Bovie Movie

Can a new marriage survive meddling friends, disapproving families, and some of the worst accommodations in Europe? That’s the question posed in this broad comedy. Tom Leezak (Ashton Kutcher) is a regular guy who likes sports and beer and tries to make ends meet working as a nighttime radio traffic reporter. Sarah McNerney (Brittany Murphy) is a beautiful young woman from a wealthy and privileged family who is trying to make a name for herself as a writer. Tom and Sarah have seemingly nothing in common, but that doesn’t stop them from falling in love. Sarah’s family doesn’t much care for Tom’s boorish ways, and Tom’s buddies think Sarah is too highbrow for him, but, if anything, this makes the couple all the more determined to be together, and they decide to get married and head off to Italy for a month-long honeymoon despite the pleas of those closest to them. However, even after the knot is tied, Sarah’s former beau, Peter Prentiss (Christian Kane), is dead set upon breaking up the happy couple, though as it turns out, a seemingly endless stream of bad luck and post-marital jitters may do the job for him. Just Married was written by Sam Harper, who claims to have loosely based the script on his own experiences on an ill-starred European honeymoon with his wife; fortunately, the couple’s marriage survived the experience.

Laid up with a broken leg, photojournalist L.B. Jeffries (James Stewart) is confined to his tiny, sweltering courtyard apartment. To pass the time between visits from his nurse (Thelma Ritter) and his fashion model girlfriend Lisa (Grace Kelly), the binocular-wielding Jeffries stares through the rear window of his apartment at the goings-on in the other apartments around his courtyard. As he watches his neighbors, he assigns them such roles and character names as “Miss Torso” (Georgine Darcy), a professional dancer with a healthy social life or “Miss Lonelyhearts” (Judith Evelyn), a middle-aged woman who entertains nonexistent gentlemen callers. Of particular interest is seemingly mild-mannered travelling salesman Lars Thorwald (Raymond Burr), who is saddled with a nagging, invalid wife. One afternoon, Thorwald pulls down his window shade, and his wife’s incessant bray comes to a sudden halt. Out of boredom, Jeffries casually concocts a scenario in which Thorwald has murdered his wife and disposed of the body in gruesome fashion. Trouble is, Jeffries’ musings just might happen to be the truth. One of Alfred Hitchcock’s very best efforts, Rear Window is a crackling suspense film that also ranks with Michael Powell’s Peeping Tom (1960) as one of the movies’ most trenchant dissections of voyeurism. As in most Hitchcock films, the protagonist is a seemingly ordinary man who gets himself in trouble for his secret desires.

The cranky beast with a heart of gold returns to the big screen in this sequel to the computer-animated smash hit Shrek. After massive green ogre Shrek (voice of Mike Myers) and his new bride, Princess Fiona (voice of Cameron Diaz), return from their honeymoon, they receive an invitation to visit Fiona’s parents, King Harold (voice of John Cleese) and Queen Lillian (voice of Julie Andrews), who are the monarchs of The Land Far, Far Away. However, the king and queen are more than a bit alarmed to discover their new son-in-law is a monster the color of algae, and that their daughter’s little problem with a magical spell gone wrong has turned into a full-time skin condition. Certain this isn’t the sort of “happily ever after” they dreamed of for their daughter, King Harold decides to take Shrek out of the picture and return Fiona to her former beauty with the help of Prince Charming (voice of Rupert Everett), the Fairy Godmother (voice of Jennifer Saunders), and ogre-slaying feline Puss in Boots (voice of Antonio Banderas). Shrek 2 also features the voice of Eddie Murphy returning as Donkey, as well as Larry King as an Ugly Stepsister.

Ten strangers are brought together during a weather emergency, only to discover a far greater danger awaits them in this suspense-drama. A sudden rainstorm in a remote desert town strands a disparate variety of people at a rundown motel. A convict sentenced to death, Malcolm Rivers (Pruitt Taylor Vince), is stuck in transit with his lawyer (Alfred Molina). Ginny and Lou (Clea DuVall and William Lee Scott) are a not-especially-happy pair of young marrieds on their honeymoon. Ed (John Cusack) is a bright and resourceful chauffeur working for actress Caroline Suzanne (Rebecca De Mornay). George York (John C. McGinley) is a concerned husband trying to find help for his wife (Leila Kenzle, who was struck by Caroline’s limo. Paris (Amanda Peet) is a prostitute who wants to move on to a better life. And Rhodes (Ray Liotta) is a police detective who has in his custody Robert Maine (Jake Busey), a dangerous and deranged criminal. As the rain pours down and motel manager Larry (John Hawkes) tries to care for his customers, one by one the unexpected guests begin losing their lives at the hands of a murderer. As the body count mounts, the stranded travelers struggle to find out who the killer is; however, they also learn each of them has a secret, and that their arrival at the motel has not been a matter of mere chance.

One of the most beloved American films, this captivating wartime adventure of romance and intrigue from director Michael Curtiz defies standard categorization. Simply put, it is the story of Rick Blaine (Humphrey Bogart), a world-weary ex-freedom fighter who runs a nightclub in Casablanca during the early part of WWII. Despite pressure from the local authorities, notably the crafty Capt. Renault (Claude Rains), Rick’s caf? has become a haven for refugees looking to purchase illicit letters of transit which will allow them to escape to America. One day, to Rick’s great surprise, he is approached by the famed rebel Victor Laszlo (Paul Henreid) and his wife, Ilsa (Ingrid Bergman), Rick’s true love who deserted him when the Nazis invaded Paris. She still wants Victor to escape to America, but now that she’s renewed her love for Rick, she wants to stay behind in Casablanca. “You must do the thinking for both of us,” she says to Rick. He does, and his plan brings the story to its satisfyingly logical, if not entirely happy, conclusion.