Bovie Movie

Following the death of her drug-addicted mother, a whimsical young girl follows her chemically dependent father to a remote prairie house to discover a wondrous world of magical fireflies and nocturnal bog men in this hallucinatory childhood fantasy from visionary filmmaker Terry Gilliam. Noah (Jeff Bridges) is a burnt-out rock star whose post-superstar voyage to obscurity is hastened by a serious drug addiction that is also shared with his wild-eyed wife (Jennifer Tilly). When the Noah’s increasingly erratic wife suffers a fatal overdose, the faded rock star opts to escape the painful reality by retreating to a ramshackle remote home with his young daughter, Jeliza-Rose (Jodelle Ferland). Left to her own devices as her father stumbles about the grasslands in a drug-induced haze, Jeliza-Rose soon ventures into her own fantasy land before making the acquaintance of mentally challenged youth Dickens (Brendan Fletcher). As the two become fast friends and Jeliza-Rose joins the swimsuit-clad Dickens in defeating the menacing shark that traverses the nearby railways, the pair are watched over by Dickens’ black-clad sister, Dell (Janet McTeer), who acts as Dickens’ guardian and whose overly enthusiastic interest in the art of taxidermy borders on obsessive.

Gore Verbinski, the TV-commercials director responsible for the Budweiser frogs, directed this Adam Rifkin screenplay about two brothers (Nathan Lane and Lee Evans) who inherit a string factory and a decaying country home after the death of their father (the late William Hickey, in his last role). After moving in, they learn that the house has historical architectural importance and is valued in the millions. However, they are constantly tormented by a mouse within the walls. They engage in cartoon-like combat against the rodent, but it manages to outwit the brothers in successive situations. Both live and animatronic mice portray the title role, and some scenes assume the mouse’s point of view. The film is dedicated to William Hickey.

Three kids have an unexpected adventure as they try to protect some rare birds in this comedy drama based on a book for young adults by Carl Hiaasen. Roy Eberhardt (Logan Lerman) is a 14-year-old boy whose family has moved so often he’s literally lost count of the number of times he’s changed schools in the last ten years. Roy ought to be used to being the new kid at school by now, but making the switch from the big sky of Montana to the Gulf Coast of Florida proves to be a major challenge. While Roy quickly becomes the target of school bully Dana Matherson (Eric Phillips), he’s befriended by Beatrice Leep (Brie Larson), a spunky girl with enough nerve to stand up to Dana, and her brother Mullet Fingers (Cody Linley). Beatrice and Mullet share their big secret with Roy — they have a hidden hideaway where they look after a flock of wild owls. The owls in question are on the endangered species list, but that’s of little concern to Chuck Muckle (Clark Gregg), a top executive from the Mother Paula’s All-American Pancake House chain, who is planning to build a new restaurant in the hollow where the owls nest. Roy, Beatrice, and Mullet are determined to find a way to save the owls, but Muckle and his right-hand man, Curly Brannitt (Tim Blake Nelson), are less interested in saving the birds than in turning a profit. The kids have a plan, however, and they uncover some evidence of interest to David Delinko (Luke Wilson), a well-meaning but slow-witted policeman investigating some dirty doings tied in to the pancake house. Hoot features a handful of new recordings from popular Florida musician Jimmy Buffett, who also helped produce the film.

Director Kenneth Branagh’s interpretation of Mary Shelley’s classic horror novel stars Robert DeNiro as a terrifying monster created in an obsessive attempt to defeat death and stretch the limits of medicine in the early 19th century. With the use of flashback, a dying Dr. Viktor Frankenstein (Kenneth Branagh) divulges a tale of gruesome terror to a sea captain (Aidan Quinn): As a medical student, the rebellious Frankenstein elaborates on the work of a brilliant scientist (John Cleese), successfully bringing to life a “man” assembled from the body parts of corpses. Upon realizing the destructive consequences of his experiment, Dr. Frankenstein abandons the creature and attempts to return to a normal life with his medical partner, Henry (Tom Hulce), and his fiancée (and adopted sister), Elizabeth (Helena Bonham Carter). In the meantime, the nameless creature struggles with loneliness and rejection from society until he sets out to track down his creator in search of one of two things: a bride to keep him company or revenge. Mary Shelley’s Frankenstein (1994) was produced by Francis Ford Coppola, who previously directed and produced monster-drama Bram Stoker’s Dracula (1992).

For the third film in this series, Alex D. Linz replaced Macaulay Culkin as the central figure. Four industrial spies acquire a missile guidance-system computer chip and smuggle it through an airport inside a remote-controlled toy car. Because of baggage confusion, grouchy Mrs. Hess (Marian Seldes) gets the car. She gives it to her neighbor, eight-year-old Alex (Linz), just before the spies turn up. The spies rent a house in order to burglarize each house in the neighborhood until they locate the car. Home alone with the chicken pox, Alex calls 911 each time he spots a theft in progress, but the spies always manage to elude the police — while Alex is accused of making prank calls. The spies finally turn their attentions toward Alex, unaware that he has rigged devices to cleverly booby-trap his entire house.