts (Chris Cooper) has spent a lifetime in the Marine Corps and can understand and tolerate no other way of life, which makes life difficult for his son Ricky (Wes Bentley), an aspiring filmmaker and part-time drug dealer who is obsessed with beauty, wherever and whatever it may be. American Beauty was also the screen debut for screenwriter Alan Ball.

This filmed version of the 1927 George Gershwin Broadway musical Funny Face utilizes the play’s original star, Fred Astaire, and several of the original tunes, then goes merrily off on its own. Astaire is cast as as fashion photographer Dick Avery (a character based on Richard Avedon, the film’s “visual consultant”), who is sent out by his female boss Maggie Prescott (Kay Thompson) to find a “new face”. It doesn’t take Dick long to discover Jo (Audrey Hepburn, who does her own singing), an owlish Greenwich Village bookstore clerk. Acting as Pygmalion to Jo’s Galatea, Dick whisks the wide-eyed girl off to Paris and transforms her into the fashion world’s hottest model. Along the way, he falls in love with Jo, and works overtime to wean her away from such phony-baloney intellectuals as Professor Emile Flostre (Michel Auclair). The Gershwin tunes include the title song, “S’wonderful”, “How Long Has This Been Going On” and “He Loves and She Loves”; among the newer numbers is Kay Thompson’s energetic opener “Think Pink”. For years available only in washed-out, flat prints, Funny Face was eventually restored to its full Technicolor and VistaVision glory.

Five years after achieving commercial and critical success with his film Three Kings, director and screenwriter David O. Russell returns to the more idiosyncratic territory of his earlier work with this intelligent and offbeat comedy. Bernard and Vivian Jaffe (Dustin Hoffman and Lily Tomlin) are a married couple who run an existential detective agency where they sift through the lives of their clients in order to discover the source of their angst. The Jaffes’ latest client is Albert Markovski (Jason Schwartzman), an environmental activist who has a very large rock and a great deal on his mind; their study of Albert’s problems lead Bernard and Vivian to Brad Stand (Jude Law), a public relations executive with a chain of successful variety stores, Huckabees. While publicly allying himself with Albert’s environmental initiatives, behind the scenes Brad is running roughshod over responsible land management with little care for the consequences. When Brad learns he’s being watched by the Jaffes, he hopes to co-opt them by hiring them himself; however, the plan has unexpected consequences when their questioning leads Brad’s girlfriend, well-scrubbed model Dawn (Naomi Watts), into reassessing her life and relationships. Meanwhile, Albert finds himself joining forces with Tommy (Mark Wahlberg), a firefighter and fellow environmentalist who has been having second thoughts about Bernard and Vivian’s ideas and methods after a long-term investigation and has since fallen under the spell of nihilist poet and philosopher Caterine Vauban (Isabelle Huppert).

Nick Briscoe’s psychological thriller concerns an artist fixated on images of his wife meeting a most bloody demise. He begins to suspect his neighbor might be behind his fears, but he acts on impulses he has to keep these terrible nightmares from becoming a reality.

Lauren Weisberger’s best-selling novel about a young woman who stumbles into the hectic worlds of high fashion and publishing comes to the big screen in this comedy. Andrea “Andy” Sachs (Anne Hathaway) is a bright young woman from the Midwest who has just graduated from college and wants to work as a magazine writer. Andy has applied for a job at “Runway,” America’s most prestigious fashion journal; though Andy has little to no interest in the garment trade, they are one of the only magazines in New York with a job opening — second assistant to editor Miranda Priestly (Meryl Streep). As Andy quickly learns, Miranda is a diva with plenty of power within the magazine business and she isn’t afraid to use it, and though Andy lands the job (primarily by being in the right place at the right time), she soon learns that working for Miranda could test the patience of a saint thanks to her endless demands and refusal to acknowledge the end of a work day. Andy struggles to hold on to the job and her sanity, knowing that a recommendation from Miranda can open nearly any door at any magazine, but can she handle the pressure without losing her mind along the way? The Devil Wears Prada also stars Stanley Tucci, Emily Blunt, and Adrian Grenier.

Famed poet Gu Cheng travels from his native China to the beautiful shores of New Zealand, searching for beauty and innocence. What he finds, however, is a twisted tumult of human emotion when he is loved by two different women. What began as a search for renewed life ends in murder and jealousy in this film based on a true story.

Two women get a new and unusual perspective on the doctor/patient relationship in this romantic comedy. Rafi Gardet (Uma Thurman) is a woman in her mid-thirties who has recently gone through a messy divorce. Rafi has been seeing an analyst, Lisa Metzger (Meryl Streep), as she struggles to get back on her feet emotionally and look for new love. Rafi meets a man named David Bloomberg (Bryan Greenberg), and the two quickly hit it off, but Rafi isn’t sure if she should pursue the relationship, since David is only 23 years old. After discussing the burgeoning romance during one of their weekly sessions, Lisa urges Rafi to take a plunge with David, and not be afraid to seek out the companionship she needs. However, there’s something about David that Lisa doesn’t know — he’s her son. Rafi doesn’t know that Lisa is David’s mother, either, and both psychiatrist and patient are thrown for a loop when they learn the truth. Prime was originally intended to star Sandra Bullock as Rafi, but she dropped out of the project shortly before filming began, reportedly due to disagreements with the director over the script, with Thurman taking her place.

The (mostly) true story of a Hollywood princess turned bounty hunter is told in this witty action-drama from director Tony Scott. Domino Harvey (Keira Knightley) was the daughter of famed actor Laurence Harvey (played by Jesse Pate) who passed on when Domino was only eight years old. Domino’s mother, former fashion model Paulene Stone (played by Jacqueline Bisset and renamed (%Sophie Wynn) in the film), strove to give her daughter a comfortable life, but Domino was naturally rebellious, and after a contentious stint in boarding school, a brief career as a runway model, and a fling with the fashion business, Domino was looking for something more exciting. She found it when he met Ed Mosbey (Mickey Rourke), an ex-con who had gone on to a successful career as a “bail recovery agent” — in short, a bounty hunter. Ed also taught others how to join his profession, and Domino took his course and joined his team, along with Choco (Edgar Ramirez), a headstrong bail agent who took an immediate fancy to Domino. Domino, Ed, and Choco became a successful team — successful enough that television producer Mark Heiss (Christopher Walken) asked them to become the subject of a television reality series. However, it was after the cameras were turned on Domino that her life got truly crazy. Bail bondsman Claremont Williams III (Delroy Lindo) had hired Domino and her friends for a risky case, and soon Domino, Ed, and Choco were chasing missing men and money while landing in hot water with both the FBI and the Mafia. Domino was loosely based on Domino Harvey’s real life story; sadly her personal life was as reckless as her career, and Domino died as a result of drug abuse on June 27, 2005, after this film was completed. The film also features Lucy Liu, Mena Suvari, Macy Gray, and Dabney Coleman.

Billionaire Charles Morse (Anthony Hopkins) accompanies his much-younger wife Mickey (Elle Macpherson) and a fashion photography team headed by Bob Green (Alec Baldwin) to a remote lodge in Alaska. Charles is a quiet, introspective man, fond of accumulating trivia and other facts in his encyclopedic mind; he is also troubled with the idea that Bob and Mickey may be lovers. Even though he suspects the younger man plans to kill him, Charles goes with Bob and his assistant Stephen (Harold Perrineau) on an airplane trip to find a photogenic friend (Gordon Tootoosis) of the lodge owner (L.Q. Jones), but the plane crashes in a lake, killing the pilot. The crash is miles from their planned path, so they can’t expect to be spotted by an aerial search; there’s only one chance: they have to walk to a more likely spot.Though Robert and Stephan are more physically fit, Charles’ calm wit and ingenuity proves the key to their survival, especially after a ferocious bear brutally kills Stephen. Robert and Charles’ odyssey becomes more urgent when they discover that the bear is now stalking them.