Bovie Movie

Ang Lee directs the live-action feature film The Hulk, based on the Marvel comic book created by Stan Lee and illustrated by Jack Kirby. Emotionally stunted Dr. Bruce Banner (Eric Bana) is part of a research team at the University of California at Berkeley. Corporate hustler Glenn Talbot (Josh Lucas) takes notice of the lab and makes plans to take it over. Then Bruce accidentally gets hit by an experimental ray and grows into a huge beast, destroying the lab in the process. A creepy janitor who claims to be his real father, Dr. David Banner (Nick Nolte), starts to secretly use the experimental ray on himself. He creates some mutant dogs and sends them after Bruce’s lab mate and ex-girlfriend Betty Ross (Jennifer Connelly). After Bruce saves her life in the form of the Hulk, she lets her distant father, General Ross (Sam Elliott), take him to an abandoned army base in the desert. However, Glenn Talbot takes over the operation and wants to patent the creature’s superpowers for his own profit, so he holds Bruce unconscious in an isolation tank. When provoked, Bruce turns into the Hulk and makes a break for San Francisco, leading to a desert chase sequence involving military aircraft, tanks, and bombs. Only the sight of Betty can make him turn back to his human form. When he is eventually captured, Dr. David Banner shows up for a final confrontation with his son and his old adversary, General Ross.

Laid up with a broken leg, photojournalist L.B. Jeffries (James Stewart) is confined to his tiny, sweltering courtyard apartment. To pass the time between visits from his nurse (Thelma Ritter) and his fashion model girlfriend Lisa (Grace Kelly), the binocular-wielding Jeffries stares through the rear window of his apartment at the goings-on in the other apartments around his courtyard. As he watches his neighbors, he assigns them such roles and character names as “Miss Torso” (Georgine Darcy), a professional dancer with a healthy social life or “Miss Lonelyhearts” (Judith Evelyn), a middle-aged woman who entertains nonexistent gentlemen callers. Of particular interest is seemingly mild-mannered travelling salesman Lars Thorwald (Raymond Burr), who is saddled with a nagging, invalid wife. One afternoon, Thorwald pulls down his window shade, and his wife’s incessant bray comes to a sudden halt. Out of boredom, Jeffries casually concocts a scenario in which Thorwald has murdered his wife and disposed of the body in gruesome fashion. Trouble is, Jeffries’ musings just might happen to be the truth. One of Alfred Hitchcock’s very best efforts, Rear Window is a crackling suspense film that also ranks with Michael Powell’s Peeping Tom (1960) as one of the movies’ most trenchant dissections of voyeurism. As in most Hitchcock films, the protagonist is a seemingly ordinary man who gets himself in trouble for his secret desires.

Ralph Fiennes plays a grown man haunted by his childhood in David Cronenberg’s stylized psychological drama Spider. Upon his release from a mental institution, Spider (Fiennes) takes up residence in a halfway house. Paranoid, quiet, and forever making notes, Spider spends much of the film remembering scenes from his youth, specifically a horrific event from his childhood that occurred after he came to believe that his father (Gabriel Byrne) was having an affair on his mother (Miranda Richardson). The psychological terror builds to a climax that challenges how much the viewer can believe Spider’s recollections of the event. Bradley Hall plays Spider as a boy, and Richardson portrays many different women who come into contact with Spider. Spider was screened in competition at the 2002 Cannes Film Festival.