Bovie Movie

In this raunchy comedy, Josh (Breckin Meyer), a student at a college in Ithaca, NY, videotapes his one-night stand with beautiful sorority girl Beth (Amy Smart). A few days later, Josh discovers that one of his friends accidentally mailed the homemade porn tape to his girlfriend, Tiffany (Rachel Blanchard), who is spending some time with her family in Austin, TX. Josh and his friends Barry (Tom Green), Kyle (D.J. Qualls), E.L. (Seann William Scott), and Rubin (Paulo Costanzo) borrow a car and hit the road in a desperate bid to intercept the tape before Tiffany loads it into her VCR; Beth, however, wants Josh for herself and has her own plans to track down Tiffany. Road Trip is the first fiction feature from director Todd Phillips, noted for such edgy documentaries as Hated: G.G. Allin & the Murder Junkies, Screwed, and Frat House. The cast also includes Fred Ward and Andy Dick.

Miramax Films darlings Robert Rodriguez and screenwriter Kevin Williamson teamed up for a high-school alien-horror film that they described as The Breakfast Club meets Invasion of the Body Snatchers. Dilapidated Herrington High is the location for a story about a school faculty taken over by outer-space creatures, forcing the students to take charge and kick some alien butt. School faculty members (Robert Patrick, Bebe Neuwirth, Salma Hayek, and Jon Stewart) are infested with rapidly reproducing space worms that take over their minds and bodies. But never fear, because at this school, between hazing the student body and having sex in the locker room, a Scooby-Doo-ish group of high school students is ready to fight back. The up-and-coming acting talent includes R&B singer Usher Raymond, Elijah Wood, Clea DuVall, Josh Hartnett, Shawn Hatosy, Laura Harris, and Jordanna Brewster. The story is nearly irrelevant, as the real stars are the action and lots of special effects.

Bill Murray, Dan Aykroyd, Harold Ramis and Ernie Hudson star as a quartet of Manhattan-based “paranormal investigators”. When their government grants run out, the former three go into business as The Ghostbusters, later hiring Hudson on. Armed with electronic paraphernalia, the team is spectacularly successful, ridding The Big Apple of dozens of ghoulies, ghosties and long-legged beasties. Tight-lipped bureaucrat William Atherton regards the Ghostbusters as a bunch of charlatans, but is forced to eat his words when New York is besieged by an army of unfriendly spirits, conjured up by a long-dead Babylonian demon and “channelled” through beautiful cellist Sigourney Weaver and nerdish Rick Moranis. The climax is a glorious sendup of every Godzilla movie ever made-and we daresay it cost more than a year’s worth of Japanese monster flicks combined. Who’d ever dream that the chubby, cheery Stay-Puft Marshmallow Man would turn out to be the most malevolent threat ever faced by New York City? When the script for Ghostbusters was forged by Dan Aykroyd and Harold Ramis, John Belushi was slated to play the Bill Murray role; Belushi’s death in 1982 not only necessitated the hiring of Murray, but also an extensive rewrite. The most expensive comedy made up to 1984, Ghostbusters made money hand over fist, spawning not only a 1989 sequel but also two animated TV series (one of them partially based on an earlier live-action TV weekly, titled The Ghost Busters.

Former Prada model and Road Trip co-star D.J. Qualls makes a bid for leading man status in this nerd-makeover comedy. Qualls stars as Dizzy, a dorky but delinquent high school student who’s determined to get expelled from his hellish high school — but ends up landing in jail instead. There he meets the intimidating, street-smart Luther (Eddie Griffin), himself a former geek, who takes Dizzy under his wing to teach him the art of being cool. Soon Luther and his pals have broken Dizzy of his meek, maladroit ways, and Dizzy is ready to start a new life at a new high school under a new name: Gil Harris. When Gil arrives at East Highland High — his former inmate reputation known to all — he quickly ingratiates himself with the cool kids and lays to waste any jocks who stand in his way. He even manages to date the school’s most coveted girl, Danielle (Eliza Dushku). But when a face from his past shows up, it seems that his facade as the big man on campus may be about to crumble. The New Guy also stars Zooey Deschanel and Lyle Lovett, and features cameos from rockers Henry Rollins, Gene Simmons, and Tommy Lee.

After incorporating elements of comic book style and design into many of his films, director Sam Raimi helms this straight-ahead, big-budget comic book adaptation, which also marks acclaimed young actor Tobey Maguire’s first dip into live-action blockbuster filmmaking. Spider-Man follows the template of the original Stan Lee/Steve Ditko source material, with hero Peter Parker an orphaned, intellectual teen loner living in Queens with his aunt (Rosemary Harris) and uncle (Cliff Robertson), and dreaming of the girl next door, Mary Jane (Kirsten Dunst). On a field trip to a Columbia University lab, Peter is bitten by a genetically altered spider and overnight he gains superhuman strength, agility, and perception. At first, Peter uses his powers for material gain, winning a wrestling match with a purportedly lucrative prize. But when Peter apathetically fails to stop a burglar from robbing the wrestling arena, a tragedy follows that compels him to devote his powers to fighting crime — as the superhero Spider-Man. When he’s not busy fighting crime in a spider suit, Peter moves into an apartment with his best friend, Harry (James Franco), and begins work as a photographer at the Daily Bugle. Meanwhile, his do-gooder alter ego finds a nemesis in the form of the Green Goblin (Willem Dafoe), a super-powered, megalomaniacal villain who happens to be the alter ego of Harry’s father, weapons-manufacturing mogul Norman Osborn. Spider-Man was written by the prolific blockbuster scribe David Koepp (Jurassic Park, Panic Room).

A hotshot thirtysomething record executive tries to win over the girl who once liked him only “as a friend” in this slapstick comedy. In high school, Chris Brander (Ryan Reynolds) was an overweight, maladroit teen who spent every waking moment with his co-ed pal Jamie Palamino (Amy Smart). On the verge of graduation, Chris is humiliated when his yearbook confession to Jamie — that he wants to be more than “just friends” — is read aloud. Jamie is flattered, but rebuffs his advances, and Chris spends the next decade transforming himself into a buff, callous ladies’ man. Assigned by his boss to sign his pop star ex-girlfriend Samantha James (Anna Faris), Chris finds himself stranded in New Jersey for the holidays, where he promptly sets out to find Jamie. But winning back the love of his life proves difficult, as Chris not only has to get back in touch with the sensitive teen he once was, but also fend off competition from another former geek, the guitar-playing Dusty (Chris Klein).

Why rent a dirty movie when you can make your own? That’s the can-do philosophy embraced by a handful of girl-crazy teens in this comedy. Fred (Tony Denman), Deacon (Erik von Detten), and Matt (Daniel Farber) are three high school kids who, like most teenaged boys, are obsessed with sex. Deacon has a part time job at a video rental shop with a large selection of adult films, and he’s been able to sneak porn titles out of the store on a regular basis, to the great enthusiasm of Matt and Fred, who not only enjoy the videos themselves but dub bootleg copies they sell to their classmates to make pocket money. However, when Deacon loses his job, the guys are left high and dry, until one of them gets an idea — they’ve seen enough porn movies to know what the average viewer expects from one, so why don’t they make one themselves? However, recruiting the performers necessary for such a project turns out to be harder than they expected, with exotic dancer Ashley (Sarah Jane Potts) and neighborhood bully Jake (Riley Smith) rising to the top of a very shallow talent pool. The first production from the guys is an unexpected success, but they soon discover that not everyone is happy with their good fortune, especially sleazy porn kingpin Vic Ramalot (Horatio Sanz), who isn’t interested in having more competition. Filmed under the title After School Special, Barely Legal also stars Tom Arnold, Amy Smart, and Dey Young.

The documentary directing team of Robert Pulcini and Shari Springer Berman makes their narrative feature debut with the biographical comedy drama American Splendor. Harvey Pekar (Paul Giamatti) is a comic book writer inspired by the work of his friend Robert Crumb (James Urbaniak). Pekar writes his comics about the sad monotony of everyday life, based on his own life in Cleveland, OH, working as a file clerk at a veteran’s hospital and spending his time reading books and listening to jazz. He meets up with Joyce Brabner (Hope Davis) and they enjoy a depressive relationship together. The filmmakers employ a combination of live-action film, video, and animation, including narration and commentary from the real-life Harvey Pekar. The screenplay was based on Pekar’s comic book series American Splendor, which he has been writing since 1976 on Dark Horse Comics, and the 1994 book-length comic Our Cancer Year, written by Pekar and Brabner. American Splendor won the Grand Jury Prize in the Dramatic Competition at the 2003 Sundance Film Festival.

How far will a man go to win the woman he loves? That’s the devilish question behind this satirical romantic comedy. Elliot Richards (Brendan Fraser), a low-level white-collar worker, has fallen in love with his co-worker Allison (Frances O’Connor), who barely knows he exists. Desperate to win her love, sad sack Elliot is approached by the Devil (Elizabeth Hurley), who offers him seven wishes in exchange for his soul. Elliot accepts, but none of his wishes works out quite the way that he had hoped; after transforming himself into a South American tycoon, a champion NBA basketball player, a famous author, the most sensitive man in the world, and even the president of the United States, Elliot discovers that the Devil has added a crucial loophole each time, and for all his troubles, Allison still isn’t interested in him. Directed by Harold Ramis, Bedazzled was adapted from the 1968 cult movie of the same name written by and starring Peter Cook and Dudley Moore.