Bovie Movie

Leading man Matt Dillon makes his directorial debut with the crime thriller City of Ghosts. Jimmy (Dillon) is a New York con man fleeing the U.S. for Bangkok in order to avoid an insurance scam investigation. He goes to Cambodia to meet up with his former business partner, Marvin (James Caan), to collect his half of the money. Along the way, he makes friends with local man, Sok (Sereyvuth Kem), and romances Sophie (Natascha McElhone). Also starring G?rard Depardieu and Stellan Skarsg?rd.

First-time screenwriter Stelios Pavlou enjoyed a major success with this script that he wrote while working in an English liquor store by sending it to actor Samuel L. Jackson, who signed on for one of the lead roles. Jackson is Elmo McElroy, a kilt-wearing, golf club-wielding Los Angeles native who has invented an illegal drug formula that he hopes will provide him with a last major score of 20 million dollars before he retires from a life of crime. He travels to Liverpool, England, where he hopes to find a buyer for his creation among the denizens of the city’s rave scene, but his plans go awry when those who are in on the deal start turning up dead. Elmo’s only protector is a chain-smoking, Yank-hating local hood named Felix De Souza (Robert Carlyle), who reluctantly partners with the violence-prone American to finish the deal and cash in, sparking a gang war between Elmo’s vengeful one-time employer, The Lizard (Meat Loaf); Felix’s boss, Durant (Ricky Tomlinson); crooked cop Virgil Kane (Sean Pertwee); a beautiful assassin, who also happens to be Felix’s ex-girlfriend (Emily Mortimer); and an offbeat, yoga-practicing nightclub owner and mobster named Iki (Rhys Ifans). For its U.S. release, the title of The 51st State was changed to Formula 51.

Walt Disney Pictures redefined computer animation with this technically accomplished fantasy of prehistoric life, combining live-action backgrounds with computer-generated animals. After a pterodactyl snatches a dinosaur’s egg and accidentally drops it while flying away, the egg is rescued by a family of lemurs, who keep it warm until it hatches. They raise the baby dinosaur, named Aladar, as one of their own, and as he grows to adulthood, Aladar protects the primates that he has come to regard as his family. When a giant meteor appears in the sky, packs of dinosaurs have no idea what to make of the strange fiery light, but Aladar and the lemurs are convinced that they must escape to a safer place before the huge flaming stone destroys their home, leading Aladar to encounter his own kind for the first time. D.B. Sweeney provides the voice of Aladar; other actors in the voice cast include Joan Plowright, Julianna Margulies, Alfre Woodard, and Ossie Davis.

When Catherine Spaak’s husband dies, she discovers a hitherto hidden room on their estate. The room is surrounded by mirrors and curious sexual devices; when Spaak takes a peek at hubby’s diary, she learns he was carrying on a secret life that made Sacher-Masoch and Krafft-Ebbing look like pikers. Deciding that if you can’t beat ‘em, join ‘em, Spaak begins to conduct her own kinky sex life. Doctor Jean-Louis Trintigant, who sincerely loves Spaak, tries to deflect her from whips, boots and handcuffs, but before long he too succumbs to the seductions of aberrant behavior. Libertine was originally released in Italy as La Matriarca.

An intense film about time travel, this sci-fi entry was directed by Terry Gilliam, a member of the comedy troupe Monty Python. The film stars Bruce Willis as James Cole, a prisoner of the state in the year 2035 who can earn parole if he agrees to travel back in time and thwart a devastating plague. The virus has wiped out most of the Earth’s population and the remainder live underground because the air is poisonous. Returning to the year 1990, six years before the start of the plague, Cole is soon imprisoned in a psychiatric facility because his warnings sound like mad ravings. There he meets a scientist named Dr. Kathryn Railly (Madeleine Stowe) and Jeffrey Goines (Brad Pitt), the mad son of an eminent virologist (Christopher Plummer). Cole is returned by the authorities to the year 2035, and finally ends up at his intended destination in 1996. He kidnaps Dr. Railly in order to enlist her help in his quest. Cole discovers graffiti by an apparent animal rights group called the Army of the Twelve Monkeys, but as he delves into the mystery, he hears voices, loses his bearings, and doubts his own sanity. He must figure out if Goines, who seems to be a raving lunatic, holds the key to the puzzle.

Satan’s son has arrived on Earth and He’s not about to let human parents get in the way. When his wife Katherine’s (Lee Remick) pregnancy ends in a stillbirth in a Rome hospital, U.S. diplomat Robert Thorn (Gregory Peck) substitutes another baby, whose mother died. Little Damien (Harvey Stephens) thrives, but, at his fifth birthday party, his nanny mysteriously dies; Father Brennan (Patrick G. Troughton) also expires after warning Thorn that he has adopted Lucifer’s son. While sinister new nanny Mrs. Baylock (Billie Whitelaw) assiduously protects Damien, Thorn’s fears escalate when photographer Jennings (David Warner) shows him pictures from Damien’s party with marks suggesting how the nanny and Brennan would die. Thorn seeks out Bugenhagen (Leo McKern), an exorcist who confirms Damien’s identity and tells Thorn that the only solution is to kill his adopted son. As the bodies pile up, Thorn tries to do his duty, but trust the law to get in the way of saving the world from future Armageddon.

John Hughes sticks to his seemingly fool-proof formula for success in Baby’s Day Out, a cross-pollination of Home Alone and a Swee’ Pea cartoon. The plot seems all-too familiar: posing as baby photographers, a group of three would-be kidnappers (led by the usually outstanding character actor Joe Pantoliano) enter an unsuspecting wealthy Chicago couple’s home and make off with Baby Bink after leaving a ransom note. However, while waiting for the delivery of the ransom money, Baby Bink manages to escape and subsequently embarks on a series of cutesy-poo adventures in downtown Chicago (including a crawl through a skyscraper construction site), leaving the hapless crooks in hot pursuit.

This big-budget sequel from writer/director Stephen Sommers navigates much of the same cliffhanger territory as George Lucas and Steven Spielberg’s Indiana Jones franchise. It is 1933, eight years after the events of The Mummy (1999). Legionnaire Rick O’Connell Brendan Fraser has married his Egyptologist girlfriend Evelyn Carnahan (Rachel Weisz) and the couple has settled in London, where they’re raising their young son Alex (Freddie Boath). The family’s domestic tranquility is shattered when the 3,000-year-old mummified corpse of Imhotep (Arnold Vosloo), which has been shipped to the British Museum, is resurrected once again to resume his evil quest for immortality. In the meantime, another ancient threat emerges in the form of the Scorpion King (professional wrestler Dwayne Johnson, aka. the Rock), a mighty warrior frozen in time with his supernatural army. In order to save his family, Rick is forced to seek a mythical pyramid of gold, facing marauding bands of pygmy skeletons, among other hazards. The Mummy Returns co-stars John Hannah, Oded Fehr, and Patricia Velasquez.

Robin Williams’s dizzying and hilarious voicing of the Genie is the main attraction of Aladdin, the third in the series of modern Disney animated movies that began with 1989’s The Little Mermaid and heralded a new age for the genre. After a sultan (Douglas Seale) gives his daughter, Jasmine (Linda Larkin), three days to find a husband, she escapes the palace and encounters the street-savvy urchin Aladdin (Scott Weinger), who charms his way into her heart. While the sultan’s Vizier, Jafar (Jonathan Freeman), weaves a spell so that he may marry Jasmine and become sultan himself, Aladdin discovers the Genie’s lamp in a cave, rubs it, and sets the mystical entity free, leading the Genie to pledge his undying loyalty to the dazzled youth. Aladdin begins his quest to defeat Jafar and win the hand of the princess, with the Genie’s help. Monsters, Disney’s trademark talking animals, and a flying carpet all figure into the ensuing adventures, but Williams’ Genie, who can change into anything or anybody, steals the show as he launches into one crazed monologue after another, impersonating figures from Ed Sullivan to Elvis Presley.

In this first sequel to 1989’s Batman, the Caped Crusader (Michael Keaton) is up against the Penguin (Danny DeVito), the hideously deformed scion of a wealthy Gotham City family. The Penguin plots with evil businessman Max Schreck (Christopher Walken) to become mayor and then turn Gotham into a cathedral of crime. Upon overhearing these plans, Schreck’s mousy secretary Selena Kyle (Michelle Pfeiffer) is tossed from a high-rise window by her boss. Rescued by a covey of kittens, Selena transforms into the leather-clad Catwoman. In this guise, she teams with the Penguin and Schreck to divvy up their ill-gotten gains and help discredit Batman-but she also has her own scores to settle. Paul “Pee-Wee Herman” Reubens, Vincent Schiavelli and Jan Hooks play significant bits, while Pat Hingle and Michael Gough make returns as, respectively, Commissioner Gordon and Alfred the Butler.