Bovie Movie

The fourth film in the Alien series, directed by Jean-Pierre Jeunet (Delicatessen, The City of Lost Children) at a cost of 70 million dollars, takes place aboard an immense ship, the Auriga, where General Perez (Dan Hedaya) heads a staff of seven science officers and 42 enlisted, all employed by United Systems Military (replacing the Company of the earlier films). The time is 200 years after the events of Alien 3. Scientists researching the aliens need hosts, and they rely on space mercenaries who make spacecraft raids to acquire bodies. The research requires an Alien Queen specimen, so Ellen Ripley (Sigourney Weaver) has been cloned from preserved blood samples. The scientific team then removes the baby Alien Queen from Ripley’s chest. Since the Ripley clone has alien DNA mixed into her genetic structure, she is not totally human. Later, a commercial freighter, the Betty, arrives with a crew of mercenaries — Elgyn (Michael Wincott), pilot Hillard (Kim Flowers), paralyzed mechanic Vriess (Dominique Pinon), space jock Johner (Ron Perlman), and junior mechanic Annalee Call (Winona Ryder) — who deliver a load of human hosts with alien eggs. Problems begin when the mercenaries take over the Auriga, and aliens escape to massacre humans. As the aliens attack, Ripley and the mercenaries try to reach the Betty in order to escape. Cinematography by Darius Khondji features the same ENR process he used on Seven, adding silver to the printing process to heighten contrasts, making the dark colors richer. An electric-blue tint was employed during the underwater firefight between the mercenaries and the aliens. For the more physical aspects of her role, Ryder got in shape with six hours of daily workouts. Although all previous films in the series were shot at London’s Pinewood Studios, filming of Alien Resurrection took place West Los Angeles soundstages with special effects in California and Paris.

David Lynch wades through dark waters in his adaptation of Frank Herbert’s cult science fiction novel. In condensing Herbert’s rambling and complex book by eliminating characters and compacting events, Lynch succeeds in rendering the story incomprehensible to those unfamiliar with the novel and making the film look like a sketchy greatest hits collection of the book for Herbert fans. The story takes place in the year 10,191. The universe is governed through a system of feudal rule, presided over by Padishah Emperor Shaddam IV (Jos? Ferrer), who appears to take his marching orders from something that resembles a talking vagina. In the kingdom are two rival houses — the House of Atreides and the House of Harkonnen. Each house is trying to gain dominion over the universe, but that dominion can only be gained by the house that controls the Spice, a special substance that permits the folding of time. The Spice is only available on the desert world of Arrakis, or Dune. Shaddam, tired of the feuding between the two houses, permits the Atreides to take over the Spice production on Dune, while secretly working with the Harkonnens to launch a sneak attack on the Atreides and destroy them. The leader of the Atreides is Duke Leto (J?rgen Prochnow), who rules with the help of his concubine Jessica (Francesca Annis) and son Paul (Kyle MacLachlan). The rival Harkonnens are headed by the pus-oozing degenerate Baron Vladimir Harkonnen (Kenneth McMillan, in a thoroughly through-the-roof performance) and his two unsavory nephews, Rabban (Paul L. Smith) and Feyd (Sting). When his father is murdered by the Harkonnens, Paul escapes to Dune, where he is greeted by the Fremen (the desert dwellers on Dune who prepare the Spice) as the messiah foretold in Fremen legend. Paul assumes the mantle of messiah and leads the Fremen in a revolt that topples the balance of power in the universe.

Based on the comic book miniseries by Alan Moore, The League of Extraordinary Gentlemen takes place in an alternate universe where the characters of several literary classics exist in reality. As if that weren’t enough, they’ve been assembled together in 1900 by Queen Victoria as a team of evil-fighting heroes. Among them are Allan Quatermain (Sean Connery) from H. Rider Haggard’s King Solomon’s Mines; Mina Harker (Peta Wilson) from Bram Stoker’s Dracula; Tom Sawyer (Shane West) from several works by Mark Twain; Dorian Gray (Stuart Townsend) from Oscar Wilde’s The Picture of Dorian Gray; Captain Nemo (Naseeruddin Shah) from Jules Verne’s 20,000 Leagues Under the Sea; The Invisible Man (Tony Curran) from H.G. Wells book of the same name; and several others. Working together, the odd assortment of characters must combine their powers to defeat a mysterious villain and save the world from certain destruction. Directed by Stephen Norrington (Blade), The League of Extraordinary Gentlemen also stars Jason Flemyng, Tom Goodman-Hill, and David Hemmings.

This 60-million-dollar science fiction suspense drama (marketed with an additional 25 million dollars), was adapted from the popular TV series The X-Files — arriving in theaters while the Emmy-winning series was still being aired, continuing plot threads familiar to many of the series’ 25 million viewers, and featuring several familiar recurring characters introduced during the previous five TV seasons. In 15,000 B.C., a strange creature attacks a caveman. Cut to present day, when a boy at the same North Texas spot falls into a pit and is contaminated by a black substance. When a bomb threatens the Dallas Federal Building, special FBI agents Fox Mulder (David Duchovny) and Dana Scully (Gillian Anderson) locate the device but are unable to prevent the explosion. The agency blames Mulder and Scully for the disaster, subjecting them to lengthy interrogations while trying to sever their partnership. In a bar, conspiracy theorist Kurtzweil (Martin Landau), a friend of Mulder’s father, tells Mulder about the group behind the explosion, the cover-up of the boy’s death, the bodies of four infected rescue workers removed from the Federal Building, the secret government, and the forthcoming plague. Mulder and Scully set out to find answers, and their investigation becomes a foray into the fantastic.

Adapted from the popular Sega arcade video game of the same name, director Uwe Boll’s action horror effort finds a group of partying teens stranded on an island and doing battle with a new breed of unusually mobile zombies. Looking for a place to party away spring break, college students Cynthia (Sonya Salomaa), Greg (Will Sanderson), and Karma (Enuka Okuma) hear rumors of a rave on a remote island in the Seattle area. Rushing to catch the party boat, the teens pick up friends Simon (Tyron Leitso) and Alicia (Ona Grauer), but discover upon arrival at the dock that the boat has set sail without them. Offering a few dollars to a local captain to hitch a ride to the island, the teens reach their destination only to find it eerily silent with no party in sight. Things go from bad to worse when the group is attacked by a mysterious creature, and they are forced to seek refuge in an old dark house on the island shore. Subsequently running into a few familiar faces and learning to their horror that the rave had been overrun by a horde of terrifying zombies, the group must now make one final bid for survival over the course of a long, blood-soaked night.

They’ve kept television viewers laughing for nearly 20 years, and now the most popular animated family on the small screen makes the leap into theaters as Homer, Marge, Lisa, Bart, ad Maggie embark on their first-ever feature-length adventure. Directed by David Silverman and written by a whole host of Simpsons veterans including Matt Groening and James L. Brooks, The Simpsons Movie also features special guest appearances by Albert Brooks among others.

A young man who has pledged his life to helping others finds himself in a pitched battle between two gangs of supernatural villains in this blend of horror story and action thriller. Michael Corvin (Scott Speedman) is a medical student who is heading home after a long day of school and work when he unexpectedly finds himself in the middle of what appears to be a rumble between two well turned-out street gangs. What Michael doesn’t know is he has witnessed a skirmish between two deadly underground communities, unknown to the mortal world, who are battling for supremacy — the Death Dealers, a tribe of vampires, and the Lycans, a band of werewolves. Selene (Kate Beckinsale) is a leading member of the Death Dealers who hears through the grapevine that the Lycans have plans to capture the aspiring doctor who witnessed their battle. Certain something is in the air, Selene begins following Michael around the city, and she finds herself growing emotionally attached to him. As Selene becomes more attracted to Michael, she becomes more convinced that the Lycans are planning a major attack against the Death Dealers, although vampire kingpin Kraven (Shane Brolly) is certain she’s crediting the Lycans with more intelligence than they can muster. As Selene shadows Michael, she finds herself wanting to protect him, but her longing becomes a handicap when he’s attacked by Lucian (Michael Sheen), the leader of the werewolf community, and the man she wants to save has now become a sworn enemy. Underworld was the first feature film from music video director Len Wiseman.

The spirit of the mega-hit Ghostbusters (1984) is intentionally recalled with this effects-heavy sci-fi comedy from the same director, Ivan Reitman, co-starring Dan Aykroyd and debuting on the 17th anniversary of the earlier film’s release. When a meteor bearing single-celled organisms crashes to the Earth, the life forms are initially confined to a cave. Before long the creatures are evolving at an exponentially rapid rate, resulting in fearsome aliens running amok and possibly spelling mankind’s doom, or at least the end of man’s domination over life on Earth. Investigating the phenomenon is a community college professor, Ira Kane (David Duchovny), his geologist friend Harry Block (Orlando Jones), wannabe fireman Wayne Green (Seann William Scott), and government scientist Allison Reed (Julianne Moore). Evolution also stars Ted Levine, Ethan Suplee, and Katharine Towne.

An unexpected transformation helps a workaholic attorney learn that there’s more to life than the courtroom in this remake of the 1959 Disney canine classic of the same name. Deputy District Attorney Dave Douglas (Tim Allen) takes his job in the halls of justice very seriously — so seriously in fact that his wife and family see considerably less of their frequently-absent husband and father than they would prefer. When a case involving an animal laboratory finds the distracted dad once again taking an extended leave of absence from his frustrated family, Douglas’ luck takes a turn for the worst after he is inadvertently infected by a top-secret genetic-mutation serum that transforms the two-legged lawyer into a four-legged sheepdog. Though his current situation has its drawbacks to be sure, the fly-on-the-wall perspective afforded to Douglas in his newfound state alerts the well-intending father and husband that all is not well on the home front. Moved by the unfulfilled needs of his neglected family and determined to become a better father if he can only shed his winter coat, Douglas’ unique new vantage point could offer just the motivation needed to bring the nefarious forces behind the serum to justice and win back his wife and kids once and for all.

In Slither, James Caan plays Dick Kanipsia, a recently paroled car thief whose plans to go straight are interrupted when his best pal Harry Moss (Richard B. Schull) is shot and killed. As he lies dying, Moss advises Kanipsia to seek out fellow crook Barry Fenaka (Peter Boyle), who knows where a huge amount of money stolen by Moss is hidden. Aware that he himself is a marked man, Kanipsia has to play it cool en route to Fenaka. This proves difficult when his erstwhile travelling companion, dopehead Kitty Kopetzky Sally Kellerman, robs a roadside diner in his presence. Since nothing is ever quite what it appears to be in Slither, perhaps we shouldn’t tell you any more. This truly serpentine tale served as the feature-film directorial debut of Howard Zieff, the former TV-commercial helmsman responsible for the famous Spicy Meatball ad.