Bovie Movie

Mimi Leder (The Peacemaker) directed this science-fiction disaster drama about the possible extinction of human life after a comet is discovered headed toward Earth with the collision only one year away. Ambitious MSNBC reporter Jenny Lerner (Tea Leoni) stumbles onto the story, prompting a White House press conference. United States President Beck (Morgan Freeman) announces the government’s solution: a team of astronauts will travel to the comet and destroy it. The team leader aboard the spaceship Messiah is Spurgeon Tanner (Robert Duvall), who was once the last man to walk on the moon. However, the mission fails, splitting off a chunk of the comet, now due to land in the Atlantic with the impact sending a 350-foot tidal wave flooding 650 miles inland, destroying New York and other cities. The larger part of the comet, hitting in Canada, will trigger an E.L.E. (Extinction Level Event), not unlike a “nuclear winter” as dust clouds block out the sun and bring life to an end. President Beck reveals Plan B: a cavernous underground retreat constructed to hold one million Americans, with most to be selected through a national lottery. Since teenage amateur astronomer Leo Biederman (Elijah Wood) discovered the comet, his family gets a pass to enter the cave, but his girlfriend Sarah (Leelee Sobieski) and her parents will be left behind. Meanwhile, still in space, Spurgeon Tanner devises a plan for a kamikaze-styled operation that could possibly save the Earth. Special visual effects by Scott Farrar and Industrial Light & Magic.

Independent filmmaker Jacob Aaron Estes makes his feature debut with the coming-of-age drama Mean Creek. Rory Culkin, Ryan Kelley, Scott Mechlowicz, Josh Peck, Trevor Morgan, and Carly Schroeder are teenagers living in small-town Oregon. Some of the boys take a boat trip for a birthday celebration. When they get an idea to play a mean trick on the town bully, it suddenly goes too far. Soon they’re forced to deal with the unexpected consequences of their actions. Mean Creek was workshopped at the Eugene O’Neill Center’s National Playwrights Conference and premiered at the Sundance Film Festival as part of the American Spectrum program.

Opening with a silent “movie” of Butch Cassidy’s Hole in the Wall Gang, George Roy Hill’s comically elegiac Western chronicles the mostly true tale of the outlaws’ last months. Witty pals Butch (Paul Newman) and Sundance (Robert Redford) join the Gang in successfully robbing yet another train with their trademark non-lethal style. After the pair rests at the home of Sundance’s schoolmarm girlfriend, Etta (Katharine Ross), the Gang robs the same train, but this time, the railroad boss has hired the best trackers in the business to foil the crime. After being tailed over rocks and a river gorge by guys that they can barely identify save for a white hat, Butch and Sundance decide that maybe it’s time to try their luck in Bolivia. Taking Etta with them, they live high on ill-gotten Bolivian gains, but Etta leaves after their white-hatted nemesis portentously arrives. Their luck running out, Butch and Sundance are soon holed up in a barn surrounded by scores of Bolivian soldiers who are waiting for the pair to make one last run for it.

In The Alibi, clever, ruthless nightclub mind-reader Prof. Winckler (Erich von Stroheim) murders an old enemy and bribes the nightclub hostess Helene (Jany Holt) into saying that they were together for the entire night. However, police investigator Calas (Louis Jouvet) doesn’t believe the alibi and pursues the investigation. The Alibi is well-directed by Pierre Chenal who makes the most of his interesting cast. Louis Jouvet is outstanding as the very intelligent and cunning police inspector. Erick von Stroheim, at the end of his career, gives a showing, scene-stealing and quite menacing performance as Wincler. This fine French production, shown with subtitles, has a well-conceived and executed premise and an excellent score, partially composed by the innovative Georges Auric.

A rag-tag group of con artists and ex-cons team up for the heist to end all heists in this high-profile remake of the 1960 Rat Pack favorite. As with its predecessor, Ocean’s Eleven opens with its titular hero Danny Ocean (George Clooney stepping into the Frank Sinatra role) eager for a new challenge. The similarities to the original end there, as Ocean conspires with his old pal Rusty Ryan (Brad Pitt) to rob 150 million dollars from an underground vault that serves three of Las Vegas’ biggest casinos. Between the two of them, they recruit nine other men, each with his own criminal specialty, to assist in the mission: moneyman Reuben Tishkoff (Elliot Gould), card dealer Frank (Bernie Mac), pickpocket Linus (Matt Damon), aging con artist Saul (Carl Reiner), British explosives pro Basher (Don Cheadle), techie Dell (Eddie Jemison), rude-boy brothers Virgil (Casey Affleck) and Turk (Scott Caan), and professional acrobat Yen (Shaobo Qin). What Ocean doesn’t tell the group is that there’s another reason he’s coordinating the heist: the three casinos they’re robbing are all owned by ruthless gambling mogul Terry Benedict (Andy Garcia), who just happens to be married to Ocean’s former love Tess (Julia Roberts). Ocean’s Eleven was updated by scribe Ted Griffin and marked the third feature shot by director Steven Soderbergh under the alias Peter Andrews.

Even though Charles Bronson doesn’t carry a gun in this feature, there are still plenty of the fights, car chases, and explosions — all hallmarks of Bronson’s action films. Bronson plays Denver Tribune crime reporter Garrett Smith, who investigates the murder mystery of a Mormon family. Smith tries to mediate between rival factions who have broken off from the Salt Lake theology and are carrying on a bloody feud.

Laramie, WY, is a small town which became infamous overnight in the fall of 1998, when Matthew Shepard, a gay college student, was found tied to a fence after being brutally beaten and left to die, setting off a nationwide debate about hate crimes and homophobia. A month after the crime, Moises Kaufman, a writer and director with the New York City theater troupe the Tectonic Theater Project, traveled to Laramie with a handful of actors to interview people who lived in and around Laramie in preparation for an upcoming production; Kaufman’s goal was to create a play that focused not on the assault on Matthew Shepard, but on the community where such an attack could happen, and how many of the citizens reacted to the crime. The result was The Laramie Project, which was first performed in early 2000, and was performed in Laramie in the fall of that year, two years after Kaufman and his associates first arrived in the city. The Laramie Project is a film adaptation of Kaufman’s play, in which the thoughts and opinions of Laramie residents from all points of the political spectrum are presented alongside re-enacted excerpts from the trials of the two men who attacked Matthew Shepard. Produced for the premium cable network HBO, The Laramie Project was adapted for the screen by Moises Kaufman, who served as both writer and director. The distinguished cast includes Dylan Baker, Steve Buscemi, Peter Fonda, Janeane Garofolo, Laura Linney, Amy Madigan, Camryn Manheim, Christina Ricci, and Frances Sternhagen.