Bovie Movie

A family is touched by the shadows of hatred and violence in this Australian drama adapted from a short story by Raymond Carver. Stewart (Gabriel Byrne) and Claire (Laura Linney) are a married couple in their early 40’s; Stewart runs a gas station while Claire looks after their son Tom (Sean Rees-Wemyss). Tom has been grounded for the weekend after killing a small animal with his friend Caylin (Eva Lazzaro), and Claire keeps an eye on him while Stewart goes off on a fishing trip with his pals Carl (John Howard), Rocco (Stelios Yiakmis) and Billy (Simon Stone). After arriving at their favorite fishing spot, Stewart finds the naked body of a woman floating down the river; unknown to him, Gregory (Chris Haywood), an elderly man riddled with race hatred, killed Susan (Tatea Reilly), a young woman of Aboriginal heritage, and dumped her body in the water. Believing they wouldn’t be able to drive to town to report finding the body and get back to make camp before nightfall, Stewart decides to wait until morning to contact the police, and ties a line to the corpse so it won’t float away. The next morning, Stewart and his friends decide not to spoil their trip and spend the day fishing; they don’t contact the police until after they return home on Monday. Stewart’s callous actions cast an ugly light on himself, his friends and his family, and Claire finds herself implicated in the crime through Stewart’s poor judgment. Named for an Aborigine word for a valley, Jindabyne received its world premiere at the 2006 Cannes Film Festival.

A few innocent women experience a nightmare before Christmas in this bloody thriller. Billy Lenz, a severely maladjusted child, finally snaps under years of brutal treatment by his family, killing and eating them in an explosion of violence on Christmas Eve. For years, the Lenz house stands vacant, but in time it’s purchased and renovated as the new home for a college sorority. A few days before Christmas, a handful of sorority sisters — Dana (Lacey Chabert), Melissa (Michelle Trachtenberg), Kelli (Katie Cassidy), and Heather (Mary Elizabeth Winstead) — are enjoying a quiet evening with their house mother, Barbara MacHenry (Andrea Martin), exchanging gifts and swapping stories before heading home for holiday break. While Barbara remembers the story of Billy’s crimes, the atmosphere is peaceful until the young women receive the first in a series of disturbing telephone calls. Before long, they learn that Billy has escaped after years in a mental institution, and has come back to the house where he grew up to once again spill blood for the Christmas season. Black Christmas is a remake of the 1974 horror film of the same name by director Bob Clark, who later made a less-threatening film about the Yuletide season, A Christmas Story; Andrea Martin, who plays the house mother, also appeared in the 1974 film as one of the sorority girls.

Acclaimed director David Fincher’s promising career was lucky to survive this astonishingly wrong-headed, almost universally despised second sequel to Alien (1979). The film careens into oblivion virtually from the beginning, as Lt. Ellen Ripley (Sigourney Weaver) is the only survivor of a crash-landing on a hellish, God-forsaken prison planet. Not only does the crash kill little Newt, completely obviating the entire point of the superior Aliens (1986), but Fincher then compounds his betrayal of that film’s fans by having Ripley attend the girl’s gruesome autopsy and barely bat an eye as the child’s chest is bloodily ripped open with a steel bonesaw. Things just go downhill from there, as the rather unthreatening rapists and murderers harass Ripley and curse a great deal before being torn apart by large fans, having their heads crushed by the unconvincing CGI alien, and finally volunteering to be murdered by the beast rather than letting the evil Company get hold of it. Fincher does the best he can with a terrible script, and there are some nice supporting turns by Charles S. Dutton, Charles Dance, and Brian Glover, but nothing could redeem the film’s first 15 minutes. By the time Ripley takes a suicidal swan-dive into a vat of molten lead, cradling a baby alien as it explodes from her chest, many viewers will not know whether to reach for the remote control or a warm bath and a razorblade. A loathsome experience by any standard, Alien 3 still made enough money for Weaver to return as a Ripley clone in Alien Resurrection (1997).

The Man of Steel returns to the big screen with this continuation of the icon’s film legacy that picks up after the events of the first two Christopher Reeve films. Some time has passed since the events of Superman II and the world has gotten used to life without Superman (Brandon Routh) ever since his puzzling disappearance years earlier. Upon his return, he finds a Metropolis that doesn’t need him anymore, while Lois Lane (Kate Bosworth) has moved on with another young suitor Richard White (James Marsden) in the meantime. As the hero begins to tackle the fact that life on Earth has continued without him, he is forced to face his old arch-nemesis Lex Luthor (Kevin Spacey) and restore the life that was once his. Directed by Bryan Singer from a script by the writing team of X-Men 2, Superman Returns marks a return to the screen for the man in tights, whose production history has seen many failed attempts including a famous near-miss from Tim Burton and Kevin Smith with Nicolas Cage in the lead role, along with another from director McG and writer J.J. Abrams (Lost). Singer eventually won the prestigious gig when he pitched the idea to not tackle the origin story again, but continue with director Richard Donner’s original vision.

The Killing Fields is a romanticized adaptation of an eyewitness magazine story by New York Times correspondent Sidney Schanberg. Covering the U.S. pullout from Vietnam in 1975, Schanberg (Sam Waterston) relies on his Cambodian friend and translator Dith Pran (Haing S. Ngor) for inside information. Schanberg has an opportunity to rescue Dith Pran when the U.S. army evacuates all Cambodian citizens; instead, the reporter coerces his friend to remain behind to continue sending him news flashes. Although his family is helicoptered out of Saigon (a recreation of the famous TV news clip), Dith Pran stays with Schanberg on the ground. Racked with guilt, Schanberg does his best to arrange for Dith Pran’s escape, but the Cambodian is captured by the dreaded Khmer Rouge. Accepting his Pulitzer Prize on behalf of Dith Pran, Schanberg vows to do right by his friend and extricate him from Cambodia. The rest of the film details Dith Pran’s harrowing experiences at the hands of the Khmer Rouge, and his attempt to escape on his own. The Killing Fields won Academy Awards for Hang S. Ngor (a Cambodian doctor who lived through many of the horrific events depicted herein), cinematographer Chris Menges, and editor Jim Clark; an Oscar nomination went to Roland Joffe, who made his directorial debut with this film. Spalding Gray, who played a small role in the film, later elaborated on this experiences in his one-man stage presentation Swimming to Cambodia.

Director Kevin MacDonald teams with screenwriter Jeremy Brock to adapt Giles Foden’s novel detailing the brutal reign of Ugandan dictator Idi Amin as seen through the eyes of his personal physician. James McAvoy stars as the doctor who slowly realizes that he is trapped in an inescapable nightmare, and Forest Whitaker assumes the role of the notorious despot.

Featuring a majestic score by Ennio Morricone and lush Oscar-winning cinematography by Chris Menges, Roland Joff?’s The Mission examines the events surrounding the Treaty of Madrid in 1750, when Spain ceded part of South America to Portugal, and turns this episode into an allegory for the mid-’80s struggles of Latin America. Two European forces are on hand to win the South American natives over to imperialist ways. The plunderers want to extract riches and slaves from the New World. The missionaries, on the other hand, want to convert the Indians to Christianity and win over their souls. Mendoza (Robert De Niro) is an exploiter dabbling in the slave trade. But after he kills his brother Felipe (Aidan Quinn) in a fit of rage, he seeks redemption and calls upon the missionaries to assist him. After repeatedly climbing a cliff with a heavy weight as penance, Mendoza finds redemption and becomes a devout missionary at a settlement run by Gabriel (Jeremy Irons). The missionaries want to promote a new society in which the natives will live together in peace with the Spanish and the Portuguese. But this concept frightens the royal governors, who would rather enslave the natives than encourage peaceful coexistence between the Europeans and the Indians. They order the mission to be burned to the ground. But this event causes a rift between Gabriel, who wants to pray and pursue peaceful resistance, and Mendoza, who wants to take up arms and fight the Europeans.

Ten strangers are brought together during a weather emergency, only to discover a far greater danger awaits them in this suspense-drama. A sudden rainstorm in a remote desert town strands a disparate variety of people at a rundown motel. A convict sentenced to death, Malcolm Rivers (Pruitt Taylor Vince), is stuck in transit with his lawyer (Alfred Molina). Ginny and Lou (Clea DuVall and William Lee Scott) are a not-especially-happy pair of young marrieds on their honeymoon. Ed (John Cusack) is a bright and resourceful chauffeur working for actress Caroline Suzanne (Rebecca De Mornay). George York (John C. McGinley) is a concerned husband trying to find help for his wife (Leila Kenzle, who was struck by Caroline’s limo. Paris (Amanda Peet) is a prostitute who wants to move on to a better life. And Rhodes (Ray Liotta) is a police detective who has in his custody Robert Maine (Jake Busey), a dangerous and deranged criminal. As the rain pours down and motel manager Larry (John Hawkes) tries to care for his customers, one by one the unexpected guests begin losing their lives at the hands of a murderer. As the body count mounts, the stranded travelers struggle to find out who the killer is; however, they also learn each of them has a secret, and that their arrival at the motel has not been a matter of mere chance.

Laramie, WY, is a small town which became infamous overnight in the fall of 1998, when Matthew Shepard, a gay college student, was found tied to a fence after being brutally beaten and left to die, setting off a nationwide debate about hate crimes and homophobia. A month after the crime, Moises Kaufman, a writer and director with the New York City theater troupe the Tectonic Theater Project, traveled to Laramie with a handful of actors to interview people who lived in and around Laramie in preparation for an upcoming production; Kaufman’s goal was to create a play that focused not on the assault on Matthew Shepard, but on the community where such an attack could happen, and how many of the citizens reacted to the crime. The result was The Laramie Project, which was first performed in early 2000, and was performed in Laramie in the fall of that year, two years after Kaufman and his associates first arrived in the city. The Laramie Project is a film adaptation of Kaufman’s play, in which the thoughts and opinions of Laramie residents from all points of the political spectrum are presented alongside re-enacted excerpts from the trials of the two men who attacked Matthew Shepard. Produced for the premium cable network HBO, The Laramie Project was adapted for the screen by Moises Kaufman, who served as both writer and director. The distinguished cast includes Dylan Baker, Steve Buscemi, Peter Fonda, Janeane Garofolo, Laura Linney, Amy Madigan, Camryn Manheim, Christina Ricci, and Frances Sternhagen.